
Show Me the Body is a post-hardcore trio from New York consisting of drummer Jack McDermott, bassist Harlan Steed & frontman Julian Cashwan Pratt. For the past 17 years, they’ve dropped a total of 3 full-lengths as well as 3 extended plays & a couple mixtapes. A vast majority of which came out under Loma Vista Recordings other than Yellow Kidney in 2013, enlisting Connecticut producer Kenny Beats to produce their 4th studio LP in it’s entirety the same day FATHERS made their eponymous debut.
After the horn-heavy “Overture” intro, “Eat for Peace” blends post-hardcore with noise rock & hardcore punk talking about radical love compelling him to fight whereas “No God” combines post-hardcore & rap rock to discuss explaining that you gotta break down to realize what’s at stake. “Good Time” rebelliously expresses their desire of the band always lookin’ for some fun leading into “Dance in the USA” fusing post-hardcore, rap rock, industrial rock, noise rock & dance-punk encourages to embrace the struggle.
“Do What’s Right (Happy)” winds down the last half of Alone Together discussing the things that people do to keep them satisfied just before “See You Again” after an interlude militantly sings about no grave or cemetery being capable of missing the 2 friends they’ve recently lost. “Mileage” keeps hitting us with more hardcore vibes boasting that they’re fueled up while “New Line” sings about a woman running back to her man after a couple days.
The song “Trust” could potentially be the catchiest one here detailing the struggles of finding reliability in people while the “Finale” was really the 3rd & final spoken word intermission preceding the “Overture” intro & the interlude respectively. The title track spends Alone Together’s last minutes dabbling with industrial rock, posing the question of friend or foe since it’s either one or the other & sending blessings to the people who’re standing individually.
Dog Whistle often gets mentioned as Show Me the Body’s most celebrated album even if some would debate it was surpassed by Trouble the Water, but the NYHC outfit might’ve outdone both of those. Kenny Beats’ dichotic production soundtracks Julian Cashwan Pratt’s themes of putting belief in action more hardcore punk & noise rock-oriented although there are lesser influences of industrial rock, post-hardcore & rap rock being displayed.
Score: 4/5
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