Tag: Century Media Records

Mayhem – “Liturgy of Death” review

Mayhem is a black metal band from Oslo, Norway currently comprised of bassist Necrobutcher, drummer Hellhammer, guitarist Teloch, secondary guitarist Charles Hedger & frontman Attila Csihar. Considered pioneers in the most extreme metal subgenre imaginable, their 1994 debut De Mysteriis Dom Sathanas is considered to be some of the greatest black metal ever recorded & the sophomore effort Grand Declaration of War would go for a more avant-garde direction. Can’t forget to mention one of their original frontmen Dead taking his own life only for the photo of the aftermath to be used as the coverart for a live bootleg or original guitarist Euronymous being murdered by the most notorious black metal musician of all-time Varg Vikernes a.k.a. Burzum. Chimera & Ordo ad Chao were both great even though Esoteric Warfare near the end of my junior year of high school holds a special place in my heart today, returning for their 7th album almost 7 years since Daemon.

“Ephemeral Eternity” infernally starts us off singing about death ruling everything without any exceptions whereas the 2nd single “Despair” combines elements of their signature black metal style & progressive metal suggesting the reaper’s already here & has supremacy over us all. “Weep for Nothing” takes a more dissonant black metal approach stylistically singing about the world around us falling apart & leaving no remains leading into “Aeon’s End” making a statement regarding every civilization meeting their demise.

To begin the Liturgy of Death’s other half, “Funeral of Existence” describes the point in life where everything decays & loses all meaning while the 3rd & final single “Realm of Endless Misery” goes for a more traditional black metal vibe singing about existence functioning as part of suffering. “Propitious Death” looks at dying from the perspective of being freed from life’s repetitions & “The Sentence of Absolution” finishes with the realization that greatest deception has been the idea of human life the whole entire time.

Determined to push the boundaries of extremity itself even further over 4 decades later, Mayhem reaffirms their status as the most uncompromising force in all of Norwegian black metal reaching an entirely different apex of darkness by making Liturgy of Death yet another testament to their longevity. It’s easily the most progressive & dissonant the band has sounded since Esoteric Warfare & I commend Attila for deepening his research on the idea of every living being inevitably passing away since it’s been such a prominent theme within the dark arts.

Score: 4/5

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Body Count – “Merciless” review

Body Count is a crossover thrash/rap metal band fronted by the O.G. of gangsta rap, actor, songwriter, producer & author Ice-T. Introducing themselves with an acclaimed posthumous debut, their next 2 offerings Born Dead & Violent Demise: The Last Days proved to be additionally well received although Murder 4 Hire marked their return after a near-decade long hiatus to mixed feedback. Manslaughter became Body Count’s strongest body of work since their debut, later resulting in Bloodlust & Carnivore maintains that consistency. Considering the steadily consistent output, the band’s 8th album had me anticipating it.

After the “Interrogation” intro, the title track starts us off on some rap metal shit talking about having only 1 life to live & 0 fucks left to give whereas “The Purge” featuring Cannibal Corpse frontman George “Corpsegrinder” Fisher embraces more of a death metal vibe drawing inspiration from the titular film franchise conceptually. “Psychopath” brings back the rap metal sound showing his psychotic tendencies leading into “Fuck What You Heard” dissing the Democrips & Bloodpublicans since he taught me both wings are on the same bird.

“Live Forever” featuring Howard Jones raps over more heavy metal production about the idea of immortality while “Do or Die” promises that no one is safe from the war that’s going on outside & that it’s either kill or be killed the way Ice-T sees it. “Comfortably Numb” featuring David Gilmour is a cover of the Pink Floyd track of the same name & religious beef prior to “Lying Motherfucka” blasting the United States president-elect Donald Trump.

Sepultura co-founder Max Cavalera joins Body Count for the song “Drug Lords” talking about the world we’re living in being in complete chaos as it is covering it all up using lies & schemes while “World War” talks about the possibility of World War III turning our own inner cities into battle grounds with the possibility of it all getting set off either next year or maybe tonight as we speak. “Mic Contract” finishes Merciless in the form of this 1 final rap metal joint wanting his muhfuckin’ money.

After persevering through personal tragedies along with social opposition & an army of naysayers, Ice-T & company emerges bloody but unbroken & with more rage than ever to the point where you can’t take any more & you’re done. The metal production is on par with their last couple Body Count offerings & the west coast O.G. himself doesn’t let up venting genuine anger through the iconoclastic lyrics.

Score: 4/5

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