Yelawolf – “Mile 0” review

Yelawolf is a 41 year old rapper, singer/songwriter, fashion designer & entrepreneur from Gassen, Alabama coming up on the scene as a contender on The Road to Stardom in 2005. His debut album Creekwater that same year, but didn’t catch the mainstream’s attention until New Year’s Day 2010 off the strength of his 4th mixtape Trunk Muzik. This caught the attention of Detroit icon Eminem, who signed Catfish Billy to his Interscope Records imprint Shady Records the following year. Yelawolf went on to release 4 albums under his contract with Slim, leaving in Spring 2019 to focus on continuing to build his own label Slumerican Records. Dude’s been staying busy all month by dropping a project damn near each week & to come fresh off his latest EP Slumafia produced entirely by DJ Paul, we’re being treated to another EP produced entirely by DJ Muggs of Cypress Hill fame.

“W.T.F. (What the Fuck?)” kicks the whole thing off by Yelawolf depicting his seriousness on top of an string-laced boom bap beat & the next song “Geeyat Damnit” featuring Jelly Roll recaptures that sound except with a piano being weaved in as he spits about how he’s “getting it”. B-Real hops aboard the cavernous, money-stacking anthem “Hand Over Fist” in a natural fashion before diving into the cinematic, rags-to-riches story “Harvest” featuring Struggle Jennings.

“The Catch” is a breezy, romantic boom bap track while Caskey of course joins Catfish Billy for the rich tribute to success that is “Matador”. The song “Flea Market” with Bub Styles is oxymoron giving that they’re rapping about keeping it g over a peaceful instrumental, but then longtime collaborator DJ Paul jumps on the mic accompanied by Del the Funky Homosapien of all people come together to talk about desired-reclusiveness for the spacey yet jazzy “Privacy”. As for the closer “Dust Broom”, I do appreciate it’s wretched tone despite Christian Rose & Sam Lee having the weakest features on the whole project.

Of all the projects Yelawolf has dropped in 2021 so far, I genuinely don’t know if anything can top Mile 0. Everything about it is a welcoming detour from what you’d expect from him in terms of his wise lyrics & the lo-fi sound DJ Muggs shoots for. Will I be proven wrong when Mud Mouth drops next Friday? Find out next time on Dragon Ball Z.

Score: 4/5

Flee Lord – “RAMM£LLZ££” review

This is the 15th EP from Queensbridge emcee Flee Lord. Blowing up in 2017 off his debut EP Loyalty or Death: Lord Talk & it’s 2018 sequel, the Prodigy protege continued to grow from there by dropping subsequent projects like Gets Greater Later & Loyalty & Trust. But after dropping every month last year (the most notable ones being Hand Me My Flowers as well as The People’s Champ & In the Name of Prodigy), Flee is teaming up with DJ Muggs to drop RAMM£LLZ££.

The titular intro is a cool little skit that I had expected going in, but then the first song “Eating Never Stressing” talks about how your life will be great if you work as hard as him over a bare organ loop. The next track “SA Mobbin’” talks about holding his block down over a doleful piano instrumental while the song “Driver’s Seat” pays tribute to Capone-N-N.O.R.E. over a misty boom bap beat.

The track “Wallabies & Gucci Loafers” with Ghostface Kilah & Roc Marciano finds the trio on their fly shit over a soul-tinged instrumental while the song “Mansions in the Ghetto” with Crimeapple sees the 2 talking about giving back to their people over some guitar-picking & horns. The track “45 in My Pocket” talks about how going back to the hood is stressful for him over a rich boom bap instrumental while the song “Daleon & Delgado” with TF finds the duo talking about shooting rounds at the sky over a beat kin to Daringer.

“The Equation” talks about hoping people follow his path when he’s gone over a deranged instrumental & while the penultimate track “Queens Get the $$$” with Meyhem Lauren sees the 2 talking about all being psychos over a boom bap beat with some rapid piano-playing throughout. The titular outro talks about going from having bad to making good paper over a sample of “I’m Alive” by Johnny Thunder.

Even though 2020 was the Year of the Lord, it’s starting to look like 2021 will be the Year of Muggs because this is a damn near perfect EP. Death & the Magician is still my Album of the Year as of me writing this review, but RAMM£LLZ££ is just as enjoyable because both parties manage to bring their A-game on here lyrically & sonically.

Score: 4.5/5

DJ Muggs – “Dies Occidendum” review

This is a brand new collection of beats from Queens-born albeit California based producer, deejay & audio engineer DJ Muggs. Coming up as 1/3 of The 7A3 alongside the Bouldin brothers in the late 80s, it would later go to become a household name in the west coast as the producer for Cypress Hill & the leader of the Soul Assassins collective. The Black Goat also has 3 solo albums under his belt, the latest being Winter just 3 months ago. However after lacing Rome Streetz’ latest album Death & the Magician to universal acclaim just a couple weeks ago, Muggs is continuing to stay busy by dropping Dies Occidendum.

The opener “Incantation” pretty much sets the tone for the album as it has an eerie, cavernous tone to it while the next track “The Chosen One” goes into a more trap/witch house direction & I really just can’t get enough of how evil the atmosphere of it is. “Nigrum Mortem” has a more distorted tone as it incorporates the sound of organs & guitars while the “Liber Null” instrumental feels like a wild rollercoaster with it’s multiple switch-ups throughout it’s 4 minute run. “Alphabet of Desire” has a more melancholic vibe in comparison to the previous cuts while the “Subconscious” instrumental goes into an industrial direction with hi-hats firing off like a minigun.

“Veni Vidi Amavi” is easily the most chilled out track of the bunch with it’s smokey atmosphere while the “Anointed” instrumental goes back into that trap sound except it contains these ghostly shrills throughout. The penultimate track “Anicca” starts with some dramatic string melodies, but then things get quiet for about 30 seconds until the bass & hi-hats hit & then the closer “Transmogrification” is dominated by cricket noises for a good bulk of it’s 5-minute runtime with the exception of some mystical-like harmonies during the first minute as well as the sounds of something burning during the last minute & a half.

I know we’re not even finished with the first quarter of 2021, but goddamn is Muggs on a roll right now. Death & the Magician is still very much my album of the year so far, but these are some of the darkest collection of sounds he’s put together in a while & is highly recommended to any Cypress Hill fan.

Score: 4/5

Rome Streetz – “Death & the Magician” review

Rome Streetz is a 34 year old MC from New York who broke out in 2016 off his debut mixtape I Been Thru Mad Shit. This was followed up by a plethora of projects, most notably the Noise Kandy tetralogy & Headcrack. He just dropped a dope project with Farma G on his birthday a few months back called Kontraband but as we close out the 2nd month of 2021, Rome is dropping his 5th full-length album produced entirely by DJ Muggs.

After the “6 of Cups” intro, the first song “Prayers Over Packages” talks about never slacking off over an otherworldly beat whereas the next track “Ace of Swords” talks about getting pieces to the puzzle over a gully instrumental. “The Manuscript” talks about his mind being focused on the money over a glum beat while the song “High Explosive” compares himself to a bomb over some horns.

The track “Zig Zag Zig” with Knowledge the Pirate finds the 2 talking about putting bitches in their place over a violin-tinged beat while the song “Stone Cold Soul” talks about clapping shit over a macabre instrumental. “The Devil’s Chord” talks about how the nights where he had nothing we’re eating him up inside over some ghoulish keyboard melodies & the sound of winds gusting by while the track “Shooting at the Dance Hall” gets on some disrespectful shit lyrically on top of a native-flavored beat for lack of a better term.

The song “Wheel of Fortune” talks about moving in silence over a Bollywood style instrumental while the track “Horn & Halo” with Rigz sees the duo talking about being conflicted since birth over a guitar & some eerie background vocals. The closer “Fly Obnoxious” talks about going all out for his rep over an malevolent boom bap beat & then the bonus cut “Fuck You Know About Me?” talks about preferring fetti over fame over some jazzy horns.

I’ve always said that Headcrack is Rome’s magnum opus, but Death & the Magician is even better. The way he continues to put words together (especially multi-syllable rhyme patterns) is like no other & it’s really cool to hear Muggs providing a wide range of sounds for him.

Score: 4.5/5

DJ Muggs – “Winter” review

DJ Muggs is a 52 year old producer & DJ from Queens, New York who came up as part of The 7A3 alongside the Bouldin Brothers in the late 80s. The trio only put out 1 album together but as the 90s approached, Muggs started to become a household name in the west coast as the producer for Cypress Hill & the leader of the Soul Assassins. He would go on to release 2 solo albums & with the 8 year anniversary of his previous one Bass for Your Face approaches next month, Muggs is finally delivering a follow-up.

After the “Winter is Here” intro, the first song “Warning Shots” by Boldy James talks about swimming or sinking over a creepy-sounding beat whereas the next track “Olympic Stamps” by Cappadonna talks about how his crew rolls thick comes together over a rowdy instrumental. The song “Japanese Space Program” by RLX talks about wanting all the riches over an operatic beat while the track “Food on My Fork” by Rome Streetz shouts out those who think they can go toe-to-toe with him over a rock-flavored instrumental.

The song “Veneno” by Crimeapple, Eto & Meyhem Lauren sees the 3 talking about that fly shit over a minimalist beat while the penultimate track “Resume” by Hologram talks about how they wanted him dead 10 years ago over a sinister instrumental. The closer “Roll the Credits” by al.divino talks about how listeners already know what the deal is over a cinematic beat whereas the bonus cut “Winter’s Theme in DM” is an instrumental piece that you can just sit back & smoke a bowl to.

As a whole, this album is solid & I would absolutely recommend it if anyone loves Muggs as I do. He could’ve added a few more joints & stretch it out longer than just 25 minutes, but his production is still very much top notch all these decades later & the guest MCs he brings on board come correct for the most part.

Score: 3.5/5

al.divino – “Kilogram” review

al.divino is a 26 year old MC/producer from Massachusetts that I’ve been following for a couple of years now. Dude’s been steadily dropping projects since 2015, with the last one being the Futurewave-produced Kataklizm this past summer. But to continue his grind, al.divino is enlisting the West Coast veteran DJ Muggs himself to drop Kilogram exclusively on the Soul Assassins website.

The album kicks off with “Jansport”, where al.divino talks about that pusher life over a horn loop. The next track “Money on Ya Head” talks about putting hits out over a sinister beat while the song “Streets Still” tells the listener to give him his respect & talks about those who tried to count him out over a psychedelic sample. The title track gets reckless over by a grungy guitar loop while the song “Jabba Jaws” with Estee Nack sees the 2 talking about turning dudes into mince meat referencing WWE Hall of Famer, former WWE Champion & 2-time WWE United States Champion Sgt. Slaughter over spooky boom bap beat.

The track “Mr. Dynamite” gets back on the drug dealer tip over an eerie instrumental while the song “Landslide” talks about his crew be winning over a boom bap beat with some dramatic string sections. After the “Wildstyle” interlude, the track “Larry Davis” talks about how no one can fuck with him over an intimidating instrumental while the song “Oven” with RLX sees the 2 getting mafioso over a bewitching beat. The album ends with “Singapore”, where al.divino talks about his shooters over a foreboding instrumental.

As much as I highly enjoyed Kataklizm, I think al.divino really outdid himself on this new album over here. Probably his best work to date in my opinion. His presence on the mic is at it’s most ferocious & DJ Muggs’ signature sound meshes in with al.divino’s relentless lyricism very well.

Score: 4.5/5

Meyhem Lauren – “Members Only” review

Meyhem Lauren is a 36 year old MC from Queens, New York that came up as the leader of the Smart Crew graffiti team. He eventually started rapping in the mid-2000s, but it wouldn’t be until this decade that he saw success. Most notably with Mandatory Brunch Meetings, the Buckwild produced Silk Pyramids, Piatto D’oro & most notably the DJ Muggs produced Gems from the Equinox. The latter was followed up with Frozen Angels last year, but it seems like now that the 2 are getting back together for Meyhem’s 9th EP.

The EP kicks off with “Aztec Snowflakes”, where Meyhem gets at his competition’s throats over an old school instrumental. The next song “GT3” gets lavish over a grimy boom bap beat while the penultimate track “Wavy” brags & the drums on here are thunderous. The EP then finishes off with “Blue Chinese”, where Meyhem gets mafioso over a morbid instrumental.

This is a dope continuation of Meyhem & Muggs’ partership. They continue to compliment each other’s own raw styles very well. Definitely looking forward to their next full-length album together whenever it comes out.

Score: 3.5/5

Kill ‘Em All – Self-titled review

cover-22-768x768 Kill ‘Em All is a newly formed duo consisting of New York spitter Mach-Hommy & legendary California producer DJ Muggs. The duo first came together last summer with the songs “Blue Horseshoes” & “Contagion Theory” off of the latest Soul Assassins album Dia del Asesinato, but they made their debut this past March with Tuez-Les Tous & if that wasn’t enough, Mach & Muggs are already hitting us with a sophomore album.

After the “Jolly Roger Introduction”, we go into the first song “Lady Justice”. Where Mach literally sounds like he’s rambling drunk over a soulful beat. The track “Apollon’s Wheels” gets mafioso with Your Old Droog sees the 2 over some strings while the song “Cessna 210” with Tha God Fahim sees the 2 flaunting over a boom bap beat with some sirens. The track “Force Majeure” talks about how far he’s come over a boom bap beat with some piano keys & while the next 3 songs all feature verses from Tha God Fahim.

The first of these 3 being “The Omni” which has a great atmosphere in the production, but Mach’s delivery is atonal & Fahim’s feature is boring. The track right after “Daniel Fast” sees then sees the 2 spitting game over a dreary beat while the song “Mount Tambora” gets bloodthirsty over a forbidding beat. The penultimate track “Anacoma” with Sick Jacken sees the 2 rapping in Spanish over an enticing beat & then the album finishes with “Titanium White”, where Mach & Fahim get back together to spit some gritty street bars over over a dismal boom bap beat that awkwardly changes up during the last 30 seconds.

Compared to Tuez-Les Tous, this was jus ok. Mach & Muggs still show a solid chemistry, but the overabundance of features kinda overtakes it.

Score: 2.5/5

Crimeapple – “Medallo” review

Crimeapple is an MC from New Jersey who first garnered my attention in 2017 with his 4th EP Sweet Dreams that dropped on a couple years ago on Halloween along with his Big Ghost Ltd. produced debut album Aguardiente last March. He released a fantastic sophomore album Wet Dirt with DJ Skizz earlier this year & if that’s not enough, he’s coming back with the help of DJ Muggs to deliver his 3rd full-length album.

After the titular intro, we go into the first song “En Vivo Desde Manrique”. Where Crimeapple delivers some gritty battle bars over a haunting beat. The track “Tiburones” then flaunts over a grimy boom bap beat while the song “Camisas” continues to brag over a piano-inflicted boom bap beat. The track “Prescription” reflects on his drug dealing days over a alluring sample while the song “Villa Hermosa” gets reflective over a classy sample.

The track “Crazy Eddie’s” talks about how sharp he is over a boom beat with an ominous bass-line while the song “Just Because” compares his music to drugs over some strings. The track “Acetone Wash” with Conway the Machine sees the 2 gets bloodthirsty over an eerie sample & while the song “22 Blue 2s” has a nice boom bap/rock fusion in the instrumental, the Primo Profit verse at the start does nothing for me.

The track “No More 2 for 5” has a beautifully horror-esque vibe to it as Crimeapple’s voice sounding like it’s coming from a walkie talkie while the song “Aguas Profundas” gets mafioso over a minimalist instrumental. The penultimate track “Bloodtype” gets back on the battle tip over a nightmarish instrumental & then the album ends with “Tellin’ Me Lies”, where Crimeapple gets sensual over a soulful beat.

Yet again, Crimeapple outdoes himself & reveals himself as one of the best in the underground right now. His lyricism keeps getting sharper & DJ Muggs’ signature sound suits him near perfectly.

Score: 4.5/5

Roc Marciano – “Kvos” review

Roc Marciano & DJ Muggs are 2 criminally underrated legends in the hip hop world. Both of whom been having a big 2018, with Roc putting out Rosebudd’s Revenge 2: The Bitter Dose in February & Behold a Dark Horse just last month while Muggs just put out a new Soul Assassins album Dia del Asesinato & the new Cypress Hill album Elephants on Acid within the past 2 months. But now, they’re uniting to put out Roc’s 7th full-length album.

After a 2 minute instrumental intro that sounds like it could be playing at the start of a blaxploitation film, the first song “Dolph Lundgren” sees Roc talking about him & an unnamed current rapper being from different eras over a minimalist instrumental with some acoustic guitar strumming. The next track “White Dirt” boasts about what he has over a grimy rap rock beat while “The E Train” is about being one of the illest over a laidback instrumental.

“Aunt Bonnie” vividly talks about murder over an apocalyptic instrumental while the song “Rolls Royce Rugs” of course returns to the bragging tip over a classy instrumental. The track “Caught a Lick” has a pretty murky vibe to it & Roc’s delivery on here is probably the catchiest on the entire album, but it’s way too short.

The song “Wild Oats” gets mafioso over a haunting instrumental while the track “Shit I’m On” gets on some “king shit” over a piano. The song “Wormhole” talks about his main chick over a hypnotic beat & the outro spurs battle bars over an instrumental with a killer guitar & occasionally some orchestral elements.

To be honest, this is one of the best albums Roc has ever done. Despite it’s 36 minute runtime, his gritty lyricism & DJ Muggs’ signature production style mesh with each other near perfectly. I can also appreciate Roc for not getting any features on here as well.

Score: 4.5/5