Conway the Machine – “No One Mourns the Wicked” review

This is the 7th EP from Buffalo emcee Conway the Machine. In case you don’t know, he‘s been running the underground for the past 5 years as 1/3 of the trio Griselda with Westside Gunn & Benny the Butcher by consistently been putting out 1 modern East Coast classic after another. Earlier this year we saw The Alchemist entirely produce La Maquina’s previous EP LULU & now just a couple months later, Big Ghost Ltd. is getting tapped on for No One Mourns the Wicked.

After the “Family Secrets” intro, we go right into the first song “Dead Flowers”. Where Conway talks about rapping what you live over a menacing guitar lead. The next track “Icon” talks his already established legacy over a demented boom bap beat while the song “Fake Love” with Elcamino sees the 2 talking about deceivers over an instrumental with these ghostly vocals hanging in the background. The track “Shark Guts” looks back at all the accomplishments of his career up to this point over a soul sample & even though Conway’s vocals slowed down for whatever reason, it works.

The song “Bricks to Mural” talks about how he’s eating now over a dusty boom bap beat & after the braggadocious “Rich” interlude, the penultimate track “S.D.L.N. (Streets Don’t Love Nobody)” vividly paints how it’s cold the hood can be over some bleak piano chords. The EP finishes off with “Sicarios”, where Conway & Flee Lord get together to talk about being hitmen over a boom bap/rock fusion.

If you loved the Griselda Ghost EP that Hall ‘N Nash dropped about 5 years ago, then I really don’t see why you wouldn’t like this as well. It literally sounds just as gruesome from Conway’s lyrics all the way down to Big Ghost’s production & both parties show why they’re currently the top dogs of the underground.

Score: 4.5/5

Westside Gunn – “Pray for Paris” review

Westside Gunn is an MC & entrepreneur from Buffalo, New York that made his mark on hip hop in 2016 with his debut album FLYGOD. This has been continued with a handful of mixtapes, his 2018 sophomore album Supreme Blientele, inking a management deal with JAY-Z’s Roc Nation & his own label Griselda Records even signing a distribution deal with Shady Records. In 2019, we saw Westside drop his 3rd album FLYGOD is an Awesome God in the summer & then the 7th installment of his infamous Hitler Wears Hermes series 4 months later. However to kick off his final year of making music allegedly, he’s coming through with his 4th full-length album.

After the $4M + Tax” intro, we get into the first song “No Vacancy”. Where the FLYGOD of course talks about pushing & slamming muhfuckas on their necks like the longest-reigning WWE Champion, former 3-time WWE tag team champion & WWE Hall of Famer Bruno Sammartino over a blissful DJ Muggs instrumental. The next track “George Bondo” with Conway the Machine & Benny the Butcher sees the 3 talking about going from selling dog food to being successful & impacting the culture like former WCW senior VP, Monday Night RAW GM, TNA Executive Producer & WCW Hardcore Champion Eric Bischoff over a grimy Daringer/Beat Butcha instrumental while the song “327” with Joey Bada$$ & Tyler, The Creator sees the 3 flexing over a mellow boom bap beat.

The track “French Toast” with Wale sees the 2 talking about crushing their competition over a piano-inflicted boom bap beat & while the song “Euro Step” may have my least favorite instrumental on the album, I do like how Westside pays tribute to everyone he knows who’re still slanging yay. The track “Allah Sent Me” with Conway & Benny sees the 3 trading bars back & forth with each other like it’s nothing over a menacing Daringer beat while the song “$500 Ounces” with Freddie Gibbs & Roc Marciano sees the 3 getting mafioso over a jazzy Alchemist beat.

The track “Versace” talks about how he’s never going back to being broke over a harmonious vocal sample while the song “Clairborne Kick” with Boldy James sees the 2 talking about their dealing days & I really love the atmosphere that Uncle Al provides them with as well as nod to current WWE Champion Drew McIntyre’s finisher. The track “Shawn vs. Flair” shows off his wordplay over a flawless boom bap beat from none other than DJ Premier while the song “Party with Pop Smoke” finds Westside bragging & Keisha Plum closing it out with some beautiful poetry over a colorful Tyler, The Creator instrumental. The album then finishes with “Le Djobila”, where we get a very short verse & some really awesome tap-dancing over a soulful beat

If this really is Westside’s final year rapping because everyone has said it at some point, then what a way to kick it off. He sounds as passionate as ever, the big name features all come together fantastically & the production is easily some of the best that the man has EVER gotten his hands on.

Score: 4/5

Conway the Machine – ” LULU” review

Conway the Machine is an emcee that blew up as 1/3 of the trio Griselda with Westside Gunn & Benny the Butcher. Last year we saw him droping a total of 3 short projects last year & now with the 1st quarter of 2020 coming to a close, he’s enlisting West Coast veteran The Alchemist to produce his 6th EP in it’s entirety.

After the intro, we get into the first song “14 KI’s”. Where Conway of course talks about pushing coke over an ominous beat. “The Contract” speaks on how nobody’s on his level over an orchestral instrumental while the song “Shoot Sideways” with ScHoolboy Q sees the 2 talking about murder over a boom bap beat. The track “Calvin” talks about being the big homie over a demented beat while the song “They Got Sunny” with Cormega sees the 2 going at wack rappers over a grimy boom bap beat. The EP finishes off with “Gold BBS’s”, where La Maquina talks about gunning down those who oppose him over a boom bap beat with a spooky vocal sample.

To me, this is easily one of the best things Conway has ever put out. He sounds a lot more focused than he did on the 3 projects that he dropped last year & the production is more consistent too because you can’t really go wrong with The Alchemist.

Score: 4.5/5

Griselda – “W.W.C.D. (What Would Chinegun Do?)” review

Griselda is a hardcore hip hop trio from Buffalo, New York consisting of Westside Gunn, Conway the Machine & Benny the Butcher. All 3 of whom have made names for themselves throughout the latter half of this decade with modern East Coast classics like FLYGOD, Supreme Blientele, Reject 2, G.O.A.T. (Grimiest Of All-Time), Tana Talk 3 & The Plugs I Met. Now despite all those projects being put out independently under Griselda Records, the trio have seen fit to team up with Shady Records & make their collective debut album their inaugural release on a major label.

After the spoken word intro from Raekwon, the first song “Chef Dreds” finds all 3 members trading bars back & forth with each other over a chilling boom bap beat from Daringer & Beat Butcha (both of whom produced the entire album by themselves). The track “Moselle” serves as the theme song for crack dealers over a frightening instrumental while the song “Cruiser Weight Coke” references current AEW manager, WWE Hall of Famer & former SMW Heavyweight Champion Jake “The Snake” Roberts over an organ-inflicted beat.

The track “Freddie Hotspot” talks about drug dealing tip over a haunting instrumental while the song “DR. BIRDS” sees the 3 flexing over a grimy beat. “The Old Groove” then talks about life in Buffalo over a ghostly instrumental while the track “Scotties” continues to display their amazing chemistry over a demented beat. After the “Kennedy” interlude, the song “City on the Map” with 50 Cent pays tribute to NY over a cold blooded instrumental & in a way it’s like 50 passing the torch down to Griselda.

“May Store” makes reference to WWE Hall of Famer, former 6-time WWE Champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 5-time WWE Tag Team Champion & NWA World Tag Team Champion Stone Cold Steve Austin over an ominous instrumental & then after the “Lowery” outro, there’s the bonus track where Westside Gunn & Benny add verses to the decent “Bang” single that Conway dropped with Eminem over the summer.

For a major label debut, this is damn near perfect & easily one of my Top 5 releases of 2019. Other than wishing that both Conway & Marshall recorded new verses for the “Bang” remix, I really admire how Griselda didn’t change up their lyricism or production trying to appeal to a crowd that doesn’t exist & just stayed being themselves.

Score: 4.5/5

Westside Gunn – “Hitler Wears Hermes VII” review

This is the latest mixtape from Buffalo, New York emcee & entrepreneur Westside Gunn, who first rose to stardom in 2016 with his debut album FLYGOD. This has been continued with a handful of mixtapes, his 2018 sophomore album Supreme Blientele & his own label Griselda Records even signing a distribution deal with Shady Records. Westside has a history of releasing new installments of his Hitler Wears Hermes mixtape series on Halloween & despite being delayed a day, this is the 4th year in a row of that.

The opener “FCKNXTWK” finds Westside providing a very brief verse as DJ Drama’s pretty much talking all over some harmonious vocals in the back while the next song “Broadway Joes” is a self proclamation as the King of New York over a rugged beat. The track “Size 42” gets cutthroat over an eerie Daringer beat while the song “Connie’s Son” brags over a soulful beat.

The track “Banana Yacht” with Estee Nack finds the 2 flexing over a grand instrumental & while I like how menacing “GONDEK” is, it’s way too short. The track “Kelly’s Korner” with Fat Joe sees the 2 getting bloodthirsty over a jazzy beat from Statik Selektah while the DJ Green Lantern produced “Undertaker vs. Goldberg” named after WWE’s 2nd annual Super Showdown’s main event gets on the classic Hall ‘N Nash vibe.

The track “Whoopy” talks about wanting to be with this woman over a laidback instrumental while the Animoss produced “Love U” is a better continuation of the previous cut. The track “Kool G” is an epic Griselda cut where Westside, Conway the Machine & Benny the Butcher use the same rhyme scheme throughout with this raw Alchemist/Daringer beat while the song “It’s Possible” with Boldy James & Jay Worthy sees the 3 talking about making it out of the hood over a beautiful soul sample.

The track “Lucha Bros.” with Benny the Butcher & Curren$y named after the current HOG World Tag Team Champions & AAA Mundial Parejas Campeons The Lucha Brothers who’re also former Tag Team Champions in PWG & TNA Wrestling sees the 3 getting rowdy over a vintage Alchemist beat boasting that current AAA Mega Campeon as well as former PWG World Champion, KO-D無差別級王座, DDTエクストリーム王座, KO-Dタッグ王座, KO-D6人タッグ王座, IWGPヘビー級王座, IWGPインターコンチネンタル王座, IWGPジュニアヘビー級王座, IWGPジュニアタッグ王座, the inaugural IWGP USヘビー級王座, NEVER無差別級6人タッグ王座 & the only gaijin to win the G1クライマックス Kenny Omega whipped an extra brick while the song “Westside Gunn Day” goes at Westside’s competition over a symphonic boom bap beat from JR Swiftz. And before a spoken word outro from Keisha Plum, the final song “Kesington Pool” pays tribute to NY over a decent boom bap beat.

This is a lot better than FLYGOD is an Awesome God that came out earlier this year. Westside goes back to his roots more on this one in comparison to taking more risks on his last album. The beats are punchier & the pen game continues to flourish.

Score: 3.5/5

Conway the Machine – “Look What I Became” review

This is the sophomore album from Buffalo, New York emcee Conway the Machine. Who rose to stardom with his brother Westside Gunn & their label Griselda Records just a few years ago. Last we heard from Conway was in July when he dropped the song “Bang” with Eminem, which is the lead single to his upcoming Shady Records debut God Don’t Make Mistakes. And to prep us for it, he’s releasing Look What I Became independently.

The album kicks off with “No Women No Kids”, where Conway gets mafioso over a haunting Alchemist beat. The next song “Hawks” attacks his biters over an intoxicating instrumental & after the “RIP Owen” interlude, the song “Tito’s Back” is just pretty much Conway & Benny the Butcher showing off their chemistry over a Daringer beat with some eerie keyboards.

The track “Black Spoons” gets back on the mafioso tip over a demented DJ Muggs beat while the song “Vino D” with Dave East & Jim Jones pays tribute to Conway’s friend with the same name over a boom bap beat from JR Swiftz. The track “Half of It” talks about his success over an organ-inflicted trap beat from Rick Hyde & then after the “Bells Palsy” interlude, the closer “You Made It” pays tribute to his mother over a relaxing beat from Statik Selektah.

This is a fantastic prelude. Couple tracks I could’ve done without, but the beats are mostly grimy & Conway’s lyricism just keeps progressing with each new project he drops. Definitely looking forward to his major label debut coming soon.

Score: 4/5

RJ Payne – “Square Root of a Kilo” review

RJ Payne is an MC from Philadelphia, Pennsylvania that started off battling under the name Reignman. He recently signed with Black Soprano Family/Griselda Records back in May & promoted it with a decent mixtape entitled Leatherface. 3 months have passed since & he’s continuing his grind with his full-length debut.

After the 7 minute “Cocaine Radio Intro”, we go into the first song “The Payne”. Where RJ gets triumphant over a soulful beat. The track “A New Day” cements his prowess over a vocal sample with some horns while the song “The Smoke” with 38 Spesh sees the 2 flexing their lyrical abilities over a boom bap beat with a sample that gets annoying after a while. The track “Drumline” with Dark Lo sees the 2 spitting battle bars over a boom bap beat with a subdued soul sample while the song “Purge Night” speaks for itself over an eerie Daringer beat.

The track “Cocaine Symphony” truly lives up to its name fantastically from the pen game to DJ Shay’s production while the song “Hitman” sees RJ comparing himself to an assassin over a boom bap beat with some synths in the background. The track “Philly Soul” with O.T the Real describes the ghettos of their hometown over a settle instrumental while the song “My Dreams” explains RJ’s ambitions over a sweet soul sample.

“The GOAT” gets back on the battle bar tip over the exact same Cortex sample that Madvillain used for “1 Beer” while “The Love” preaches for positivity over a pretty piano instrumental. The penultimate track “Never Give In” with eLZhi sees the 2 spitting game over a funky bass-line & then the album ends with “Rebirth of the ROC”, where RJ teams with Da Fever & Sunnie Blac getting vicious over a symphonic beat.

As a debut album from someone with RJ’s longevity, this is pretty promising. Most of the instrumentals & some of the features could’ve been a little bit better personally, but there’s no denying that the dude sounds hungry on here & I really think BSF/Griselda is doing a great job bringing that hunger out.

Score: 3/5

Westside Gunn – “FLYGOD is an Awesome God” review

Westside Gunn is an MC from Buffalo, New York who’s been making noise with his label Griselda Records since 2016 with the release of his debut album FLYGOD. They eventually signed a distribution deal with Shady Records in 2017 but now that their major label debut is finally on the way as well as a little over a year after dropping his incredible sophomore album Supreme Blientele, Westside is preparing us for it with his 3rd full-length album & the sequel to the one that got him where he is today.

The album starts off with “Jul 27th”, which is mostly a spoken word piece from Raekwon over some synthesizers. The next song “Sensational Sherri” with Benny the Butcher sees the 2 about living what he raps homaging former WWE Women’s Champion & WWE Hall of Famer Sherri Martel over a sinister beat from none other than The Alchemist while the track “Bautista” named after the 6-time WWE world champion & 4-time WWE Tag Team Champion Dave Bautista gets confrontational over a piano-inflicted boom bap beat. The song “Lunchin’” gets mafioso over a luscious beat & while the song “Ferragamo Funeral” gets murderous over a soulful beat, it’s way too short. The song “1,000 Shot Mac” with Conway the Machine, Hologram & Meyhem Lauren sees the 2 talking about hustling over a classy sample & while I do like the chilled out beat on “Birkin”, Westside’s delivery does nothing for me.

The song “Pete Sake” has little to no Westside Gunn appearance at all, but Conway & Benny make it work as they deliver a raw prelude to their upcoming collab album referencing WWE Hall of Famer & inaugural ECW World Heavyweight Champion Jimmy “Superfly” Snuka. The track “Amherst Station 3” is a somber conclusion to the titular trilogy while the Evidence-produced “Dance Floor Love” is a soulful love tune that works better than I had expected. The penultimate track “Gunnlib” while brief makes me hope that Westside & Madlib do a whole album together in the future because their chemistry on here is flawless & then the album finishes off with “Lakers vs. Rockets”, where the FLYGOD brags over a gritty rap rock beat. However, the Sauce Walka feature is kinda vapid.

While I personally prefer the original FLYGOD, this sequel is definitely worth checking out. A few joints could’ve been stretched out a bit longer & a couple features I could’ve done without, but Westside’s vivid street bars remain & grimy production most definitely remain intact throughout it’s 32 minute runtime.

Score: 3.5/5

Benny the Butcher – “The Plugs I Met” review

Benny the Butcher is a 34 year old MC from Buffalo, New York who came up as the leader of the Black Soprano Family as well as a signee to Westside Gunn’s label Griselda Records. His first official release on the label was his Butcher on Steroids mixtape that dropped on his birthday in 2017, but it wouldn’t be until last November that he made his full-length debut on the label with Tana Talk 3. However, he’s coming back with his 4th EP inspired by a line on his last album.

After the intro skit, we dive into the first song “Crowns for Kings”. Where the Butcher teams up with Black Thought get motivational over an orchestral DJ Shay beat. The song “Sunday School” with Jadakiss & .38 Spesh get confrontational over a piano-inflicted boom bap beat from Daringer while the track “Dirty Harry” with Conway the Machine & RJ Payne is filled with battle bars including a reference to WWE Hall of Famer & inaugural ECW World Heavyweight Champion Jimmy “Superfly” Snuka over an eerie instrumental. The song “Took the Money to the Plug House” of course talks about hustling over a gloomy Alchemist beat while the penultimate track “18 Wheeler” with Pusha T gets mafioso over a godly boom bap beat & then the EP finishes off with “5 to 50”, where the Butcher reflects on his past over an atmospheric Alchemist beat.

The production’s just as raw & the Butcher’s street tales are a lot grimier. Yet another example of Griselda being one of the hardest camps in hip hop at the current moment.

Score: 4.5/5

Conway the Machine – “Everybody is F.O.O.D. 3” review

Conway the Machine is a 37 year old MC from Buffalo, New York who has been hustling mad hard with his brother Westside Gunn & their label Griselda Records throughout the past couple years. He just dropped his 9th mixtape Everybody is F.O.O.D. last summer with a sequel this past winter & now with his Shady Records debut coming in June, he’s decided to drop a 3rd installment out of nowhere.

The EP kicks off with “Everbody is F.O.O.D.”, where the Machine spits battle bars keeping elbows flying like the late WWE Hall of Famer, 6-time world champion & Intercontinental Champion Randy Savage over an eerie boom bap beat. “The Basement” challenges his competition over a prominent guitar while the song “Country Mike” continues the confrontational themes over some somber keys. The track “Richest in the City” talks about that over a a nocturnal boom bap beat & while I do like the fitting sample as well as the drug dealing story being told on “Egyptian Cloth”, it sounds unfinished. The song “London Pound” with Berner gets boastful over a mediocre trap beat from Cookin’ Soul & then after the “Survival” interlude, the closer “Don’t Judge Me…” picks up as Conway talks about how he speaks his mind over a gloomy boom bap beat.

All & all, this definitely has me looking forward to The Machine’s upcoming Shady Records debut even more. Conway sticks to his guns lyrically & he returns to his boom bap roots for the most part on this one in comparison to the previous installment being more diverse, but it works out fantastically. However, my big complaint is that he could’ve fleshed out a couple tracks & add about 2 more songs in the mix. Nonetheless, great EP.

Score: 4/5