This is the latest mixtape from Buffalo, New York emcee & entrepreneur Westside Gunn, who first rose to stardom in 2016 with his debut album FLYGOD. This has been continued with a handful of mixtapes, his 2018 sophomore album Supreme Blientele & his own label Griselda Records even signing a distribution deal with Shady Records. Westside has a history of releasing new installments of his Hitler Wears Hermes mixtape series on Halloween & despite being delayed a day, this is the 4th year in a row of that.
The opener “FCKNXTWK” finds Westside providing a very brief verse as DJ Drama’s pretty much talking all over some harmonious vocals in the back while the next song “Broadway Joes” is a self proclamation as the King of New York over a rugged beat. The track “Size 42” gets cutthroat over an eerie Daringer beat while the song “Connie’s Son” brags over a soulful beat.
The track “Banana Yacht” with Estee Nack finds the 2 flexing over a grand instrumental & while I like how menacing “GONDEK” is, it’s way too short. The track “Kelly’s Korner” with Fat Joe sees the 2 getting bloodthirsty over a jazzy beat from Statik Selektah while the DJ Green Lantern produced “Undertaker vs. Goldberg” gets on the classic Hall ‘N Nash vibe.
The track “Whoopy” talks about wanting to be with this woman over a laidback instrumental while the Animoss produced “Love U” is a better continuation of the previous cut. The track “Kool G” is an epic Griselda cut where Westside, Conway the Machine & Benny the Butcher use the same rhyme scheme throughout with this raw Alchemist/Daringer beat while the song “It’s Possible” with Boldy James & Jay Worthy sees the 3 talking about making it out of the hood over a beautiful soul sample.
The track “Lucha Bros.” with Benny the Butcher & Curren$y sees the 3 getting rowdy over a vintage Alchemist beat while the song “Westside Gunn Day” goes at Westside’s competition over a symphonic boom bap beat from JR Swiftz. And before a spoken word outro from Keisha Plum, the final song “Kesington Pool” pays tribute to NY over a decent boom bap beat.
This is a lot better than FLYGOD is an Awesome God that came out earlier this year. Westside goes back to his roots more on this one in comparison to taking more risks on his last album. The beats are punchier & the pen game continues to flourish.