Krizz Kaliko is a 46 year old rapper, singer & songwriter from Kansas City, Missouri known for being a Day 1 signing to Strange Music along with Kutt Calhoun. He’s put out a total of 6 albums & 2 EPs through the label since, with the latest prior to this being G.O. (God’s Order) in 2016. And even though that record was predominantly R&B, it was still damn-near perfect. However after a nearly 5-year hiatus, Krizz is returning with his 7th full-length album.
Things start off with “21, where Krizz & Tech N9ne talk about celebrating their birthday over a lively beat from Wyshmaster. The next song “Little” with Stevie Stone sees the 2 talking about having trouble on their minds over a nocturnal trap instrumental while “The Recipe” tries to seek answers from God over a suspenseful beat. The track “S.O.B.” calls out the frauds over a druggy instrumental while the song “Get Chose” talks about him freaking out.
The track “Borrowed Time” talks about how life is catching up to him over a moody N4 instrumental while the song “Bitches I Know” talks about how he be popping over a beat with some plinky keyboards. The track “Follow the Drip” links back up with Tech talk about how to find them over a monstrous trap instrumental while the song “What Do You Mean?” with King Iso finds the 2 talking about their grind over a skeletal beat.
The track “You” talks about being bottled up over a forlorn instrumental while the song “Drunk White Girls” with CJ Hicks is a humorous club banger backed by an off-the-wall beat from 7. The track “Let You Tell It” talks about how he’ll never leave the rap game over a druggy beat while the song “Amen” talks about being 95% here over a beat with some tavern sounding piano chords.
The track “Didn’t Need Woes” looks back on his childhood over an instrumental that kinda has a jazzy feel to it while the song “Foolish” with Rittz sees the 2 getting reckless over a cavernous trap beat. The track “Avoiding Mirrors” with Jelly Roll & Merkules finds the trio talking about being all fucked up over a chaotic instrumental while the song “Mad” with JL sees the 2 clapping back at people talking shit behind their backs over a trap beat with some keys & a rubbery bass-line. The closer “Coloring Book” talks about how they can never get him right over a dim instrumental & then the bonus cut “Understood” with Tech finds the duo talking about how they don’t sleep over a violin-inflicted beat.
Been a long-time coming but at the end of the day, this is a great comeback effort for Krizz. It’s got everything you love about him: Great rapping, even greater singing, well-written verses/hooks, banging’ ass production suiting the tone of each song & some well-incorporated features. Legend definitely solidifies Krizz as an OG of the culture & here’s to more albums from him in the near future. Welcome back, Kali!