Rico Nasty – “RX” review

Here we have the 4th extended play from Maryland recording artist Rico Nasty. Turning heads in 2018 off her 6th mixtape Nasty, I was impressed by her unique personality & her eclecticism although it was just ok. However the next spring, she got Kenny Beats to produce her debut EP Anger Management in its entirety & that ended up being my favorite body of work of hers even to this day. Nightmare Vacation was a bit of a step down from Anger Management even though it has a good share of bangers like “iPhone” & “10Fo”, but Las Ruinas showed a more experimental side to her & A Nasty Summer was kinda mediocre truthfully. The sophomore effort Lethal last spring expanded her musical palette & she’s reuniting with Kenny to finally drop RX independently after Atlantic tried to shelve it.

“CDG Foams” hops over an industrial trap instrumental to talk about never forgetting where she came from whereas “Frenzy” turns up the rage beats flexing that she makes all the hoes panic. “Rotation” aggressively talks about hitting the road with all this motion she has but once “Cupcake” blends hypertrap with pop rap & digicore to discuss looking cunt, “Blow Your Nose” kicks off the 2nd half advising to either send a drone or bring out the drums.

Continuing from there with “Runway”, we have Rico addressing a bitch she doesn’t even know hating from afar is over a digicore beat while “Butthead” co-produced by Dylan Brady hit us with some of the fiercest wordplay throughout the entire EP. “Kiss N Make Up” cautions not to push her since she’s always on edge while “Rituals” spends the concluding minutes of RX talking about having legitimate artistry compared to the talentless petty hoes detracting her.

Rather than further exploring her versatility like a Lethal did last spring, RX takes it back to basics by showing the world that Rico Nasty’s chemistry with Kenny Beats almost a decade since Nasty hasn’t changed a bit & that winding up being the best thing she’s made this decade. Kenny’s evolving as a producer should be noted even if he retains the rage elements of his previous output with Rico, mixing them with trap along with pop rap & digicore.

Score: 4/5

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