Swizz Beatz – “Hip Hop 50, Vol. 2” review

This is the debut EP from New York producer, “rapper”, DJ, songwriter, record executive & hype man Swizz Beatz. Emerging already a quarter of a century ago as the in-house producer for Ruff Ryders Entertainment, he later started his now defunct Full Surface Records in 2001 & dropped a decent compilation called G.H.E.T.T.O. Stories the following year on my 6th birthday. It wouldn’t be until 2007 however that he would try to officially go solo with 1 Man Band Man, a solidly produced album that was unfortunately weighed down by the lack of features & of course Swizz’ horrendous rapping on every song. He eventually took a backseat from the mic on the sophomore effort Poison over a decade later & is doing so on the Mass Appeal Records-backed Hip Hop 50, Vol. 2 following up the Hip Hop 50 EP that DJ Premier dropped through Nas’ indie label last summer.

“Runaway” by Nas starts off the whole thing with a soul sample & admitting that he’s still trapped in a box tryna clear his name whereas “This Shit Right Here” by Lil Wayne has a more celebratory vibe as Weezy F drops some fly braggadocio. “Take ‘Em Out” by Benny the Butcher, Jadakiss & ScarLip goes into boom bap turf making it clear that it’s all about the calls prior to “City Sound Like” by Fivio Foreign & Bandmanrill dives into synth territory paying homage to the Brooklyn drill scene with Fivio stealing the show. “Say Less” by A Boogie wit da Hoodie & Lil Durk finds the pair talking about they ain’t squashing shit over a cinematic trap instrumental, but then “Khalas” by Jay Electronica finishes the album with a drumless loop telling y’all about himself.

The previous Hip Hop 50 EP that Mass Appeal dropped last summer is still my favorite of the 2 that we’ve gotten so far, but I’d still say that the new installment here is worth checking out if you liked Poison as much as I did. Even though a couple of the guests punched under their weight with their performances, most of them manage to hit the mark as they rock it over Swizz’ signature production style. Curious to hear as to who’s producing the next installment of this series celebrating this culture we all know & love.

Score: 3.5/5

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Swizz Beatz – “POISON” review

Swizz Beatz is a legendary 40 year old producer, DJ & “rapper” (that is if you wanna call him one) who blew up in 1998 as the in-house producer for Ruff Ryders Entertainment. He later started his now defunct Full Surface Records in 2001 & dropped a decent compilation called G.H.E.T.T.O. Stories the following year. It wouldn’t until 2007 that he would try to officially go solo with 1 Man Band Man, a solidly produced album that was unfortunately weighed down by the lack of features & of course Swizz’ horrendous rapping on every song. He has since spent the last decade teasing a sophomore album that never came to fruition up until now with J. Cole as a co-executive producer, interestingly enough.

After a spoken word intro, the first song “P.O.M.S. (Pistol On My Side)” by Lil Wayne kicks things off fantastically as Weezy gets in your face over some militant drums along with a set of eerie piano chords provided by Swizz’ ever so stunning wife Alicia Keys. The track “Come Again” by Giggs awkwardly talks about how crazy he is over a chaotic beat while the song “Something Dirty (Pic Got Us) sees Jadakiss & Styles P trading bars back & forth with each other like old tomes over an araabMUZIK instrumental with some triumphant horns. The track “Preach” by Jim Jones vividly goes into the mind of a drug dealer over a minimalist instrumental while the song “Echo” by Nas is recalls growing up in Queens over a soul sample from DJ Scratch.

The track “Cold Blooded” by Pusha T is an eerie tale about growing up in the hood that plays out fantastically & while the song “25 Soldiers” by Young Thug is honestly very gritty & adrenaline inducing from the araabMUZIK production down to Thugger’s flow. The penultimate track “Stunt” by 2 Chainz is of course a braggadocious anthem over a trap beat from Bink! with an alluring vocal sample & the closer “SWIZZMONTANA” is French Montana bragging about his wealth better than I thought he would over an instrumental that screams classic Swizz.

For a 10 year wait, this was totally worth it. I wish Swizz Beatz & J. Cole added a few more tracks & I really don’t get why the ones Swizz didn’t produce at all were included but other than that, I love how he took a huge step back from “rapping” & focused more on production. The guest MCs mostly do their thing as well with the instrumentals suiting them fantastically.

Score: 3.5/5