Tha God Fahim – “Tha Myth Who Never Quit 2” review

Tha God Fahim still dumpin’ with his 24th LP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko, Fahim’s last EP Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & more recently Machine Gun Vocabulary produced by Cartune Beatz. Over 5 years after The Myth Who Never Quit however, we’re now getting a sequel.

The title track sets the tone of what’s to come from the boom bap instrumental to the lyrics about leaving muhfuckas in the background whereas “Aspirations” hooks up a calmer beat explaining that the game never changes & stays the same from his experience. “Make Way” takes the soulful boom bap route flexing his genius when it comes to musical arrangements while “Scholar of Penmanship” continues the sampling of soul music to talk about his legendary status.

“Out of Options” works in another vocal flip boasting that he’s in his artistic prime leading into “Return to Fire” strips the drums completely warning that if anyone sends shots his way, he’ll gonna send them right back where they came from. “Max Ammo” returns to the boom bap talking about being reloaded on ammunition while “Poison Arrows” soulfully calls out the people who getting on their fan shit when he drops the manuscript.

The song “If You Don’t Use It, Lose It” gets the encore of Tha Myth Who Never Quit 2 on a symphonically dusty note clarifying that you only make it or get wasted around his parts prior to the intoxicatingly rich “Figure It Out” showing a mature side to the Dump Gawd as he talks seeing things clearer than the way he used to see them in the past. “Tha Choice is Yours” ends the album with 1-more drumless joint hopping over a bare woodwind telling the audience you can choose who you want to be in life.

Less than 2 weeks after Machine Gun Vocabulary dropped, Fahim & Craven link back up for a Tha Myth Who Never Quit follow-up that surpasses the LP we got from the dude earlier in the month. Nicholas Craven’s sample-heavy production maintains the boom bap vibes from the last album with a hint of drumless in the fold & Breadrick Douglas lyrically holding off on letting any guests join him to go harder than he did on Supreme Dump Legend: Soul Cook Saga.

Score: 4.5/5

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Tha God Fahim – “Machine Gun Vocabulary” review

I’m pretty sure this is the 23rd full-length studio LP from Tha God Fahim. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko, Fahim’s last EP Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth & more recently Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul from a few weeks ago. Dump Goat II mixed 9 new songs with 10 previously released joints & some of the guests on Machine Gun Vocabulary produced by Cartune Beatz caught my attention.

The title track starts with a reversed sample mixed with kicks & snares so he can gut & filet all these MCs who wanna battle him whereas “Volatile Vernacular” featuring RJ Payne works in another boom bap instrumental talking about haters meeting all types of death. “Detonate” hooks up some ghostly sampling flexing that his name rings bells like Biggie kickin’ in the door until the piano-driven “Prolific Pen” featuring Cormega finds the 2 talking about their superiority in the long-awaited collab.

“Brilliance” grittily promises this as the start of something big & major leading into the hardcore “Audible Ammunition” featuring Skyzoo talking about nothing controlling them. “What You Wanna Say” featuring Lørd Skø jazzily finds the new poor Lørd Jeff Hardy & the Dump Gawd giving Stone Cold Stunners, but then ”Prove & Show” returns to the boom bap talking not slowing down because he has a family to feed. “Cleanse” nears the end of the album comparing himself to Errol Spence Jr. & “Damages” finishes up with 1 last dusty track maintaining a winning streak.

For this being the 3rd LP of Fahim’s to come out this year, I’d put Machine Gun Vocabulary above Dump Goat II & behind Supreme Dump Legend: Soul Cook Saga. Cartune Beatz’ boom bap production is incredibly consistent over the course of the 27 minute listening experience & even if it’s not a surprise that all the guests killed it with their contributions, the Dump God makes it all live up to the name comparing his lexicon to that of an SMG.

Score: 4.5/5

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Tha God Fahim – “Dump Goat II” review

Tha God Fahim releasing his 2nd full-length LP of the month & the 22nd overall in his insanely large discography. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko, Fahim’s last EP Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth & more recently Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul from a few weeks ago. But as promised, Fahim’s finally unloading Dump Goat II onto Bandcamp.

“Fireball Jitsu” is a jazzy boom bap opener cooked up by DJ Tako rapping ball hard similarly to Damian Lillard whereas “Don’t Come Home” works in this incredible sample thanks to Nicholas Craven talking about being out here hustling all day by himself. “Legend Has It” hooks up these sumptuous piano chords with kicks & snares courtesy of Camoflauge Monk admitting he’s ok with criticism since he confidently has thick skin just before the groovy “Constitution Saving Throw” talks about how you barely following trends & that everything ain’t what it seems.

Moving on from there, “Tha Reflection ofSpawn” finds Craven taking the soulful boom bap route instrumentally boasting that he’s on the verge of blowing up kin to that of a hydrogen bomb leading into “S Prime One Million” hopping over these haunting organ melodies talking about his legacy surviving a lot of turmoil in the process. The vocal chops throughout “Belly of tha Beast” are pretty catchy & Fahim is on top of it passionately looking to stand on his feet, but then “Lonely Girl” is this decently dusty ass romance ballad.

“Penalty” blends some kicks & snares with a Cathedral-esque sample from Sadhugold breaking down that he learned the game through taking Ls while the self-produced “Logan’s Pain” has this cinematically climactic vibe to the beat flexing that he’s lit & asking why people be talking shit. “Stuck in My Dumpin’ Ways” brings a funkier flare making it clear he stays Dumpin’ while the cloudy/boom bap crossover “Grassroots” puts it all on his rhyme book refusing to let anything come between it.

The penultimate track “Tales of tha Forsaken” begins the last moments of the album with Camouflage Monk mixing a woodwind sample with kicks & snares reminding that it’s another day, another dollar that he makes prior to “Visions of Madness” sending off Dump Goat II by coming armed & dangerous with rhymes over a whistling boom bap instrumental that both Sadhugold & Camoflauge Monk produced together.

It should also be noted that there 9 previously released tracks on here, but the 10 new songs that the Dump Goat gives us here are pretty solid altogether although I’m still riding high from Supreme Dump Legend: Soul Cook Sagafrom the beginning of the month. The production goes from boom bap to drumless, cloud rap & jazz rap as Dump Gawd makes it clear he’s still stuck in his ways. Still more interested in the 3 upcoming projects he has with Monk, the 3 with Craven, another one with Cookin’ Soul presumably titled Supreme Dump Legend: Soul Cook Saga 2 & the self-produced one.

Score: 3.5/5

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Tha God Fahim – “Supreme Dump Legend: Soul Cook Saga” review

Tha Dump Gawd himself Tha God Fahim from Atlanta, Georgia beginning the 2nd month of 2024 by linking up with Cookin’ Soul for the 21st full-length LP in his ever-growing discography. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko, Fahim’s last EP Dump Gawd: Rhyme Pays produced by Mike Shabb & even the previous album Tha Supreme Hoarder of All Pristine Wealth. So hearing that Big Size would be behind the boards to begin the Soul Cook Saga of the Supreme Dump Legend series, I was certain it had to be the best body of worked they’ve ever produced for another MC.

After the intro, the first song “Blood Sport” starts things off with this cinematic boom bap instrumental likening himself & his squad to champions whereas “Get Ur Weight Up” takes a more lo-fi route working in thee kicks & snares so tha Dump Gawd speaking on some advice that was given to him. “Economics” featuring The Musalini who signed to Jamla Records last year talks about turning rhymes into heavy cash over a boom bap beat with this infectious sample, but then “Guillotine” hooking up more kicks & snares with this psychedelic backdrop referencing 10-time WWE world champion, 2-time WWE Intercontinental Champion, 5-time WWE Tag Team Champion, United Football League (UFL) co-owner, the newest member of the Endeavor-owned TKO Group Holdings’ board of directors & $7 Productions co-founder The Rock whose daughter Ava is now the GM for WWE’s developmental NXT brand.

“Shark Biting Vampires” featuring Dano makes it clear that they don’t want anyone sounding like them on top of some woodwinds & just before “Heavy” featuring Raz Fresco makes up for Dano’s guest appearance on the previous cut which might be the weakest feature on the album. Here though, Raz & Fahim discusses the heaviness of words sometimes over this spacious boom bap instrumental. “Pedal to the Floor” kinda gives me a bluesier vibe making it clear he ain’t new to this leading into the dusty “Safe Hands” looking to make other rappers look bad. The orchestral sendoff “The Way of the Samurai” lastly portrays another day in the Shogunn saga.

Breadrick Douglas is said to be have Dump Goat II, 3 more projects with Monk, 3 with Craven, another one with Cookin’ Soul presumably titled Supreme Dump Legend: Soul Cook Saga 2 & a self-produced one all coming down the pipe in the future & Supreme Dump Legend: Soul Cook Saga. Cookin’ Soul’s boom bap production is consistent top to bottom, I enjoyed nearly every feature & Fahim indeed cementing himself as the strongest performer Size has worked with on a full project to date.

Score: 4.5/5

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Tha God Fahim – “Tha Supreme Hoarder of All Pristine Wealth” review

Atlanta, Georgia emcee/producer & Tha Dump Gawd himself Tha God Fahim is back with the 20th full-length LP in his ever-growing discography. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4, the Oh No-produced Berserko & his last EP Dump Gawd: Rhyme Paysproduced by Mike Shabb. But 6 months later, Camoflauge Monk is behind brought in to help tell the story of Tha Supreme Hoarder of All Pristine Wealth.

The title track starts off the album is a drumless opener with some synthesizers talking about being his own worst critic whereas “Crisis” goes for a hypnotic groove instrumentally cautioning for haters to act right since it’s duck season. “Big Money Talk” gives off a jazzier flare to the beat admitting that he doesn’t want to get into the literature because they see inferno when he raises the temperature, but then “The Learning” triumphantly professes everything that he’s learned up to this point.

“While You Hear” goes for a mellower approach sonically advising everyone that’s tuning in to value their time referencing 10-time WWE world champion, 2-time WWE Intercontinental Champion, 5-time WWE Tag Team Champion & $7 Productions co-founder The Rock leading into “Doubloons” being compared to as the fastest man alive when dumpin’ over a cloudy instrumental. “Lone Warrior” works in these pianos chords comparing himself to exactly that just before “Manifestin’” returns to the boom bap talks about another day of being a living legend.

Approaching the final leg of the LP, the penultimate track “Dry Ice” blends these mellow synth leads with kicks & snares sounding like it could be played during an [adult swim] bumper discussing doing the same thing differently every single day prior to “Da Bottom” closing out the album on a twangier note talking about turning his pain into commas & living his life with nothing but honor.

It’s been a while since we’ve last heard from the Dump Gawd since he was dumpin’ like crazy at the beginning of the year, but it’s great to see that Nature Sounds is helping him & the most underrated Heartbreakers member in Camoflauge Monk return like it was nothing because this is a strong full-length from Fahim. Monk’s production is a bit versatile compared to some of his past material with the Dump Gawd & the latter sounds recharged on the mic.

Score: 4/5

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Tha God Fahim – “Dump Gawd: Rhyme Pays” review

This is the 45th EP from Atlanta, Georgia emcee/producer Tha God Fahim. Coming up as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY ass EP run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4 & the Oh No-produced Berserko. Now I didn’t get the chance to cover Dump Gawd Reloaded or the Sadhugold-produced Dump Gawd: Tha Knocking of Loose earlier this month, but to hear Mike Shabb fully producing Dump Gawd: Rhyme Pays was more than enough to peak my interest considering he just dropped his best EP Shadow Moses earlier a couple weeks ago.

The title track kicks the whole thing off with bare crooning soul loop with Fahim describing the way every single one of us play the game in our own different ways whereas “Cash Over Convo” takes the boom bap route with a gospel sample working in some kicks & snares to talk about every song he makes being mind-blowing as an innovator. “Fo My Peoples” blends some jazzy horns & strings making it clear exactly who he does this shit for leading into “Mr. Truth” returning to drumless territory talking about having to see it through because he’s a visualizer.

“The Dragon n The Treasure” dives back into the boom bap sound to begin the 2nd half of the EP asking to be protected by his enemies & his friends while “The League” hooks up a humming loop, horns, snares & kicks to talk about never interfering when it’s his turn ever on any circumstances comparing his readiness to that of UFC Hall of Famer, former Middleweight Champion & former 2-time Welterweight Champion Georges St-Pierre. “The Remembrance” is mostly drumless even though there are few drum that pop up in the mix occasionally as he magnifies his riches & “Crème Dela Crème” closes out the EP glamorously talking about being the best of them all at the end of the day.

Of the 3 EPs that Fahim’s given us this month, Rhyme Pays is my favorite & Tha Knocking of Loose is right behind it. If you can tell by the title paying homage to the full length debut from West Coast gangsta rap pioneer Ice-T, tha 50 tape legend himself steps his pen-game in comparison to the 2 predecessors with Mike Shabb’s production style teetering between drumless along with chipmunk soul & boom bap. Very exciting to see what May brings us from the Dump Gawd.

Score: 4.5/5

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Tha God Fahim – “Berserko” review

Tha God Fahim is a 26 year old MC/producer from Atlanta, Georgia notable for his affiliation with Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog. We also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But coming off 4 EPs in the last 3 months with my favorites of the quartet personally being the Camoflauge Monk-produced Dark Shogunn Assassin as well as the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King 4 that literally just fucking came out last week, Fahim’s enlisting Oxnard veteran Oh No behind the boards for his 42nd EP in it’s entirety.

“Da Coldest” is a calmly laced opener with the Dump Gawd talking about being unable to see the game holding him back whereas “Faithful” works in some horns to ask why try if you ain’t even giving your all into it. Droog comes into the picture for the crooning “Cobbler” talking about being the ones that supply the product leading into “Tha Haunted” taking a creepier approach in sound to say those who think can fuck with him got it twisted & all he wants to do is run it up counting bands

Jay NiCe tags along for “Axe Pain” brings back the horns as they advise it’s better to be a moving target than simply a sitting duck just before “Bladepoint” talks about his exact line of business & playing to win it all. “Art Official” weaves a bare soul loop into the fold as he makes it clear that he ain’t here to play games with cats & to tighten up, but then “Grind Hard” follows it up with a mellow ode to the hustle.

The song “Megachad Rap” goes full-blown boom bap continuing to flex his greatness while the penultimate track “I Show I Prove” returns to drumless territory as he cashes out. “Nightmares” on the other hand truly ends the EP by talking about watching his back because of how petty some people truly are & that he’ll never retire from this music shit over some chilling vocals & synths.

I know I just said a week ago that Shot Clock King 4 is the best EP that Fahim has dropped in 2023 so far, but there’s no question in my mind that Berserko is on the same caliber. And if he’s continuing to drop EPs every month for the rest of the year like how Flee Lord & Papoose both did respectively, then I’m excited to hear what he has to offer next month. His determination is still clear as day & it’s refreshing to hear Oh No production start to finish not only considering it’s been 3 years since A Long Red Hot Los Angeles Summer Night dropped, but also how equally as talented as he is compared to his older brother.

Score: 4.5/5

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Tha God Fahim – “Dump Gawd: Shot Clock King 4” review

This is the 41st EP from Atlanta, Georgia emcee/producer Tha God Fahim. Coming up as an affiliate of Griselda Records alongside Mach-Hommy & Your Old Droog, he’s also built up an incredibly vast discography with a couple of standouts being Breaking Through tha Van Allen Belts & Dump Assassins. Now the last time I covered Fahim’s work was when he dropped his 19th full-length album 6 Ring Champ & the final installment of the Shot Clock King trilogy of EPs produced by Nicholas Craven shortly after last spring. But coming off of 3 EPs since 2023 started with Dark Shogunn Assassin & Iron Bull being my favorites so far, Fahim & Craven are back together for a 4th installment in the Shot Clock King saga.

Jay NiCE’s appearance on the opener “Area of Effect” is the only feature on the EP as he & Fahim jump on top of a soulful boom bap instrumental referring to themselves as heavy dumpers boasting how terrific they are prior to “Nice to Know” going into drumless turf as he puts up points as much as Carmelo Anthony does. The sample on “Damage Over Time” is fascinatingly delicate with Fahim going out for revenge while the song “Defense” has a bit of a psychedelic rock route talking about being unable to give or let up. The penultimate track “Mentally Prepared” has a catchy vocal loop touching on nonstop dominance & “Work Hard Play Hard” is a crooning boom bap closer paying tribute to those who came before him & continuing the glory.

I still enjoy Dark Shogunn Assassin & Iron Bull as much as I do when both of those EPs dropped not too long ago, but the Shot Clock King series is amongst Fahim’s strongest work & the latest installment here sure enough has quickly become my favorite project that he’s given us this year as of me reviewing this. Nicholas Craven’s production is more prominently drumless much like the first installment & the way the Dump Gawd lyrically continues to float on top of these bare sample flips is as fresh as always.

Score: 4.5/5

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Tha God Fahim – “Iron Bull” review

“Man of Steel” opens the EP with some kicks, snares, pianos & a flute as Fahim elevates to new levels whereas “Turbulent Nights” has a more shimmering quality to the beat as he talks about cash ruling & how fly he is. “Tha Ladder” takes a more symphonic route grinding to reach a certain level of mastery & that he does this shit for the culture, but then Your Old Droog joins him on “Makin’ Rounds” comes through with some old timey keyboards as they talk about money making the world go round.

However on “Flame Wreck”, we have Jay Nice accompanying Fahim over ominous production to make sure those who dare to step up to them just before the Dump Gawds come together for the woodwind-infused “Let’s Make a Deal” asking if one can keep themselves strong. The song “Battleship” is a piano boom bap ballad about being military minded while the penultimate track “Food for Thought” displays some remarkable back & forth delivery between him & Droog over a drumless loop. “Story Exit” however sends things off on a soulful note acknowledging he can’t be great without discipline.

It’s wild as fuck to think how far Fahim has come as an artist with a discography as ever-growing as his throughout the past 8 years because Iron Bull has respectfully succeeded Dark Shogunn Assassin as my favorite thing that he’s dropped in 2023 yet. In just a month, the Dump Legend is continuing to elevate his pen-game with an undeniable determination & the production is more hypnotic yet varied than last time.

Score: 4/5

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Tha God Fahim – “Dark Shogunn Assassin” review

This is the 39th EP from from Atlanta, Georgia emcee/producer Tha God Fahim. Coming up as an affiliate of Griselda Records alongside Mach-Hommy & Your Old Droog, he’s also built up an incredibly vast discography with a couple of standouts being Breaking Through tha Van Allen Belts & Dump Assassins. Now the last time I covered Fahim’s work was when he dropped his 19th full-length album 6 Ring Champ & the final installment of the Shot Clock King trilogy of EPs produced by Nicholas Craven shortly after last spring, but is reuniting with Griselda in-house producer Camoflauge Monk to drop Dark Shogunn Assassin following the NicoJP-produced Chess Moves only a few days prior.

“Gristle” is a jazzy boom bap opener with Fahim rapping about how the dumpin’ won’t stop until he says as well as bringing the pain similar to that of Method Man & asking who the boogeyman of this rap shit really is. Estee Nack of the Tragic Allies also happens to pop up during the 2nd half of the song to lay down the EP’s only guest verse & he absolutely obliterates it, raising my expectations for Nacksaw Jim Duggan even higher than it already was when Westside Gunn announced it on Twitter a month ago already. The penultimate track “Sword n Shields” blends some kicks & snares with these low-register synthesizers so he can treat his pen as if it was a blade moonwalking over MCs as if the late King of Pop himself Michael Jackson came back from the dead & advising that you can lead a horse to the pond, but can’t make them drink. “Never Back Down” finishes it all off on a more mellow note with Fahim talking about being up for any challenge that’s brought to him & coming up from the struggle.

Blvk Pearl, it’s sequel, Iron Monkey, Iron Monkey: Dump Olympics & Only God Can Judge Me are all essential Fahim projects in my book so my expectations going into this EP were significantly higher than Chess Pieces as a result of that. Needless to say, they did it again with Dark Shogunn Assassin. Yeah it’s only 3 tracks running at 9 minutes, but don’t let that scare you from thinking that Camoflauge Monk’s raw production & Fahim’s elevated lyricism make it more than worth your while because they really never miss whenever they join forces.

Score: 4/5

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