The Scythe – “Strictly 4 the Scythe” review

The Scythe is a Memphis rap/trap collective consisting of Denzel Curry, A$AP Ferg, Bktherula, Key Nyata, TiaCorine, iloveit!, BEAUTIFULMVN, Oogie Mane, ilykimchi & Swaggyono. All of whom had appeared on Zel’s most recent mixtape King of the Mischievous South 2 & the best example of that being the “Hot One” single despite everyone having their own individually established histories of making music already. Loma Vista Recordings would go on to sign them as a unit right when 2026 began & are looking to make their official debut with a new EP succeeding nearly half of it being already released as singles.

BEAUTIFULMVN & iloveit! produce the group’s eponymous intro with TiaCorine & Ferg talking about slicing anyone who fucks with the crew whereas “Lit Effect” by Zel featuring Lazer Dim 700 hops over a murky instrumental from BNYX of Working on Dying to speak of people beefing on the internet because they’re broke. “Phony” with Ferg & Key Nyata featuring Juicy J goes for a Memphis vibe talking about being numbers only, but then “Mutt That Bitch” featuring 1900Rugrat was the only single of the 3 that I wasn’t head over heels for.

“Hoopty” by TiaCorine featuring Smino gets the 2nd half of the EP going by making all the girls going crazy until switching up in favor of a lyrically repetitive outro while the Miami bass-influenced “You Ain’t Gotta Lie” by Denzel Curry featuring Luh Tyler & 454 finds the trio showing off their wealth. “Tan” gives Bktherula & TiaCorine a few minutes for them to shine together talking about heading out for a trip to Hawaii while “Up” by A$AP Ferg featuring Rich the Kid ends with the 2 asking their type of women if they wanna roll with them.

Putting aside the couple underwhelming guest appearances here & there, The Scythe’s inaugural extended play expands on the creative chemistry each of the 5 artists & 5 producers all bonded over a couple summers ago when King of the Mischievous South 2 dropped & have confidence of them possibly outdoing themselves if they ever came out with a full-length debut. From the Memphis-style trap production that the Working on Dying members/affiliates cook up to every single rapper having a distinctive personality of their own, one of the newest & most popular hip hop crews today have made their arrival.

Score: 3.5/5

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A$AP Ferg – “Flip Phone Shorty: Strictly for Da Streetz” review

Another brand new studio LP from Manhattan, New York emcee & songwriter A$AP Ferg. One of the most prominent members of the A$AP Mob, his 2013 solo debut Trap Lord & the debut mixtape Ferg Forever both cemented that further although the sophomore effort A.$.A.P. (Always $trive And Prosper) received mixed responses for its more commercial heavy-sound. Still Striving & Floor Seats both marked a return to form for Ferg although Floor Seats II got divided feedback during the 2020 COVID lockdowns & Darold refined what A.$.A.P. (Always $trive And Prosper) was going for. Celebrating the Black Friday weekend however, Flip Phone Shorty: Strictly for Da Streetz has arrived in the midst of a few singles.

“Ball” drops braggadocio over a generic trap instrumental, which ironically sets the tone for the entire album until the 3rd & easily most salvageable single “Big Dawg” produced by Lex Luger talks about his hustle game being too real. “Dem Boyz” blends trap & dirty south continuing bring more charisma to the boastful lyrics but after the “Cee-Lo Voicemail” interlude, “P.O.L.O” will go down as one of the worst A$AP Ferg singles of all-time mainly because of the goofy beat.

Lil B joins Ferg for “Fisher Price”, ending the 1st half with synthesizers & hi-hats talking about all of their bitches being on go & “Uptown Baby” could be the weakest Lex Luger track here mostly because of the pointless French Montana verse. “Focus on Me” featuring Denzel Curry joins forces to make their blocks look like parades whenever they pop out while the lead single “Ferg Strong” proved to be better than “P.O.L.O.” & worse than “Big Dawg”.

“Young O.G.” featuring Denzel Curry reunites the pair 1 last time over the final Lex Luger beat of Flip Phone Shorty: Strictly for Da Streetz, looking to finish what A$AP Rocky & SpaceGhostPurpp both started after they squashed their beef this spring falling out started while “Shoot Up the Club” featuring Big Boss Vette finds the 2 getting raunchier topically. “Flip Phone Anthem” featuring エイウィッチ & Gucci Mane lastly finishes up with a tribute to the flip phone days 2 decades earlier.

Darold seemed like a step in the right direction for A$AP Ferg, but my biggest question coming away from Flip Phone Shorty: Strictly for Da Streetz is: What the Hell happened? Ferg himself & a vast majority of the guests aren’t much of an issue to me besides only a couple of them. A lot of my criticisms however are directed towards the production being more trap-oriented than Darold because aside from all 4 of Lex Luger’s contributions, it feels uneventful & maybe a little cutrate. If we actually get Don’t Be Dumb in January, it already has everything going for it to be a stronger listen.

Score: 2/5

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TiaCorine – “Corinian” review

Winston-Salem, North Carolina rapper & songwriter TiaCorine coming off some of her biggest singles with an official sophomore effort. Blowing up earlier this decade with her debut mixtape The Saga of 34Corine as well as the debut EP & full-length debut I Can’t Wait, her last EP Almost There marked Tia’s major label debut after signing to Interscope Records & is looking to make her biggest waves yet with Corinian following a couple successful teasers.

Saweetie appears for the decent pop rap/trap intro “Pretty” talking about their bank accounts saying heavy as well as having too many men & bitches wanting to end them because of it whereas the 3rd & my favorite single “Ironic” makes up for it from the pluggy Kenny Beats instrumental to the more deadly lyricism. “Buttercup” crosses over some synthesizers & guitars from Kenny talking about being a pop star prior to “Lotion” featuring Flo Milli letting those who don’t know how shit goes around their parts.

“Fall in Love” was probably my least favorite single of the 3 although I do appreciate the funk-soul sample approaching the concept of love the same way she always has in the past while “Cutting Ties” cloudily talks about switching sides like it’s a remix severing all associations with the person she has in mind. “High Demand” featuring Smino trades verses with each other for a romantic pop rap duet leading into “Was Hannin’?” featuring Wiz Khalifa advise us to put your money where your mouth is.

Meanwhile on “Booty”, we have Tia taking aim at a bitch who stays doing anything except minding her own business while the lead single “Different Color Stones” produced by Pooh Beatz talks about being stacked up nowadays & for anyone broke to back the fuck up. “La La La” attempts at pulling influences from Latin trap & resulting in one of Corinian’s weaker moments while the 2nd single “Ate” boisterously talks about nobody being able to take her spot.

“Backyard” featuring J.I.D was another single that I was highly impressed with whether it be Hit-Boy experimenting with trap metal or the sexually energetic chemistry between both MCs while the cloudy trap fusion “Crush” refuses to put anyone before her money. “Iced Out Kirby” minimally paints images of her materialistic lifestyle & once “Damn Right” featuring Pouya shuts down those who ain’t about it, “Impossible Girl” closes with her giving it all she’s got.

Finishing a trilogy that I Can’t Wait began & Almost There bridged, Corinian lets the world inside of TiaCorine’s very own metropolitan utopia balancing grit & vulnerability to realize her full-potential almost halfway through the decade. Showcasing her sharp lyricism & capturing her evolution since signing to a major label, she playfully yet powerfully steps fully into the artist she’s always envisioned herself to be amassing some notable guests & producers along the way.

Score: 4/5

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Bktherula – “Lucy” review

Finally got the 3rd studio album from Atlanta, Georgia rapper & singer/songwriter Bktherula. Beginning a decade ago as a pop/R&B singer, she eventually broke out in the plugg scene after dropping the single “Tweakin’ Together” produced by my lil homie Premiere Maxx off her debut mixtape Love Santana. This resulted in her signing to Warner Records, following it up with her sophomore tape Nirvana along with the full-length debut Love Black & LVL5. It’s been over a year since LVL5 2 & her label has finally decided now is the time for Lucy to be released.

“DropWhenIDrop” starts with an industrial instrumental flexing that she’s been working her ass off & being in it to win it whereas “LoveSexDreams” produced by Skaiwater talks about wanting to see someone when she said she wasn’t gonna fall in love. “BBGurlGoSlow” featuring Ty$ finds the 2 over a cloudy trap beat 9lives co-produced coming their way after dropping what they want & the lead single “adult swim” bears it’s name after the Discovery Global-owned Cartoon Network late night block, taking it a step further with the Robot Chicken influenced video.

After the “I Feel Like” skit, “Bleht” cooks up a futuristic trap instrumental for Bk to completely spaz out with her flow showing how hard she be going until “Delilah” gets in her petty bag a little looking to take down one of her exes. “Abstract” brings his heavy synthesizers into the fold singing for God to forgive her for her sins cutting them off for a peaceful outro, but then “Euphoria” featuring Joey Bada$$ & KayCyy gets together for well executed pop rap duet & Murda Beatz drawing influences from rock.

“DumbShit” marked the final single that was teased flexing that she’s living life fast letting us all know this is what sounds like whenever her detractors are going through Hell & some of the best adlibs of the LP pop up during “R.I.P. (Rest In Peace)” basically killing off her ego delving back in the rage style. “OCB” fuses hypertrap & pop rap talking about your hoe wanting to be with her instead of you while “PickUpThePhone” goes drumless to pleas for her partner to answer her call.

To kick off the 4th quarter, “No Contact” heavily relies on synths speaking of nightmares when images of her heart on cold pavement come to mind while “Big Feeling” gives off a warm trap feeling talking about having the instinct of others going to hate on her. The final song “LookAlive” ahead of the “I Know” outro properly ties up Lucy by telling her partner she doesn’t feel like she’s loving them right & being on her side whenever they come back.

Birthing a new era in her career, Lucy proves to be the most personal & genre-defying entry in Bk’s discography thus far elevating the potential that was realized when she first got signed several years ago. Once you get past both of the skits & a couple redundant moments during the backend of it, the general sound is more pop rap-driven than the LVL5 series was albeit the rage undertones remain breaking down the topics of ascension & creative awakening.

Score: 4/5

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A$AP Ferg – “Darold” review

Manhattan, New York emcee & songwriter A$AP Ferg finally releasing his 3rd studio LP. One of the most prominent members of the A$AP Mob, his 2013 solo debut Trap Lord & the debut mixtape Ferg Forever both cemented that further although the sophomore effort A.$.A.P. (Always $trive And Prosper) received mixed responses for its more commercial heavy-sound. Still Striving & Floor Seats both marked a return to form for Ferg although Floor Seats II got divided feedback during the 2020 COVID lockdowns, Darold based on the singles had me hoping it would be another step in the right direction artistically.

“Light Work” featuring Bloody Osiris & DD Osama starts off by dabbling with the New York drill sound telling everyone to go get their lights whereas “Thought I Was Dead” produced by Lex Luger & Mike WiLL-Made It works in some horns & hi-hats to talk about his return to music after so long. “Alive :(“ has a passionate tone altogether admitting he’s been trying to his find his passion for this rap shit lately prior to the lead single “Allure” featuring Future taking it live from Atlanta.

Denzel Curry joins Ferg on the energetic “Demons” to talk about being on the corner, making the hood go brazy just before “Messy” take the trap out talking about everything being disorderly & keeping it that way. “French Tips” has a bit of a boom bap vibe instrumentally keeping it hot, but then “Dead Homies” brings a soulful flare to the table remembering all of his friends who unfortunately can’t be here with us today.

“Casting Spells” hooks up a classy beat from Mario Winans, Lil Rod & disgraced Bad Boy Entertainment founder awaiting trial next spring Puff Daddy a.k.a. P. Diddy or Diddy keeping the hate away from him wanting to live & take care of his family while “Pool” strips the drums completely hoping that one never changes on him. “Chosen” maintains a drumless edge pushing towards the final moments of Darold showing a bit of introspection, which the bombastic title track expands on boasting that he’s been outside.

A rich auditory experience, Ferg’s first full-length in nearly a decade echoes his enduring impact on hip hop combining seasoned artists & rising stars offering something for everybody. This goal is achieved by the production drawing inspiration from boom bap, trap, neo-soul, contemporary R&B, pop rap, hardcore hip hop & the New York Drill scene refining the personal themes of A.$.A.P. (Always $trive And Prosper).

Score: 3.5/5

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Denzel Curry – “King of the Mischievous South 2: Ultraground” review

Floridian emcee Denzel Curry gearing up for his upcoming 6th album by releasing his 5th mixtape ahead of it. Coming up as a member of the SpaceGhostPurrp-founded Raider Klan a little over a decade ago. He then left in 2013 & has seen quite the success on his own off projects like Nostalgia 64, 32 Zel (Planet Shrooms), imperial, TA13OO, Zuu & the Kenny Beats-produced UNLOCKED. Melt My Eyez, See Your Future went on to become his most mature & acclaimed body of work to date & I had no problem in him making Ultraground a sequel to his best mixtape King of the Mischievous South.

After the intro, the first song “Ultra Shxt” featuring Key Nyata is a Memphis inspired opener with both of them talking about never folding whereas “Set It” featuring Maxo Kream has an eerie trap direction that Oogie Mane of Working on Dying goes for telling everyone to run it right there. “Hot One” by The Scythe produced by FNZ mixes Memphis rap & trillwave together making money from the comfort of their sofas just before “Black Flag” featuring That Mexican O.T. continues to pull inspiration from the Memphis scene smoking on bitter motherfuckers & calling it sour.

After the “Headcrack” interlude, “G’z Up” featuring Mike Dimes & 2 Chainz has more of a symphonic trap flare to the beat refusing to hear shit until they get paid leading into the bombastic “Sked” featuring Kenny Mason & Project Pat following the “Lunatic” interlude explaining they’re about family, God, business & bread over a Charlie Heat instrumental. After the “Choose Wisely” interlude, “Cole Pimp” featuring Juicy J luxuriously paints themselves as big players while “Wishlist” featuring Armani White charmingly shows the lames how to do this.

“Hit the Floor” featuring Ski Mask the Slump God nears the end of the tape on some rage shit courtesy of ilykimchi dropping bodies 1-by-1 & the final song “Hoodlumz” featuring A$AP Rocky & PlayThatBoiZay ahead of the outro officially wraps up King of the Mischievous South 2: Ultraground with 1 last cloudy Memphis joint & all 3 of them painting images of the lifestyles that each one of themselves live. “Act a Damn Fool” featuring Duke Deuce & Slim Guerilla is a decently trippy start to the deluxe run wylin’ out while “Got Me Geeked” makes up for it from the Powers Pleasant instrumental to the carefree lyricism.

Key Nyata & Sauce Walka join Denzel on “P.O.P. (Paper Over Pussy)” heads for a smooth trap direction prioritizing money instead of bitches while the cloudy “Anotha Late Night” featuring 454 finds both of them teaming up to talk about shawties wanting to test the pimp in them. The final bonus track “Still in the Paint” featuring Bktherula & Lazer Dim 700 samples the iconic Waka Flocka Flame single “Hard in da Paint” capturing the raw energy & reality of life in the streets by conveying themes of loyalty, resilience & authenticity.

Everything that made King of the Mischievous South my favorite tape that Zel has offered us yet has been brought to a whole new level over a decade after a predecessor. He went harder on the features than he did on his mature magnum opus 2 & a half years ago, the reference points from which he draws has expanded significantly. He still has a hypnotic ear even though no longer cakes his music in warped cassette grime, it’s just that he’s seeing Memphis with new eyes now that he’s older & has a decade of experimentation under his belt.

Score: 4.5/5

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Bktherula – “LVL5 2” review

Atlanta, Georgia up-&-comer Bktherula returning with a sophomore LP & a sequel to her previous EP LVL5. Coming up 7 years back as a pop/R&B singer, she eventually broke out in the plugg scene after dropping the single “Tweakin’ Together” produced by my lil homie Premiere Maxx off her debut mixtape Love Santana. This resulted in her signing to Warner Records, following it up with her sophomore tape Nirvana along with the full-length debut Love Black & the previously mentioned LVL5. So over a year later, it makes total sense to put out the next installment.

“Code” is this rage-inducing opener admitting she hasn’t been in the studio in almost a week & it’s been taking a toll on her personally whereas “Nun” works in a cloudy trap instrumental asking why this person’s hitting her phone up when they ain’t even doing shit. “Tatti” brings some hypertrap undertones into the fold discussing self-confidence, empowerment & sexual liberation prior to “Boi” taking the spacious trap boasting that she kissed your favorite bitch.

Cash Cobain hooks Bk up with his signature sample drill on sound “Shakin’ It” bragging that she’s having it, making it & breaking it while the otherworldly “Just Make Sure” saves the drums for the last 30 seconds so she can demonstrate her range showing her singing chops for a couple minutes. “Wishuwasdacrew” gives me a quasi-industrial vibe airing out who was supposed to her down bitch, but then “Insane” produced by Ayelavish! vibrantly talks about going crazy with it.

“Crayon” expresses her desire for the lace front with the brown at the top & the teal at the bottom over a synth-trap beat just before “Woman” featuring J.I.D talks about exes backed by a high-pitched sample. “Feathers” keeps the industrial influences going flying to the top & losing the feathers of her wings in the process while “The Way” dabbles with alternative R&B once more telling her significant other how much she loves the way they light up the room. “Racks Up” ends the album by singing over a guitar about her pockets getting bigger.

The first installment had a relatable theme of tapping in with your spiritual side, but the follow-up portrays a significant evolution in her artistic & spiritual journey. It’s significantly more mature than what she’s released in the past by fearlessly conveying the message that there’s no such thing as being blacklisted/blackballed & you don’t have to follow the same blueprint as everyone else.

Score: 3.5/5

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Bktherula – “LVL5” review

This is the 2nd EP from Atlanta, Georgia up-&-comer Bktherula. Coming up 6 years back as a pop/R&B singer, she eventually broke out a few summers back in the plugg scene after dropping the single “Tweakin’ Together” produced by my lil homie Premiere Maxx off her debut mixtape Love Santana. This resulted in her signing to Warner Records, following it up with her her sophomore tape Nirvana & the full-length debut Love Black. But after some delays, Bk’s back in effect for LVL5 here.

“TAN” is an explosive trap opener with Bk bragging about running the rap game whereas “DO IT AGAIN” works in some synths & hi-hats calling out someone she doesn’t even know for speaking on her character. “BACK” has to be my favorite joint on the album as things take a cloudier approach thanks to Evilgiane & Rafmade so she can fuck your hoe & rub it in your face just before “BELIEVE” comes through with an impressive R&B/trap ballad reminding listeners of her roots & her range.

Moving onto “CRAZY GIRL”, we have Bk over some more synthesizers & hi-hats to describe a bitch that don’t even know she’s the insane one prior to “NO ADLIB” is a shrilling yet rubbery trap cut about keeping a bad bitch & a stack on her along with having 1 in the head similar to Russian roulette. “Forever, Pt. 2 (Jezebel)” is another favorite from the light & melodic instrumental to the Destroy Lonely feature while the bombastic “PSSYONFT” talks about being the hardest bitch past 2022.

The penultimate track “?????” comes through with a more futuristic vibe whilst keeping some heavy bass in the fold as Bk boasts on the lyrical end until “We Made It” sends things off with Rico Nasty joining her for a celebratory yet pillowy closer to the album as they go back & forth with one another excellently proving why we need a collaborative project from them at some point down the line airing out those who hate on them yet wish they were in their shoes.

Been waiting on some new Bk for a while now & although LVL5 feels like an EP considering how short as Hell it is, it’s still an impressive body of work from her. The couplet of features both knock it out of the park as opposed the sole guest performance on the last album being mediocre & I really commend her for the album relatable theme of tapping in with your spiritual side & the small group under the angels that fight against your demons.

Score: 3.5/5

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Denzel Curry – “Melt My Eyez, See Your Future” review

Denzel Curry is a 27 year old MC from Carol City, Florida who came up as a member of the SpaceGhostPurrp-founded Raider Klan a little over a decade ago. He then left in 2013 & has seen quite the success on his own off projects like Nostalgia 64, 32 Zel (Planet Shrooms), imperial, TA13OO, Zuu & the Kenny Beats-produced UNLOCKED. But given that the 2 year anniversary of the latter just passed a month ago, Zel’s following up the 2 singles he’s dropped within the last few months with his 5th album.

“Melt Session #1” kicks the album off with a jazzy boom bap instrumental from Robert Glasper talking about how Zel stays walkin’ whereas “Walkin’” follows it up by sampling “The Loving Touch” by Keith Mansfield tackling the struggles of life. “Worst Comes to Worst” keeps things in boom bap turf thanks to Dot da Genius talking about institutional issues in the United States leading into the smoky “John Wayne” produced by JPEGMAFIA comparing himself to [the titular actor] when walking around the hood.

Meanwhile on “The Last”, we have Zel jumping on top of a cloudy trap beat FNZ made talking about how tomorrow’s not promised just before Saul Williams tags along for “Mental” confessing their suicidal thoughts on top of a calming boom bap beat. T-Pain comes into the picture for the vibrant”Troubles” produced by DJ Khalil & Kenny Beats talking about problems that drugs can’t solve, but then the Rico Nasty/J.I.D assisted “Ain’t No Way” finds the trio back on some trap shit addressing those who still doubt them.

“X-Wing” mixes some strings & hi-hats talking about not wanting power except the delivery makes it the weakest track on the album even with the reference to former 3-time WWE world champion Rey Mysterio while “Angelz” works in some pianos & dusty drums thanks to Karriem Riggins confessing being sick of the bullshit. “The Smell of Death” sees Thundercat incorporating a heavy amount of synthesizers for Zel to spit streams of consciousness while the song “Sanjuro” shouts out those who say he ain’t deep enough over an explosive Cardo instrumental. The penultimate track “Zatoichi” with slowthai is a cool ode to the Japanese character of the same name over a drum & bass beat from Powers Pleasant while “The Ills” ends the album on a jazzy note talking about his illusions.

Even though I liked ZUU, I think this up there with imperial & TA13OO in being one of the best albums of Zel’s career. I really admire how he continues to expand on the risks he took on the latter as well as taking influence from what’s going on right now in the world & films by one of the greatest directors of all-time: Akira Kurosawa.

Score: 4.5/5

Bktherula – “Love Black” review

Bktherula is a 19 year old recording artist from Atlanta, Georgia who first started making music in 2017 as a pop/R&B singer. She eventually broke out a couple summers back in the plugg scene after dropping the single “Tweakin’ Together produced by my lil homie Premiere Maxx, which later appeared on her debut mixtape Love Santana at the beginning of last year. This resulted in her signing to Warner Records & with the 1-year anniversary of her sophomore tape Nirvana approaching this weekend, BK is celebrating in the form of her very 1st full-length album.

“LET’S GET IT” is a moody opener celebrating her newfound success whereas “INCREDIBLE” despite it’s brevity finds her flexing with so much aggression in her delivery & a shrilling Digital Nas beat. “SANTANNY!” serves as an ignorant anthem for her alter ego, but then “THROUGH 2 U” is a blatant Whole Lotta Red rip-off talking about being fed up with a lil bitch that belong to the streets.

Meanwhile on “PLACEMENT”, we have Matt Ox tagging along for whatever reason to bombastically clap back at their critics just before “HIT ME” brings in a Supah Mario instrumental kin to a retro video game telling those who want the sauce not to bug her. “GOD’S PLAN” lively talks about how “n****s ain’t cool at all with gyro, but then “ADVANCED” brings in a cacophonous beat to declare her skills as such.

“HIDE YOUR HOE” keeps the vibrance going saying it’s on when she steps in while the euphoric “WATCH ME” that MexikoDro laced takes a look at her glow up. “YE HO” almost has a bit of a Neptunes influence to RXLVND’s instrumental saying she “ain’t finished this” whereas “CROWN” speaks on her taking over the rap game & the bass is just off the wall.

Following this, “ARE WE DONE?” feels like a 2-minute Eternal Atake & I can’t blame Trgc for that bite while the song “SHE CHOSE ME” briefly yet vibrantly details a woman selecting “everything that give her ass a stack”. The penultimate track “NAH” has a bit of a quirky sound with the help of Evilgiane talking about how “I ain’t your bitch” & the closer “IDK WHAT TO TELL YOU” has a psychedelic Mac DeMarco beat of all fucking people speaking on someone she felt she tried to make bigger.

BK to me is one of the most interesting artists in the plugg scene right now & Love Black really does a solid job at solidifying that. She has a unique voice, she has a catchy delivery & I feel like she’s started to refine her production choices a lil bit.

Score: 3.5/5