Vic Mensa – “Hooligans” review

Vic Mensa is a 25 year old rapper & singer/songwriter from Chicago, Illinois who rose to fame in 2013 with the release of his INNANETAPE mixtape. He then dropped his debut album The Autobiography last summer & now in the midst of his recent BET Cypher controversy, he’s delivering his 4th EP.

Things kick off with “Dancing in the Streetz”, where Vic compares himself to a messiah over a nondescript trap beat that was surprisingly self-produced. The next song “Dark Things” sounds like a dime a dozen take on the current emo rap trend while the track “In Some Trouble” is a corny love tune. The song “Rowdy” with G Herbo is a mediocre club banger while the track “Reverse” with G-Eazy is a bland bragging anthem with an EDM beat from Marshmello.

The song “Klonopin” is a horrid auto-croon ballad produced by Travis Barker of all people while “The 1 That Got Away / No Shoes” starts off promising talking about success over a soul sample, it’s really the 2nd half of it that ruins it. The EP then ends with “Deserve It”, where Vic continues to boast over a boring trap beat.

I’ve been holding out hope that Vic would continue to show his potential on this, but this made me realize it was a total pipe dream. Instead, he’s trying to sound trendy & cool when it’s not working at all.

Score: 1/5

Vic Mensa – “The Autobiography” review

Almost 2 months after releasing his 2nd EP The Manuscript, SAVEMONEY leader Vic Mensa is finally releasing his full-length debut. The album kicks off with “Didn’t I (Say I Didn’t)”, where he’s passionately & gratefully talking about making it to the top over a beautiful Darondo sample as well as a semi-funky guitar. The next track “Memories on 47th St.” pretty much speaks for itself, as Vic’s vividly reflecting about the rough days of living in his home block over a murky beat. The song “Rollin’ Like a Stoner” originally appeared as the 3rd track off of The Manuscript, but it still sounds like a knockoff of “Pursuit of Happiness” by KiD CuDi in every aspect. And on top of that, I don’t really care for Vic’s delivery. Especially when the hook comes around. The track “Homewrecker” with Weezer sees Vic pretty much blaming himself for breaking up with his ex-girlfriend & he even recalls a couple fights that they’ve had with each other over a somber rap rock instrumental. The song “Gorgeous” then talks about Vic wanting to be with 2 different women instead of 1 over a Daft Punk-inspired instrumental & as much as I love Syd, I found her feature on here to be just ok. The track “Heaven on Earth” is a dedication to his murdered friend Cam & I absolutely love how Vic writes the 2nd & 3rd verse from the perspectives of both Cam & his murderer respectively. The production has an eerie atmosphere to it & The-Dream’s hook sounded like it was sung by an angel. After a 70 second skit, we are then treated to the next song on the track listing “Down for Some Ignorance (Ghetto Lullaby)”. Here, both Vic & Chief Keef speak on Chicago street violence over a creepy-sounding beat from the ever so underrated Mike Dean. The next song “Coffee & Cigarettes” sings then later raps about the first girl to break Vic’s heart over a electric guitar passage, but then transitions into some piano keys along with some decent drums. The track “Wings” expresses Vic’s desires to get away from all the drama in his life & the beat from Pharrell will just make you wanna start bouncing. The next song is pretty much The-Dream reprising “Heaven on Earth” by himself for 2 minutes, but with completely different lyrics & a different instrumental. It’s ok. The track “The Fire Next Time” talks about overcoming dark times & the production from No I.D. has this down-tuned electric guitar throughout that sounds pretty cool. The closer “We Could Be Free” talks about us being slaves of our own pain over a somber guitar, but then it adds an ambitious atmosphere near the end. As for the Ty$ feature, I didn’t think his vocals during the outro were gonna be as beautiful as they were. We then get 2 bonus tracks “OMG” & “Rage”, both of which also appeared on The Manuscript & sound a lot better than “Rollin’ Like a Stoner” did. While this obviously isn’t better than INNANETAPE, it was still worth the long wait. The lyrics are immensely personal & while there are a couple duds in the track listing, the production fits the vibes of these personal stories well for the most part. If any of you were like me & thought his last couple EPs were alright, then give this thing a listen because it really does live up to it’s title

Score: 3.5/5