Oh! The Horror & Blaze Ya Dead Homie – “Oh! The Horror Meets Blaze” review

This is the brand new collaborative EP between Oh! The Horror & Blaze Ya Dead Homie. One is a rap metal trio from Sacramento, the other being a household name in the juggalo scene for a little over 20 years with the help of his childhood friends Twiztid & their mentors the Insane Clown Posse. They’ve only worked with each other a few times in the last couple years but to kick off Majik Ninja Entertainment’s favorite time of the year, they’re taking things to new hights for Oh! The Horror Meets Blaze.

After the “This is a Breakdown” intro, the first song “I.D.G.A.F. (I Don’t Give A Fuck)” is a cool little rock/gangsta rap fusion to kick the EP off whereas “D.R.E.A.M. (Death Rules Everything Around Me)” follows it up with a cavernous take on the iconic Wu-Tang cut “C.R.E.A.M. (Cash Rules Everything Around Me)” with some guitars sprinkled in the mix. After the “Meeting Blaze the Dead Caretaker” skit, we get right back into the music with “Can’t Fuck with Us!” fusing together electronica & metal talking about being top dogs.

After the “Smoked Out” skit, we have “Listen Up!” serving as a straight up rap rock crowd energizer while the penultimate song “Chop Shop” aggressively gets on their murder shit just before the “Level 1: Horde Swarm” skit comes into effect. “Blood, Sex & Violence” then ends the EP by manically detailing the only 3 things they give a fuck about.

Although I think 1692 is Oh! The Horror’s best work yet & being a big Blaze fan, I was admittedly a bit skeptical going into this EP because there are collabs on MNE’s latest Attack of the Ninjas compilation that felt forced. That being said: It’s not bad, but it feels more like an Oh! The Horror project & I mean that in terms of the overall sound of the EP.

Score: 3/5

Majik Ninja Entertainment – “Attack of the Ninjas: The Album” review

This is a brand new showcase compilation from Detroit underground label Majik Ninja Entertainment. Founded in 2014 by Twiztid & their manager George Vlahakis only 2 years following the demented duo’s departure from Psychopathic Records, they quickly built an empire or their own from bringing a few other PSY alumni along for the ride to help introduce G-Mo Skee & Alla Xul Elu to a much wider audience. The label’s first showcase comp Year of the Sword is easily the best one they’ve put out so far given the strength of the roster at the time, but that’s not to say Songs of Samhain wasn’t a respectable Halloween-themed EP. But to celebrate the 5th annual Attack of the Ninjas, everyone on MNE right now & the 2 acts on their Welcome to the Underground sub-label are uniting as one alongside a couple outside collaborators for an exclusive compilation given away at the event.

The opener “Are You Scared?” by Oh! The Horror & Twiztid is a pop punk/rap crossover telling their haters to say their prayers whereas “Each & Every” by Bukshot, Jamie Madrox & Lex the Hex Master finds the trio jumping on top of a west coast instrumental from Fritz the Cat saying they’re broken & don’t feel fine. Buk & Jamie stick around as they enlist Boondox & Mr. Grey to spit the wicked shit on “Horror” down to the Godsynth & Stir Crazy production, but then Gibby Stites & Blaze Ya Dead Homie come in for the atmospheric “Come Up” saying ain’t nobody doing what they’re doing.

“Let ‘Em Burn” by Anybody Killa, the Axe Murder Boyz, Bukshot, Crucifix & Monoxide come together on top of a trap instrumental from 7 to get in their arsonist bag just before the futuristic “Space Between Us” sees Zodiac MPrint reuniting to talk about a toxic relationship. “Kill” by Insane E, Jamie Madrox, Oh! The Horror & Redd goes into a rubbery direction with the help of Grady Finch saying no one’s on their level while “Chin Check” by Bukshot, Gibby Stites, Joey Black, Lee Carver & The R.O.C. encourages the listener to mosh despite the out-of-place forlorn production.

The track “We Are the Underground” by Boondox, Blaze Ya Dead Homie, Gibby Stites & Oh! The Horror needs no further explanation lyrically diving into a trap/metal fusion whereas the final song “Boohoo” by Gibby Stites, Lex the Hex Master & The R.O.C. ends the comp with a boom bap-tinged shot at their detractors even though the hook is a bit tedious. The actual closer though is just a remix to “Maelstrom” off of Cabal’s most recent debut album The Watchers featuring the Super Famous Fun Time Guys & the Venomous 5.

I don’t expect all that much whenever a label puts out a project showcasing their artists & although I enjoyed the last 2 that MNE has put out, I’m a bit torn on this one. Some of the collabs on here come off to me as natural, but then there are others that seem hamfisted & in no way shape or form am I trying to be disrespectful to anyone because I’ve given a good share of positive feedback on the label’s output throughout the years like with Revelashen & Krimson Crow.

Score: 3/5

Oh! The Horror – “1692” review

This is the sophomore album from California trio Oh! The Horror. Emerging a couple years ago off their debut EP The Devil Made Me Do It, they gained even more exposure just last summer by becoming the very 1st act under Majik Ninja Entertainment’s new sub-label Welcome to the Underground & put out their full-length debut Halloween 365. And after a hot streak of singles throughout the first half of 2021, it was only right for Oh! The Horror to return with 1692.

“Strange” is a trap metal opener about how they’ll never change whereas “Let Me Be” is a vicious response to those who ever doubted them. “All’s Fair” goes into a punkier direction as they takes shots a deceitful woman before going emo on all fronts for “Dead Inside”.

Meanwhile on “Alive”, we get a fiery ballad about how thrilling murder is just before the explosive yet suicidal “Bodybag”. We go into an almost alternative direction on the possessive “If I Can’t Have You” leading into the trap metal/industrial fusion that is “Istilldontcare”, which is about giving no fucks.

“Groceries” takes things back into punk territory with them saying they’re always eating their girls’ asses while shifting gears into post-hardcore on “Eating Me Alive”. The song “Never Found” is a chugging ballad about a witch they knows & that leads into the penultimate track “Witch Bitch”, which is a freaky trap metal-flavored follow up. The album then ends with “Tears of Gold” which is a great cover of the Faouzia joint of the same name.

If you go back to my Halloween 365 review, I had stated that Oh! The Horror would start to grow more down the line. And that’s exactly what they just did on 1692. I feel like their sound is more refined, it’s more adventurous, the songwriting has improved & they feel more comfortable in their performances.

Score: 4/5

Intrinzik – “Lasers & Poison” review

Intrinzik is a 43 year old rapper from Phoenix, Arizona most notable for being the founder of Underground Hustlin’. Aside from that, the dude has put out a total of 9 albums & 3 EPs through his own label Intrinz Ink Records since 2004. But for his 10th full-length effort, Intrinzik is getting it backed by none other than the Majik Ninja Entertainment sub-label Welcome to the Underground.

The album kicks off with the title track, where Intrinzik talks about commercial sponsors feasting on inhibitions over a rap metal beat. The next song “Dinosaurs” talks about devouring these other rappers over some heavy guitars while the track “Force Fed Famine” talks about watching the market collapse like skyscrapers over a dreary backdrop fused with some hard rock instrumentation. The song “Chemicals” talks about paying it forward genetically over a punky beat while the track “Lizard Tongues” talks about overdosing on power over some live drumming & chugging guitars.

The song “Heart of the Table” with Dienasty the Mexican Thuggalo sees the 2 talking about the 3rd world over an instrumental that almost has a bit of a nu metal influence to it while the track “Lied To” ponders what’s real & fantasy over a riot-inducing beat. The song “Amphetamine Suicide” talks about drug usage over some thick instrumentation while the track “Broadcast the Apocalypse” takes aim at television as a whole over some Hellish riffs.

The song “Losing My Mind” with Twiztid finds the trio talking about insanity over a robotic instrumental while the track “Built for This” talks about annihilating anything that comes after him over a chaotic beat. The song “Try to Stay Alive” with Skeptik sees the 2 talking about survival over some more punk rock flavored production while the track “End of the World” with McNastee finds the duo talking about living in the apocalypse over a hard rock instrumental.

The song “First World Problems” with Krypto Man sees the 2 talking about that very issue over a somewhat thrash-esque instrumental while the penultimate track “The Right to Vote” with Bisshop & Raw-D finds the trio talking about how they use music as their weapon & I love how the build-up in the production. The album finishes off with “Toy Gory 2”, which is a decent 8-minute Underground Hustlin’ posse cut.

If you wanna get into Intrinzik, I would recommend starting with this because I find it to be his best work to date. Not just because of how the sound of the album continuously bounces from metal & punk to straight up hip hop, but his songwriting on here in comparison to his previous material is a lot more conscious this time around.

Score: 3.5/5

Redd – “Symphony of Sympathy” review

Redd is a 26 year old rapper from Detroit, Michigan known for his association with local underground powerhouse Majik Ninja Entertainment. Given that, it was only right for Twiztid to sign Redd to their new sub-label Welcome to the Underground & give a hand in pushing his full-length debut.

After the melodic piano-inflicted intro, the next song “Followers” with Twiztid finds the trio talking about those who only care about how big they are on social media over a tropical beat whereas the track “Vulnerable” talks about being just that over a bare acoustic instrumental. The song “Smile” ponders what it takes to be happy over a cloudy beat while the track “2 Signs” with Blaze Ya Dead Homie & KYNE sees the 3 awkwardly going full blown country rap.

The song “Good Morning, Goodbye” with Illy Maine finds the 2 talking about cheddar chasing over a upbeat-trap instrumental while the track “Real Talk” with The R.O.C. sees the 2 boasting over a mellow beat from Mvc Mowl. The song “Love” is a melodramatic story about being drawn into this woman he first started talking to on Facebook while the track “Hello Stranger” talks about going it through it all over another country-flavored instrumental.

The song “Banana Clip” with Polo Frost sees the 2 talking about groupies over some claps while the track “Gameboy Color” with Gibby Stites finds the duo making multiple video game references about over a suiting instrumental. The song “Summit” talks about climbing to the peak over a woodwind infused trap beat while the penultimate track “Sleep on Me” talks about being underappreciated in the rap game over a nocturnal instrumental. The album finishes off with “Bounce”, which is a club banger backed by an beat kin to D4L’s “Laffy Taffy”.

I was curious to see where Redd would take things on this album (especially with one of the freshest underground labels in recent years backing it) & honestly, Symphony of Sympathy is pretty solid. The features are either hit or miss with me personally, but I really appreciate how versatile it is throughout.

Score: 3.5/5

Oh! The Horror – “Halloween 365” review

Oh! The Horror is a trio from Sacramento, California consisting of frontman Jonathon Hillhouse, rhythm guitarist Jeremy Terror & lead guitarist/producer Grady Finch. They released an EP just over a year ago called The Devil Made Me Do It & were able to gain even more exposure just a few weeks ago by becoming the very 1st act under Majik Ninja Entertainment’s new sub-label Welcome to the Underground. Of course with this new record deal, the trio had to celebrate by dropping their full-length debut.

The opener “Kill ‘Em All” get murderous over an icy instrumental backed by some heavy guitars whereas the next track “Boom!” tries to incorporate elements of EDM as they talk about how they’re not hard to find. The song “Origins” tells a story about them agreeing to a deal with Satan over a prominently rubbery trap beat while the track “Scream Queen” talks about taking dude’s bitches over a straight up nu metal throwback. The song “Leave Me Alone” talks about wanting to be set free over an beat fusing an amalgamation of different styles of while the track “Pain” with KidCrusher sees the 2 talking about fading in the darkness & the instrumentation on here is some of the best on the entire album.

The song “Idontcare” talks about not giving a fuck over a minimal beat with a dope retro video game sample occasionally popping in & out while the song “Boomstick!” talks about guns over a trap metal fusion. The track “Bodies” talks about having corpses in their basement over some hellish guitars while the track “Scream” starts bragging over a demented instrumental. The penultimate song “Zombie” talks about getting a blowjob over another trap metal beat & then the album finishes with the title track, where the trio talk about how they’re always gonna be freaks over an uncanny beat.

Pretty good album if you ask me. I was expecting a bit more out of the features & even though the whole rap metal shtick might come off as lame to some people, Oh! The Horror is definitely a more unique face in that style & I can definitely see them growing down the line.

Score: 3.5/5