
This is the 4th studio LP from Slough, Berkshire, England, United Kingdom emcee/producer Joker Starr. Dropping his debut mixtape Raw Spittage in 2011, he would go on to follow it up with all 3 of his previous full-lengths as well as 3 extended plays & a beat tape. London veteran Micall Parknsun being brought in to produce a vast majority of G.A.W.D. (God And Wisdom Driven) though had me intrigued regarding whether or not it could become Joker Starr’s most crucial statement yet as someone who appreciates Micall’s dexterity.
After the “Facing the Lion” intro, “There’s No God” combines some drums & a vocal sample to talk about certain people not seeing progress because they’re not ready for it including a jab at 2 Chainz whereas “Pay Cuts” after the “Tom & Jerry” skit works in some chimes responding to politicians thinking the people aren’t keeping score. “Gawd’s Black” featuring Micall Parknsun & OphQi later finds the trio teaming up so they can talk about black excellence
“Lawful Killing (Mark Duggan)” featuring Anyway tha God links up for a powerful collaboration remembering the man who was shot dead by police in 2011 over a boom bap instrumental just before Micall Parknsun hops on the mic again so he & Joker Starr can tell everyone to “Move Back Out the Way” over a weepy beat. “Pam Grier” featuring OphQi reunites the pair goes for a jazzier vibe talking about women who aren’t basic leading into the “Polygamy” skit.
Sarai Jazz appears for the soulful “Soul Tied” describing 2 romantic partners bound by their love for each other & after the “Limba Power” skit, “Idi Amin” embraces a jazzier sound talking about laying muhfuckas down. “Papal Bull” spends nearly a couple minutes revisiting the pro-black themes from earlier & the final song “Farrakhan” featuring Micall Parknsun preceding the “Bundo Devil” outro talks about bringing the essence back in the right direction.
Blood-Ren still contains some of the greatest songs Joker Starr has recorded, but G.A.W.D. (God And Wisdom Driven) marks a significant improvement above the likes of the Northborough Estate Project or MACKnificent in achieving what I had hoped to become the finest album of his career. Although he’s always had energy & personality, Micall Parknsun’s production matched with the brief list of guests each hone in on both of those characteristics to captivating results.
Score: 4/5