Freddie Gibbs is a 37 year old emcee from Gary, Indiana that started out in 2004 with his debut mixtape Full Metal Jackit. Interscope Records would eventually sign him in 2006, but he left shortly after without releasing a full-length debut. This was made up for with the mixtapes The Miseducation of Freddie Gibbs & Str8 Killa No Filla, which would catch the attention of Jeezy & land Freddie a contract with CTE World in 2011. This didn’t last long though, as Gibbs would leave CTE the following year after releasing the tapes Cold Day in Hell & B.F.K. (BabyFace Killa). In 2013, he decided to form his own label E$GN Records & finally dropped the full-length album, E.$.G.N. (Evil $eeds Grow Naturally). He & iconic Oxnard producer Madlib would drop their MadGibbs debut Piñata the year after that, which is EASILY one of the greatest hip hop albums of the previous decade. Gibbs continued to grow his profile after that with Shadow of a Doubt, You Only Live 2wice, Freddie, the Curren$y collab EP Fetti & of course there’s MadGibbs’ sophomore effort Bandana almost a year ago at this point. However, he’s returning out of the blue with his 3rd full-length album & The Alchemist producing it in it’s entirety.
Things kick off with “1985”, where Freddie talks about his flow being God level over a psychedelic guitar instrumental. The next song “God Is Perfect” talks about “Gangland shit” over a dreary instrumental while the track “Scottie Beam” finds Gibbs getting conscious & Rick Ross flexing over a dreamy instrumental. The song “Look At Me” talks about how he ain’t looking back over a soulful instrumental while the track “Frank Lucas” with Benny the Butcher sees the 2 talking that drug dealing over a grim boom bap beat.
The song “Something to Rap About” with Tyler, The Creator sees the 2 discussing rapping about crime & fame respectively over a tropical instrumental while the track “Baby $hit” talks about how soft dudes be nowadays over a more spacious instrumental. The song “Babies & Fools” with Conway the Machine sees the 2 reminiscing on their first & second loves over a gorgeously smooth instrumental while the penultimate track “Skinny Suge” opens up about feeling like someone’s tryin’ to kill him over a meditative beat. The album finishes off with “All Glass”, where Gangsta Gibbs gets on the gangsta tip over a hard hitting instrumental.
For this being the lyrical surprise album everyone was talking about dropping this week, it’s phenomenal. Probably Freddie’s best solo effort yet in my opinion. The production is phenomenal as we’d all expect from Uncle Al at this point & Freddie’s pen-game is just as gruesome as it was on Bandana.