Benny the Butcher is a 37 year old MC from Buffalo, New York who’s been making music since 2004. However, it wouldn’t be until 2016 where he alongside his cousins Westside Gunn & Conway the Machine would take the culture by storm off projects like Tana Talk 3 & The Plugs I Met. Last year alone, he teamed up with Harry Fraud for The Plugs I Met II in the spring & then Pyrex Picasso in the summer. However, he’s finally linking back up with Daringer & The Alchemist for his 3rd full-length album as well as the 4th installment of the Tana Talk series.
“Johnny P’s Caddy” kicks off the album with a soulful Alchemist beat & J. Cole joining Benny in talking about deserving to be where they are now whereas the Stove God Cook$-assisted “Back 2x” follows it up by bringing the coke raps back & Daringer taking the instrumental back to the basement. “Super Plug” works in a dejecting beat talking about how his only wish was to get his close ones rich just before Boldy James tags along for “Weekends in the Perry’s”, where he & Benny jump on top of a chipmunk soul sample addressing how it’s always been.
Meanwhile on “10 More Crack Commandments”, we have The Butcher delivering a stellar sequel to “10 Crack Commandments” that would make Biggie proud down to Puff Daddy’s spoken word outro leading into Conway coming into the picture for “Tyson vs. Ali” talking about how everyone compares the greatest to the greatest nowadays on top of some dusty drums & pianos. “Uncle Bun” goes into a more suspenseful direction as a Benny & 38 Spesh toss the mic back & forth with one another, but then “Thowy’s Revenge” incorporates a horn sample talking about how he went & got it.
“Billy Joe” brings an organ into the picture to describe the shit he be doing within the first 3 days of every month while the song “Guerrero” with Westside Gunn finds the 2 on top of a futuristic boom bap instrumental with some amazing wordplay. The penultimate track “Bust a Brick Nick” viciously attacks those who haven’t been the places he’s been to even though the beat is opulent as Hell & lastly, “Mr. Chow Hall” ends the album by confessing what’s been on his mind lately & the instrumental here is just spine-tingling.
Much like Conway did with God Don’t Make Mistakes a couple weeks back, I think Benny gave us some of the best work of his career with this album. From the vivid street imagery to Daringer & The Alchemist’s production, every one involved kills it at picking up where the previous installment of the series left off while recapturing that sound.