Lil Uzi Vert is a 26 year old rapper & singer from Philadelphia, Pennsylvania that became a household name in the trap scene with their 2015 mixtape LUV is Rage & then Lil Uzi Vert vs. the World the following year. Since the release of their 2017 debut album LUV is Rage 2, Uzi has been entangled with a nasty legal battle with Generation Now Entertainment/Atlantic Records until Eternal Atake came out in March of 2020 to moderate reception & followed it up a week later with the far superior Lil Uzi Vert vs. the World 2 that spawned the deluxe version trend where artists would drop a “deluxe version” of their newest project that’s basically an entirely new album. But after dropping a bunch of singles on SoundCloud thought the past week, Uzi is warming everyone up for The Pink Tape by dropping their 3rd EP.
“Space Cadet” is an pluggy opener produced by Brandon Finessin’ that’s a bit all over the place if I’m being honest with Uzi talking about not being used to stallin’ & used to cake whereas “I Know” taking a cloudier route thanks to Sonny Digital being aware of what their lover is really like. “Flex Up” reunites with Maaly Raw for a mellow trap banger talking about being the next & best one, but then “Hittin’ My Shoulder” has a more abstract approach thanks to Dun Deal calling out people on their fake love & biters.
Meanwhile on “For Fun”, we have Uzi over an airy instrumental taking about counting ranks solely for his pleasure leading into the vibrant “Believe Me” continuing to brag lyrically. The song “Issa Hit” shoots for a more abrasive aesthetic asking if it’s lit just before the penultimate track “Glock in My Purse” advises to look at it like a bag with DJ Mustard providing a synth-heavy sound. “Final Fantasy” on the other end finishes the EP with a rage beat bragging that they have the strategy.
It’s been over a little over 2 years since we last heard from Uzi on their own & for them to give us Red + White in advance, I think it’ll definitely hold us over until The Pink Tape whenever it comes out. It sounds laser-focused & I appreciate that production experiments with the plugg/hypertrap sounds that’ve been becoming more popular in recent memory.