Megan Thee Stallion – “Traumazine” review

This is the surprise sophomore album from Houston rapper Megan Thee Stallion. Rising to prominence in the spring of 2019 with the release of her debut mixtape Fever, I myself was very impressed with how it displayed Megan’s knack for catchy songwriting, dirty south/Memphis inspired production & a unique personality. Her popularity began to rapidly increase off her 3rd EP Suga & the full-length debut Good News, but Something for thee Hotties: From thee Archives was a bit underwhelming in my opinion. However, I was optimistic going into Traumazine over here given how much I genuinely enjoyed the singles she’s dropped recently.

“NDA” is a horn-laced opener asking where the real bitches at whereas “Ungrateful” with Key Glock calling out the fake shit over a piano/trap hybrid from BandPlay, which is just mild in my personal opinion.. “Not Nice” takes a cloudier route getting on her fuck you shit just before Latto tags along for the OG Parker-produced “Budget” talking about upping their prices.

Meanwhile on “Her”, we have Megan embracing a dancier sound thanks to CashMoneyAP & YoungKio acknowledging that she’s pretty as fuck leading into “Gift & a Curse” weaves some keys back in provided by Murda Beatz talking about how fuckin’ with her is both a gift & a curse at the same time. “Ms. Nasty” is a cloudier cut declaring herself as such, but then the Pooh Shiesty-assisted “Who Me” has a more nocturnal trap vibe talking about fucking.

“Red Wine” shoots for a sensually glossy aesthetic asking to give her some time while “Scary” with Rico Nasty finds the 2 best females in the mainstream right now (not the best right now overall period. That would be Rapsody) over a spooky instrumental sending shots to the hoes they got beef with & even though “Anxiety” is a bit oxymoronic given the playful production & Megan’s lyrics about having bad days too, it’s good.

Moving on from there, “Flip Flop” throws in an incredible sample in the mix going on that she’s fightin’ tears behind her smile while “Consistency” with a clever Isley Brothers flip from Bongo getting romantic. “Star” is a funky ballad rightfully rubbing her superstar status in the noses of everyone while “Pressurelicious” has a weirdly mixed verse from Future despite the Memphis rap undertones & the subject matter about their affluence & shared toxicity.

The song “Plan B” weaves a killer JoDeCi sample into the fold to deliver an passionate female empowerment anthem which is needed because of the Roe vs. Wade overturning while the Juicy J/Mr. Lee-laced “Southside Royalty” freestyle with Big Pokey, Lil’ Keke & Sauce Walka is an immaculate ode to H-Town. “Sweetest Pie” however ends the album on an Atlanta Bass note promising the ride of her man’s life.

If you were disappointed with Something for thee Hotties like I was, then I definitely think you’re gonna like Traumazine a bit more. The production is just as varied as Good News was almost 2 years ago at this point & how Megan decided to move on from the whole Tory drama to remind everyone that she’s gonna win regardless.

Score: 3.5/5

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