This is the 3rd full-length album from South Carolina producer, rapper & engineer Pi’erre Bourne. Becoming one of the most in demand beatsmiths in hip hop today off Playboi Carti’’s “Magnolia”, he’s also made a name for himself on the mic by dropping 9 mixtapes along with a couple EPs & LPs within the last dozen years or so. He just dropped the 5th & final installment of The Life of Pi’erre series last summer & then the TM88-produced Yo88! in the winter, but is coming fresh off the Space Age Pimpin’ collab album with Juicy J by dropping Good Movie.
The first song “Shorty Diary” following the “Opening Scene” intro kicks off the album with some synths & a rattling bass-line detailing a relationship that’s beyond repair & after the “Logline” interlude, “Ex Factor” takes a more calmer route talking about not wanting sloppy seconds. After the “Intro to Love” interlude, “Love Drill” comes through with a catchy yet atmospheric banger confessing that he wants something real whereas “Hop in My Bed” goes into peppier territory talking about a bitch that wants to fall in love with him a little.
“Superstar” works in these incredible string harmonies to tell his girl who she fucking with even though the hook’s trash leading into “Where You Going?” shooting for a moodier aesthetic talking about the love he has with this woman being priceless. “What I Gotta Do” vigorously asks his girl why she likes him to begin with, but then “DJ in the Car” dives into futuristic territory calling his girl a DJ in the Uber.
Don Toliver tags along for the cloudy “Psane” to get raunchy & after the “Kingdom Hall” skit, the actual “Kingdom Hall” song itself has a more sensual vibe to it comparing to his girl popping up at his place to that of a Jehovah’s Witness believer. Also, the guitar near the end was unexpected yet interesting. After the “Witty” skit, “Kevin Heart” brings some delicate synths into the fold talking about putting all his problems in a blunt just before “SossHouse Party” dives into bop turf to rep SossHouse Records.
Meanwhile on “Safe Haven”, we have Pi’erre talking about chilling in his hideout with some rage undertones while “Rounds” jumps on top of an airy backdrop & some finger-snaps to describe a bitch wanting to get fucked up off the alcohol & dropping a corny Star Wars reference during the first verse. “System” weaves some synths along with hi-hats more finger-snaps explaining to his lover that she got a real one with her while Young Nudy comes into the picture for the heavenly-produced “Moving Too Fast” to talk about sex. The title track however was a great choice of a single with it’s up-tempo instrumental & Pi’erre’s with the closer “Heart Say” bringing some unexpected rock undertones to the beat telling his girl to speak from the heart.
As much as I respect Pi’erre for both his talents behind the boards & on the mic, I’m pretty indifferent on Good Movie to be quite honest & would personally prefer Yo88! over this. The production is dope don’t get me wrong on that whatsoever & I’m not against romantic subject matter in hip hop songs in any way shape or form, but it’s so excessive to the point where it gets annoying & at some moments cringey for me personally.
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