Rico Nasty is a 25 year old rapper & singer/songwriter from Palmer Park, Maryland who caught my attention in 2018 off her 6th mixtape Nasty. Even though I found it to be decent, I was still very much impressed by her unique personality & her eclecticism. However the next spring, she got Kenny Beats to produce her debut EP Anger Management in it’s entirety & that ended up being my favorite body of work of hers even to this day. Nightmare Vacation was a bit of a step down from Anger Management even though it has a good share of bangers like ”iPhone” & “10Fo”, but was still excited for her 7th mixtape.
“Intrusive” is an industrial-laced opener with Rico talking about going at her competition whereas “Vaderz” takes a more hardcore/trap route as Bktherula tags along to go back & forth with one another comparing themselves to Invader Zim. “Black Punk” fuses trap metal with witch house to declare herself as such, but then Bk returns for the drum & bass-infused “Messy” asking how one can be organized yet disorderly.
Meanwhile on “Phuckin’ Lady”, we have Rico on top of a trippy instrumental expressing no remorse whatsoever just before “1 on 5” goes full-blown hip house warning that you’ll get jumped twice if her bitch jump first. “Gotsta Get Paid” works in a funky bass-line co-produced by 100 gecs to express her to desire to make paper leading into the Marshmello-backed “Watch Your Man” embracing neurofunk to rightfully boast her status in the game.
“Blow Me” comes through with a trappy pop rap ballad talking slick shit while the remix of “Jungle” by Elley Duhé is one of the more redundant cuts on the tape with all respect to both Fred again.. & Elley. “Dance Scream” on the other end takes a turn into electropop territory to plead for someone’s love while “Skullflower” dives into hyperpop talking about LSD.
Following that, “Focus on Me” embraces a more synthpop sound telling her lover she wants to be with them for the rest of her life while “Always” is less of a skit & more of a repetitive interlude. The song “Easy” is an acoustic ballad admitting that she letting someone make her feel her ashamed while the penultimate track “Into the Dark” brings back the drum & bass thanks to Charlie Heat promising to do better. As for “Chicken Nugget”, it’s a moody closer to the tape thanking her mother for making her strong.
If anyone reading this was a little disappointed as I was with Nightmare Vacation, then you’re gonna enjoy Las Ruinas much more because I think it continues to reveal herself to be the best female hip hop artist that the mainstream has to offer right behind the Hot Girl Queen herself: Megan Thee Stallion. I admire that the production is a lot more experimental in comparison to her full-length debut sticking to Rico’s trap/pop rap guns with the lyrics being more vulnerable this time around.
This is the long awaited full-length debut album from Maryland’s very own Rico Nasty. Coming onto my radar a couple years ago off her Nasty mixtape, I was pretty impressed by her unique personality & her eclecticism. The last project Rico had put out prior was a phenomenal EP produced entirely by Kenny Beats last April titled Anger Management but as this turbulent year draws to a close, it’s only right for her to finally drop Nightmare Vacation.
The opener “Candy” talks about never changing the way she acts over a bombastic instrumental whereas the next song “Don’t Like Me” with Gucci Mane sees the 2 talking about haters over a cloudy beat from Buddah Bless. The track “Check Me Out” gets boastful over a piano & some hi-hats while song “iPhone” talks about relationships over a hyper pop instrumental from Dylan Brady.
The track “STFU” continues to brag over a blobby instrumental from Take a Daytrip while the song “Back & Forth” with Aminé finds the 2 showing off their chemistry with one another over a flute-tinged trap beat. The track “Girl Scouts” talks about pulling up with a chopper over a ghostly instrumental while the song “Let It Out” vents all of her frustrations over a trap metal beat from 100 gecs.
The track “Losers” with Trippie Redd sees the 2 talking about those trying to fit in over an uptempo instrumental from Brandon Finessin’ while the song “No Debate” talks about how to make a bitch lose it. The track “Pussy Poppin’” gets raunchy over a quirky instrumental while the song “OHFR?” talks about not giving a fuck over an industrial-sounding beat.
The track “10 Fo” talks about leaving the last behind over a trap instrumental with a horn buried in the mix while the song “Own It” advises listeners to own up to themselves for everything over a rubbery beat. The penultimate track is a terrible remix to the Kenny Beats-produced “Smack a Bitch” & then the closer is actually the original “Smack a Bitch”, which I think is a brutal Asian Doll diss.
Coming away from this album, my feelings towards it are mixed at the end of the day. I commend Rico for being one of the most exciting performers in hip hop today & that absolutely applies here, but the production is just so hit or miss.
Rico Nasty is a 21 year old rapper from Palmer, Park, Maryland that I first caught wind of last year with the release of her Nasty mixtape, which showcased a unique personality in Rico as well as her eclecticism. However, she’s now teaming up with Kenny Beats to deliver her debut EP.
The EP kicks off with “Cold”, where Rico talks about being the hottest female spitter in the game right now over an industrial beat. The next track “Cheat Code” talks about biters over an abrasive beat while the song “Hatin’” is an ode to boss bitches & I love how they revamp the same sample that JAY-Z & Timbaland used for “Dirt Off Your Shoulder”. The track “Big Titties” with EARTHGANG sees the 3 talking about their lifestyles over a quirky beat & after the “Nasty World” skit, the song “Relative” talks about how Rico’s fame as affected those around her over some somber piano chords & heavy bass. The track “Mood” feels more like a Splurge joint since he takes up a bulk of it while the song “Sellout” talks about loving yourself over a moody trap beat. The EP then finishes with “Again”, where Rico celebrates her success over a spacey trap beat.
Yeah, this is Rico’s best work yet. Her lyricism is sharper & Kenny just goes to show that he’s one of the hottest producers in the game at this very moment.