Choco Valens – “Hollywood Burns” review

Choco Valens is a 33 year old MC from Miami, Florida who came up in 2018 off his full-length debut Kill Politics. This was followed up with his sophomore effort The Night Before the Fight the next summer & then his 3rd full-length album Wolfenstein a couple years later. But as the 2-year anniversary of the latter approaches next month, Choco has seen fit to return in the form of his debut mixtape following the 2-year schedule set by his last 2 efforts.

“Broken Bones” kicks things off with a 3 minute spoken word piece until we get a jazzy boom bap beat & Choco dropping some hard battle bars during the 2 half whereas “No Mercy” perfectly lives up to it’s title to the murderous lyricism to the funereal production. “7 Chakras” comes through with one of my favorite performances on the tape with it’s intricate rhyme schemes & flow switch-ups over an Alchemist instrumental that has kinda sounds like it was originally made for Griselda, but then “Blood Sport” has a more occult atmosphere to it comparing the rap game to such.

Meanwhile on “Heart of Evil”, we have Choco returning to the boom bap spitting the wicked shit to my surprise & pulling it off wonderfully leading into “Mad Villain” comes through with a 7-minute tribute to the late MF DOOM that I think any hip hop head would come to appreciate. Especially with all the multiple beat-switches. Serum, Duivan, King Tetrus, 8ch20wins & Lejnd all come into the picture for the 7-minute posse cut “Born Killers” produced by DJ Pain 1 declaring themselves to be such prior to the bombastic “Rage” encouraging that now’s the time to riot.

Orion Brass tags along for the bluesy “No Days Off” as the 2 talk about having no time to rest while “Free Country” is a short but sweet boom bap joint produced by Evidence & it’s just incredible how much charisma Choco puts on display with his delivery. “Bad Guy” has a more luxurious approach to the instrumental continuing to belittle his competition while the song “Scarface” with Wolf-gang finds the pair jumping on top of some prominent hi-hats to talk about not giving a fuck. The penultimate track “Blue Print” is basically a freestyle over “U Don’t Know” by JAY-Z until “Miami Estate” is a triumphant closer à la Maybach Music Group letting y’all know where you can find him.

It most definitely feels more like a mixtape compared to Choco’s last 3 albums to me, but it’s still a dope way for dude to ring in the new year. It’s cool to hear him pay homage to some of his influences by jumping on top of beats that we’ve already heard before as well as simply hearing how much he’s evolved as an MC within the last 5 years from the flow switch-ups to the passionate execution in his delivery.

Score: 3.5/5

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BeenOfficial – “America’s on Drugs II: America’s Still on Drugs”

This is the 3rd EP from Bronx emcee BeenOfficial. Coming up in the winter of 2015 off his 1st single “Why U Lie? (Y U Lie?)”, it wouldn’t be until 5 years later where he would put out his debut EP God’s Jewelry using that time to put out more songs to build up anticipation & eventually followed it up a couple months later in the form of America’s on Drugs. But as the 2 year anniversary of the latter continues to approach slowly & surely, the man himself’s returning in the form of a sequel merely days after Christmas.

The intro starts things off by briefly yet ruggedly reintroducing himself for those that don’t know whereas “Can’t Get Away” has a more sample-based trap flare to it looking back on the days when he was down & how he’s been doing better as of late. S.C. Money tags along for the luxurious “Life or Death” spitting that hustler shit just before “H.W.T.C. (Heavy Wears The Crown)” follows it up with a horn-inflicted boom bap instrumental talking about being his way now.

S.C. Money comes back 1 last time in the form of “I’m Working”, where both of them detailing that they’ve been putting it on over top of a beat that’s reminiscent to that of my favorite Slaughterhouse cut “Microphone” while the penultimate track “Got a Gun” returns to the boom bap acknowledging just how crazy it be out in his parts. The outro is just as short & raw as the intro, except the lyrics touch on those not knowing what it’s like to have a price on your head & thinking about the money he’s bout to collect whilst driving on the highway.

It’s really fresh to hear how much this guy’s grown as an artist in the last 7 years because as dope as his last EP was, America’s on Drugs II: America’s Still on Drugs to me further proves that evolution as much as the predecessor did almost a couple years ago. Lyrically, the themes of drug trafficking are stronger as they were before with Adwerdz’ production continuing to pull from boom bap & trap keeping it at a healthy balance.

Score: 3.5/5

Super Famous Fun Time Guys – “Holiday EP: Advent” review

The Super Famous Fun Time Guys are a self-deprecating horrorcore duo from Ohio consisting of Mr. 8 Legz & Whipstick. They originally broke out in 2018 off their full-length debut Our Album & then the Super Dudes Crooning the Tunes EP that same fall, where they freestyled over songs like Yasiin Bey’s “Mathemathics” or even Earth, Wind & Fire’s “September”. Following their sophomore effort How Do You Fit a Cassette in a Discography? & their solo debut EPs, they became the very 1st act to sign to the almighty Alla Xul Elu’s independently owned Long Live Evil label & their 3rd album Don’t Hug Me from the Front quickly won a lot of people (including myself) over with how well it mixed horrorcore with comedy. But ahead of their official LLE sophomore effort next year, Whip & Legz are celebrating Christmas with their 3rd EP.

After the “Reindeer Rental” intro, the first song “Mandatory Holiday Function” is a cheery way to kick things off by talking about how tis the season to have a Fun Time party while the song “Cute & Cuddly” takes the boom bap route calling themselves gremlins that came from a path full of snakes similar to that of current AEW manager, WWE Hall of Famer & former SMW Heavyweight Champion Jake “The Snake” Roberts. The penultimate track “Frosty Tips” laces some bells with piano chords & a thunderous bass-line to get on their hardcore shit prior to Doc Gruesome, Donnie Menace & Stray all assisting the greatest tag team to never even step into a ring for the 9-minute trap closer “Humbugs in Your Bed” talking about St. Nick pulling up to your city.

Now if any of y’all are looking to have a fun time this Christmas, then you’re gonna wanna add Holiday EP: Advent onto your rotation this weekend because it’s without a bit of doubt the best Christmas-themed project that I’ve heard in a while. The humorous yet nihilistic lyricism & exciting chemistry we’ve all come to know & love them for both make their way onto here except the production has a more seasonal twist to it. I know they said at the 2nd annual Camp Xul this past summer to expect their next full-length in 2023 & I’m still keeping my fingers crossed that Billy Obey is producing it in it’s entirety but regardless of the latter, we’ll cross that bridge when we get there & maintain all anticipation for it.

Score: 3.5/5

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Mickey Diamond – “Gucci Ghost 2” review

Mickey Diamond is an up-&-coming MC from Detroit, Michigan who first emerged at the beginning of 2020 off the strength of his debut EP Bangkok Dangerous, the dude has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with 5 full-lengths alongside 5 EPs & a mixtape. He literally just dropped his last album Gucci Ghost produced by Big Ghost Ltd. at the beginning of the month & have now decided to drop a sequel 3 weeks later out of nowhere.

After the “Tax Evasion” intro, the first song “Paolo’s Ghost” kicks off the album with some sample-based boom bap production & Mickey declaring himself to be a troublemaker prior to Hus Kingpin & Mondo Slade both assisting him on “Vanity Fair” taking a more dejecting tone instrumentally as the trio leave the scene bloody lyrically. Especially with the hilarious thumbdrive line during the first verse. The electric guitar throughout “Gucci Godzilla” is absolutely badass confessing that he feels like an iced-out version of the King of Monsters referencing former NWA World Tag Team Champion, 3-time WWE tag team champion & 6-time WWE Hardcore Champion Bob Holly just before “Gold Grill Villains” featuring Eddie Kaine & Mooch has a more rawer approach in sound as the 3 spit some ruthless battle bars.

“Aldo’s Interlude” is a self-described brief intermission with some down-tuned synths & a bass guitar layered on top of some kicks & snares discussing how no one can fuck with him leading into “Nowhere to Run” explains that the hood’s the only life he knows over a desolate boom bap beat. The song “Dapper Dan War Suits” brings back the rap rock vibes with some minimal drums talking about being dressed to kill while the penultimate track “Blood on the Runway” is a symphonic boom bap posse cut showcasing the Umbrella collective with each member standing out in their own way. “Death By Designer” ends things by reminding us that our demises are always 1-step away with a climatic instrumental.

When we initially got Gucci Ghost at the beginning of the month, I had stated that it was Mickey’s most well crafted body of work to date. Fast forward literally weeks later & here we are with a sequel that’s on par with if not superior to that of the predecessor. Dude’s continuing to reveal himself to be amongst my favorite lyricists within the Umbrella by continuing to sharpen up his pen-game & Big Ghost Ltd.‘s production is more versatile than it was on the last album.

Score: 4.5/5

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Sk8star – “Mogul” review

This is the 3rd EP from Atlanta, Georgia up-&-comer Sk8star. Getting his footing in the spring of 2021 off Superstar Status, he would go on to follow it up this year with both his previous EP B4NWØ & his debut mixtape New World Ørder respectively. The latter being my introduction to Sk8’s music after my lil brody UnreleasedSnip put me on, with songs like “Standin’ on Business” & “YSL Flow” being the standouts for me personally. But coming fresh off a live performance in Brooklyn last month during the Black Friday weekend that we went to & now that Christmas is only a week away, dude’s seeing fit to drop Mogul without any prior notice.

“dover mogul” starts the EP with a pluggy instrumental & Sk8star talking about being as powerful as he is coming straight out of the titular community in Screven County whereas “first class” samples the Fergie & Ludacris bop “Glamorous” 1,000x better than Jack Harlow did thanks to Nosaint from Vanguard Music Group saying he started this shit. “thin line” returns to a more mellow trap-based sound touching on the border between love & hate leading into “tripple cross”, which keeps the plugg vibes going talking about losing friends not really being that much of an issue for him personally.

However with “paparazzi”, we have Sk8 over a rage beat from Popstar Benny calling out those who be hatin’ every time he posts a pic just before “sky’s the limit” works in some hi-hats & rattling bass to deliver some braggadocio. “slatty” has a more spacious atmosphere to it talking about having his swag on overload while the song “workin’” is a piano trap ballad admitting he’s more observant & talkative. The penultimate track “goosebumps” has a more ethereal instrumental continuing to flex & “no heart” finishes the EP on a cloudy note talking about how he did this shit.

Now if you’re like me & got drawn into this dude’s music over the summer by New World Ørder, then you’re gonna wanna give Mogul a listen as well because it’s certainly on par with his last tape & can definitely see his profile continuing to grow going into the new year. The production has some more prominent plugg undertones this time around & his melodic delivery is still as charming as it was on the predecessor.

Score: 3.5/5

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Gotti Mob – “Don’t Be Stupid” review

The Gotti Mob is a newly formed hip hop duo consisting of Kurupt & C-Mob. One is a Philadelphia, Pennsylvania born albeit Los Angeles, California bred veteran notable for being 1/2 of Tha Dogg Pound alongside Daz Dillinger & the latter coming straight outta Marion, Indiana turning heads in the underground since 2005, particularly within the horrorcore scene. They’ve only crossed paths with each other on wax a few times over the years, but are linking together & putting their chemistry to the test with a full-length debut.

“Mid West” is a grim piano/boom bap opener produced by Tone Spliff to start off the album talking about being so much more than the images that both MCs have portrayed whereas “Want Smoke!” works in some melodic vocal chops & dusty drums courtesy of Johnny Slash acknowledging that people don’t wanna fuck with them. Too $hort tags along for “Dumb Shit (Delirious)” to talk about not dealing with stupidity over a syrupy sample just before “I Ain’t Even Know!” has a more spacious sound speaking on living their lives & not trying to do anyone wrong.

Moving on from there with “Player’s Ball”, we have WWE Hall of Famer Snoop Dogg joining the Gotti Mob over some production blending g-funk & boom bap referencing the titular gathering of pimps that takes place in Chicago every year leading into “Da Buzine$$” diving into trap territory talking about doing big business only. After the “Game Recognize Game” interlude, Sacramento veteran & the newest addition to the Strange Music roster X-Raided comes into the picture for the bell-infused “Often” advising to take caution prior to the bouncy “Take Me Away” showing a more romantic side lyrically.

“Medicine” with MC Eiht finds all 3 of them over a dark trap beat asking if one wants to do some gangsta shit or handle a certain situation like gentlemen while the song “Move Nice” pulls from hyphy music instrumentally recommending that one needs to be aware of all the tension surrounding them. The penultimate track “Wanna Be a Ho” returns to the trap sound 1 last time telling their significant others to be themselves around them, but then “Everywhere” with KXNG CROOKED & Spice 1 truly ends the album with a delirious ballad about being all over the place.

Now despite already being familiar with Kurupt at a young age due to his history with Death Row Records & the D.P.G.C. collective, I personally haven’t really heard much of C-Mob’s own material outside of some features he’s done for artists like Tech N9ne & Kung Fu Vampire throughout the last 3 years. All of that being said: the Gotti Mob gave us a pretty solid debut here & only time will tell if they plan on working with one another more down the road. The production from start to finish is trunk-rattling & the styles of both MCs gel with one another impressively.

Score: 4/5

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Ransom – “Chaos is My Ladder” review

Ransom is a 44 year old MC from Jersey City who came up as 1/2 of the short-lived duo A-Team alongside Hitchcock. After their disbandment, he branched out on his own in 2008 beginning with his full-length debut Street Cinema & the Statik Selektah-produced sophomore effort The Proposal. But it’s been safe to say these last couple years have been his biggest so far whether it be the 5 EPs that he put out produced by Nicholas Craven, 7 based around the 7 deadly sins, the Big Ghost Ltd.-produced Heavy’s the Head, the Rome Streetz collab album Coup de Grâce, his previous full-length No Rest for the Wicked earlier this spring & his latest EP This Life Made Me in the fall. But to ring in the winter, Ran’s enlisting V Don to fully produce his 5th album.

“Hit List” featuring 38 Spesh starts things off with a menacing boom bap of opener as the pair go back & forth with one another getting ready to go to war whereas “All In” with Eto works in some lavish piano chords with the 2 talking about how tigers don’t dance in the desert. Both J. Arrr & Mad Squablz tag along for the chipmunk soul infused “Blissful Agony” to drop some battle bars just before the orchestral boom bap ballad “Lone Wolf” declares himself as such.

After the “Calm Before the Storm” interlude, we have Ransom coming together with “A Most Dreadful Symphony” calling out those who glance over the scripts & never knowing the plots over some string sections leading into the angelically produced “Toxic Love” with the title speaking for itself as far as subject matter goes, but then “Burning Bridges” goes drumless with it’s bare piano instrumental continue to be more introspective with the lyrics.

The song “Chaotic Ceremony” has a more luxurious groove to it talking about liking action & making shit happen while the penultimate track “Short Notice” with Lloyd Banks finds the 2 wordsmiths talking about how it’s time to even the score over a jazzy beat. “Late Nights Early Mournings” however closes out the album on a symphonic note proclaiming only the strong survive so the weak ends.

Between this as well as No Rest for the Wicked & This Life Made Me, there’s not a single doubt in my mind that Chaos is My Ladder is the best of the 3 projects that Ransom has dropped throughout 2022. The production that V Don cooks up is a tad bit more consistent than what we heard on the last EP with no disrespect intended towards Mayor whatsoever as the lyricism continues to remind everyone that there aren’t many who’re on Ran’s level.

Score: 4.5/5

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Ab-Soul – “Herbert” review

Ab-Soul is a 35 year old MC & singer/songwriter from Carson, California who came up as 1/2 of the duo Area 51 alongside Snake Hollywood. The pair would be short lived however, as Soulo would go on to sign to Top Dawg Entertainment & has remained under Top Dawg’s wing since. Dude’s first 2 mixtapes Longterm & Longterm 2: Lifestyles of the Broke & Almost Famous would begin to turn heads & I can’t forget about his first 2 full-lengths Longterm Mentality & Control System going on to become the Black Lip Bastard’s most acclaimed efforts to date, but These Days… & Do What Thou Wilt. were both released to mediocre reception from many including myself. That being said though, I was definitely looking forward to Soulo’s 6th album here as TDE comes fresh off SZA‘s long awaited sophomore effort S.O.S. last Friday & of course Kendrick’s final offering with the label Mr. Morale & the Big Steppers over the spring.

“Message in a Bottle” is a 2-part boom bap opener with Soulo talking about being close to the edge whereas “No Report Card” takes a peppier Route promising not to stop. “Hollandaise” starts off going into trap turf with some cloudy/pluggy undertones talking about being locked in with no fucks given prior to a jazzy switch-up during the final verse, but then Joey Bada$$ tags along for the “Moonshooter” remix weaving a chipmunk soul sample & some dusty drums to get more conscious lyrically.

However on “F.O.M.F. (Fuck Out My Face)”, we have the Black Lip Bastard over a horn-inflicted trap instrumental advising the bitch-made to back up from him leading into Punch coming into the picture for the soulful boom bap cut “Goodman” talking about being righteous & good men turning tyrant. “Do Better” samples “Green Twins” by Nick Hakim dropping some more uplifting lyricism just before the Fre$h-assisted “Gang’Nem” embraces a cloudier sound getting on a whole lotta gang shit.

“The Wild Side” returns to the boom bap with some piano chords woven in speaking on turning their lifestyles into their careers while “Art of Seduction” is of course a decently moody love ballad. “Bucket” hooks up a vocal loop talking about controlling this system & not to worry about a damn thing while “Go Off” with Big Sean & Russ has a wavy trap groove with the trio giving off big sick energy. The verse from the latter at the middle is kinda cringey especially with the line about not teaching a girl how to arch since she’s from St. Louis, but Sean comes out swinging with a crazy Stone Cold Steve Austin reference once he starts spitting near the end.

Moving on from there with “Fallacy” featuring Alemeda, it’s only right for Soulo to declare that the real is back over some airy boom bap production from Hit-Boy while the title track brings a sample-based trap beat into the fold talking about how he’ll never be understood. “Church on the Move” is a gospel/trap hybrid keeping the faith while the piano-heavy “It Be Like That” admits his fuck-ups with a melodic outro. The penultimate track “Positive Vibes Only” speaks for itself with a triumphant beat & “Gotta Rap” finishes the album with the God of Boom Bap himself DJ Premier behind the boards to flex Ab’s lyrical abilities.

As someone who adored this guy’s first 2 full-lengths during my adolescence, I’ll admit that I had some doubts going into Herbert considering how underwhelming his last 2 have been. However, there’s no denying that this is the best he’s sounded since Control System. Given the title, I admire how he decided to get more personal be detailing his upbringings accompanied by some versatile production pulling from boom bap to trap & even gospel music.

Score: 4/5

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Your Old Droog – “The Shining” review

This is the 9th EP from Ukrainian-American emcee Your Old Droog. Catching my attention when he dropped his self-titled debut. many actually first thought he was an alter ego of Nas given that their voices are somewhat similar. He eventually became a legend in his own right off later projects such as Packs as well as It Wasn’t Even Close, TIME & the Nicholas Craven-produced YOD Wave. The 3 EPs he’s given us since YOD Stewart, Yodney Dangerfield & The Yodfather weren’t as great in my opinion yet most certainly had their highlights at the same time. So just when I assumed the predecessor was gonna be Droog’s last of 2022, dude’s making me eat my own words by dropping The Shining less than 2 weeks before Christmas.

“Fresh Direct” is an ominous boom bap opener with Droog acknowledging that there ain’t a rapper that he’s not sonnin’ whereas “Brinks Truck” takes a jazzier route to spit the illest shit that he can think of. “We on the Tarmac” has a more spacious vibe talking about not worrying about a thing & being where the stars at prior to TCF Music Group’s very own Che Noir tagging along for the sample based “Room 237” referencing the titular room in the fictional Overlook Hotel from the classic Stanley Kubrick film that the EP is named after. The song “Redrum” with Rock & Tha God Fahim finds the trio over some dusty production to get murderous while the penultimate track “Here’s Johnny” weaves a flute-tinged boom bap beat in talking about catching him where the dough at. “The Hedge Maze” however ends the EP with a ghostly Sadhugold instrumental & Droog looking back on all his fake friends as he freezes to death.

Before I wrap things up here, I just wanna sincerely apologize for jumping the gun & assuming that The Yodfather was gonna be the final offering from Droog before the year ends. Now that’s out of the way, The Shining is absolutely a cut above the last 3 EPs dude has put out. It’s more conceptual as one of the most prominent MCs in the underground today uniquely retells the titularly classic Stephen King tale & it’s cool to see Wino Willy get more shine by producing a bulk of it. Here’s to the impending masterpiece of a Droogie Otis full-length debut in 2023!

Score: 4/5

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Renelle 893 – “Cocoa Butter” review

This is the 2nd EP from London, England, United Kingdom emcee Renelle 893. Introducing himself a year & a half earlier off the previous extended play Black Currents, he would eventually catch the attention of High Focus Records not too long afterwards & signed to the label. The historic Hove, East Sussex imprint however has decided for Renelle to end their 2022 by having King Kashmere fully produce Cocoa Butter a couple months succeeding Letherette entirely producing Chuck Enzo’s official High Focus return TR3B only 24 hours away from Robbie X ending Luke Jacobs’ reign as RPW British Cruiserweight Champion.

“Let Go” begins with a funky boom bap opener talking about keeping his hood up in his head low whereas “Wine Bottle” drumlessly flexes of pulling up to a zoo because he got a cougar in his whip. “I Dunno” featuring The Strange Neighbour finds the pair suggesting that they act the way do because of the cognac they drink & once “Like a Villain” wavily talks about him wanting to simply chill, “Gotta Go” ends the EP with him speaking of ruling with Hell fire & brimstones.

Continuing to warm fans up for an upcoming full-length debut album of his own, Renelle 893 embraces a new era in the London artist’s career with an extended play that greatly improves beyond the predecessor & his future on board the High Focus Records roster promises a bright future for him in preparation of グレート-O-カーン becoming the new RPW British Heavyweight Champion tomorrow. King Kashmere’s production throughout Cocoa Butter feels nostalgically reminiscent to the simpler times of our lives compared to Black Currents & Renelle’s pen-game has improved tremendously over the course of 20 months.

Score: 4/5

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