Estee Nack – “Balandas” review

This is the 3rd full-length album from Lynn, Massachusetts emcee Estee Nack. A member of Tragic Allies, his 2015 solo debut 14 Forms: The Book of Estee Nack would reveal himself as the group’s breakout member & he has released a plethora of projects since then including Surfinongold.wav & Papitas. But after starting off his 2020 with #MiniMansion4, he’s now teaming up with Superior for Baladas.

The album kicks off with “Sammy Sosa Clean Coca”, where Estee gives some brief street knowledge over some strings & a vocal sample. The next song “Tell the Truth & Shame the Devil” talks about being a God over an instrumental with a prominent organ lead while the track “A Rock & a Hard Place” with Eto sees the 2 getting murderous over a cool saxophone sample. The song “Pop Rock Classics” with Daniel Son sees the 2 getting mafioso over an atmospheric instrumental while the track “Infinite Black Mind” gets in the faces of his competition over a psychedelic beat. The song “Ballads for the Brilliant” with Ice Lord sees the 3 getting on the five-percenter tip over a symphonic instrumental.

The track “Mango Marmalade” continues to belittle those who try to oppose him over a pretty woodwind instrumental while the song “Launch the Boat Off a Key West” over a boom bap beat. The track “Wisdom” definitely lives up to it’s name lyrically & the dream-like instrumental is great, but the Codenine feature is just ok. The song “Plegaria a un Sicario” with Ice Lord is straight up homicidal & the orchestral sample in the instrumental is a nice touch also. The album then finishes with “Yola”, where Estee talks about cocaine & the guitar instrumental on here is killer!

Dude’s discography is nothing short of consistent & this is a fine addition to it. Couple of the features were a bit spotty, but Estee’s lyricism has continuously progressed over time & Superior’s production fits him in pretty nicely.

Score: 3.5/5

Post Malone – “Hollywood’s Bleeding” review

This is the 3rd full-length album from New York born & Texas raised rapper, singer/songwriter & producer Post Malone. Who rose to stardom in 2015 with the single “White Iverson”, which landed on his subpar debut album stoney at the tail-end of 2016. He took the following year off, but his sophomore album beerbongs & bentleys last spring showed a little bit of improvement as the songs were a lot catchier than last time around. And a little over a year later, here we are.

The title track essentially finds Post going on about some woman over a dull instrumental while the next song “Saint-Tropez” is a by the numbers club banger. The track “Enemies” with DaBaby sees the 2 talking about people who’ve turned against them over a moody instrumental while the song “Allergic” is a trite & obnoxious ballad.

The track “1,000 Bad Times” talking about how crazy this chick is over an airy instrumental while the song “Circles” is a whiny attempt at going indie pop. The track “Die for Me” with Future talks about scandalous women with Halsey providing a terrible verse from the ladies’ perspectives at the end over a drab beat while the song “On the Road” with Meek Mill & Lil Baby finds the 3 bragging over a generically atmospheric beat wanting to be richer than Amazon founder Jeff Bezos.

The track “Take What You Want” with Travis Scott sees the 2 diving into more romantic melodrama & not only is the instrumental equally uneventful, but the hook from Black Sabbath frontman Ozzy Osbourne on here has to be one of the worst features I’ve heard all year. The song “I’m Gonna Be” is essentially the trap equivalent to Logic’s “Don’t Be Afraid to Be Different” minus the awful Will Smith verse while the track “Staring at the Sun” with SZA is an awkward duet about their past romances over an instrumental that’s blatantly similar to the playful “Sunflower” joint that he did with Swae Lee for Spider-Man: Into the Spider-Verse. And funny enough too, that’s the VERY next song on the album.

The track “Internet” is basically him moaning about the things people say about him online & the song “Goodbyes” talks about leaving a girl whereas Young Thug is talking about working it out with her over a bleak instrumental. The track “Myself” sounds like a total Tame Impala ripoff while the song “I Know” talks about how his love with this woman will never be duplicated over a skeletal instrumental. The torture finally ends with “Wow.”, which is a boring sequel to “Congratulations”.

I didn’t like this. Not even a little bit. With the last album I felt like Post actually came through with writing & delivering some catchy radio hits, but this feels WAY more cumbersome. Maybe even more so than stoney was almost 3 years ago. Another thing is too that it seems like him hopping on the emo rap bandwagon & failing miserably. By far the worst thing he’s done to date.

Score: 1.5/5

Chance the Rapper – “The Big Day” review

Chance the Rapper is a 26 year old rapper, singer/songwriter, actor & activist from Chicago, Illinois that became an overnight sensation in 2012 with his debut mixtape 10 Day & he would eventually follow it up the next year with one of the best mixtapes of this decade: Acid Rap. Last time we heard from Chance was in 2016 with Coloring Book which had an more admirably Christian message to his music, but was weighed down by an abundance of features. 3 years have passed & he’s now making his return with his full-length debut following a role in the A24 Films horror comedy Slice.

The album kicks off with “All Day Long”, where Chance talks about feeling grateful over a blissful instrumental from none other than The Social Experiment. The next song “Do You Remember?” gets nostalgic over a buttery instrumental while the track “Eternal” with Smino sees the 2 talking about wanting a lifetime relationship over a funky beat. The song “Hot Shower” with DaBaby & MadeinTYO sees the 3 rambling about this chick over a nondescript trap beat while the track “We Go High” pays tribute to his wife over a J Dilla inspired instrumental.

“I Got You (Always & Forever)” is a hideous 1-night stand anthem & after the “Photo Ops” skit, the song “Roo” with Taylor Bennett sees the 2 getting motivational on some WWE tag team shit over a cavernous beat. The title track talks about his wedding over a beautiful acoustic instrumental while the song “Let’s Go on the Run” with Knox Fortune sees the 2 pretty much simping over a sunny beat.

The track “Handsome” with Megan Thee Stallion sees the 2 boasting about how beautiful they are over an simplistic trap beat while the song “Big Fish” with Gucci Mane sees the 2 charismatically bragging over a settle trap beat. “Ballin’ Flossin’” is basically a Christianized version of Drake’s “Ratchet Happy Birthday” & after the “4 Quarters in the Black” skit, the song “5 Year Plan” talks about his goals over a bare piano instrumental.

The track “Get a Bag” with CalBoy pretty much speaks for itself over a tropical instrumental while the song “Slide Around” with Nicki Minaj & Lil Durk sees the 3 flaunting over an ambient/trap beat from Pi’erre Bourne. The track “Sun Come Down” vents about his insecurities over an atmospheric beat while the song “Found a Good One (Single No More)” is of course another dedication to his wife over an upbeat instrumental. The track “Town on the Hill” gets spiritual over a moody beat & after the “Our House” skit, the closer “Zanies & Fools” with Nicki Minaj is an annoying love song with a tribal-esque instrumental.

As a fan of Chance’s early work, this was a huge disappointment for me. Only a select few songs in this collection of pop rap, contemporary R&B, conscious hip hop, neo-soul, Christian hip hop, trap & chipmunk soul that feel like it’s from the heart and a vast majority of it wastes the production on amongst the absolute worst vocal performances of the SAVEMONEY member’s entire catalog.

Score: 1/5

Erick Sermon – “Vernia” review

Erick Sermon is a 50 year old MC & producer from Islip, New York known for being a member of EPMD & the Def Squad. However, it was’t until the early/mid 90s where he made his solo debut No Pressure & followed with a sophomore effort Double or Nothing under Def Jam Recordings. Following the DreamWorks Records-backed Erick Onasis as well as Music & React under J Records, he contemplated retiring in the summer of 2004 with Chilltown, New York under Universal Music Group. He fortunately made a flawed yet solid comeback over a decade later with E.S.P. (Erick Sermon’s Perception) & he’s at it again with his 8th full-length album.

After the “Payne Intro”, the first song “Wake Up (No Fear)” brags about his skills over a futuristic instrumental while “Da Wave” continues the lyrical themes of the previous joint over a vintage Rockwilder beat. “Tha Game” featuring AZ & Styles P sees the 3 dissing people only out for the fame over a bass-line & a soul sample while “Go” with No Malice talks about life in the streets over a luscious boom bap instrumental.

“My Style” with N.O.R.E. & Raekwon sees the 3 showing all of their unique styles over a laidback soul sample while “That Girl” with Big K.R.I.T. is a smooth dedication to Southern womenz “Cabinet” shouts out a plethora of legendary MCs over yet another funky instrumental & “Stay Real, Pt. 2” with Keith Murray & Nature is a fantastic sequel to a highlight off No Pressure.

The song “Zion” with Xzibit alongside David Banner & even Shaquille O’Neal spit battle bars over a boom bap beat with a sinister piano lead while “May Sound Crazy” with Devin the Dude & Too $hort finds the trio getting romantic over a g-funk beat from DJ Battlecat. “300 E” is essentially E-Dub charismatically boasting over a beautifully futuristic instrumental from Rockwilder album & it all finishes with the Apathy produced title track, which is a heartwarming dedication to his grandmother.

E.S.P. (Erick Sermon’s Perception) still has its after all this time, but Vernia sticks out as the greater album of the 2 he’s given us since making music again. Only a couple tracks I could’ve done without yet through it all, Erick really sticks to his guns lyrically remembering his late grandmother Vernia Mims with the guests mostly adding into the equation & the production mostly handled by The Green-Eyed Bandit himself is top notch including the contributions from a few noteworthy great producers.

Score: 4/5

Juice WRLD – “Too Soon..” review

Juice WRLD is a 19 year old rapper from Chicago, Illinois who started blowing up just recently due to the release of his debut album Goodbye & Good Riddance just last month. I personally thought it was just average, because I feel like he’s pretty much Post Malone making Lil Uzi Vert & Trippie Redd songs. However, he’s now giving us a 2-track EP in the light of the surprising & devastating murder of XXXTENTACION earlier this week.

The first track “legends :(” is a heartwarming tribute to X & even Lil Peep (who passed away last November) over a somber trap beat & the other one “rich & blind :(” is basically a message to everyone who’s recently lost someone over a moody beat.

I still don’t care for Juice WRLD’s recent album admittedly, but I gotta give credit where it’s due. Not just because he sounds less like Post on here, but I think he refines the emo rap style a little bit on here in the terms of lyrics & production. However, I would’ve loved to hear 3 more tracks from it

Score: 3.5/5

Bumpy Knuckles – “Pop Duke” review

After dropping the Statik Selektah produced Lyrical Workout in 2011 & the DJ Premier produced KoleXXXion in 2012, Long Island underground veteran Bumpy Knuckles is returning with his 8th full-length album & he has enlisted Nottz to produce it in it’s entirety. Things start off with the title track, where Freddie talks about his longevity over a triumphant beat. The next song “Flow Temperament” brags about his skills over a boom bap beat with some bass guitar while the track “Head Count” with Kool G Rap & Lil’ Fame gets confrontational over some horns. The song “In Love with the Game” is about the current state of hip hop, but the features don’t really do anything for me. Especially the hook.

The track “Grumpy Ol’ Man” continues the theme of a previous track albeit in a more intriguing way over a funky beat & the song “Check It Out Y’all” with Biz Markie talk about how they’re in their prime over an eerie boom bap beat. The track “Motivation” gets conscious a tropical beat while the song “Ol Morning” talks about his skills over a somber beat. The track “New Enemy” is about shady people mixed with some battle bars over a keyboard boom bap beat & the closer “Legends” recalls first getting into hip hop over a flute.

Despite it’s short length, this is still a very solid return for Bumpy. The production is just as hard hitting as his last 2 as is his ever so gritty lyricism. I assume we’re getting a follow-up anytime soon given that this is labeled as “Vol. 1” & whether Nottz will be back for it or not, I’ll definitely be anticipating it

Score: 4/5

Desiigner – “L.o.D. (Life of Desiigner)” review

Ever since appearing on the 2016 XXL Freshman Class & rushing his New English mixtape shortly after, New York rapper Desiigner has been laying low ever since. However, it was announced out of the blue Thursday night that he had returned with with his 1st EP.

The EP starts off with “Priice Tag”, where he gets braggadocious over a video gamey trap beat from Ronny J. The next song “Tonka” has an instrumental with an eerie atmosphere to it, but the songwriting is lazy. Especially during the hook & the 2nd verse. The track “After Party” is a generic club banger while the song “Pop iiT” is pretty much a poor man’s “Mask Off” albeit with a spacey beat. The song “Destiination” sounds like a leftover from Future’s last album HNDRXX while the track “LA to New York” does sound charismatic & fun, the songwriting is yet again lazy. The EP finally finishes with “HOOD”, where he talks about seeing another day over a moody beat

This is definitely better than New English, but it’s still pretty bad. Not only did it take way too long to come out but even 2 years after he blew up, the production is generic trap & Desiigner himself still sounds like a poor man’s Future

Score: 1/5

August Greene – Self-titled review

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August Greene is a newly formed supergroup consisting of Chicago, Illinois emcee Common as well as Detroit, Michigan producer Karriem Riggins & Houston, Texas jazz pianist Robert Glasper. The 3 have worked extensively on Common’s last album Black America Again in Late 2016, but now they are coming together for an official full-length album.

The opener “Meditation” talks about how the trio can’t fall over a mellow instrumental & the next song “Black Kennedy” is a vivid description of just that over a jazzy piano instrumental. The track “Let’s Go” gets spiritual over a soothing beat while the song “Practice” insightfully talks about life itself over a piano & punchy drums. The track “Fly Away” talks about relationships over a tribal beat while “Aya” is a soothing 4 minute instrumental with a piano & beautiful background vocals.

After the “Piano” interlude, we go into the track “No Apologies”. Here, Com gets conscious over a super funky beat. The song “The Time” sees Common reflecting on his entire career with an instrumental that has a soothing atmosphere to it while the penultimate track “Optimistic” with Brandy is a decent cover of the Sounds of Blackness song with the same name. The album closes with “Swisha Suite”, which is a relaxing 12 minute jam session.

While I wasn’t expecting this, it’s still a great album. The production from Karriem & Robert is just as jazzy & laidback as Black America Again & Common’s lyricism is as insightful as ever before. However, I wish there were about 3 more tracks on here if possible. I’d definitely love to hear a follow-up from them in the future

Score: 4/5

Kap G – “Mood” review

A little over 7 months after the release of his debut SupaJefe & about 5 months after being included into the 2017 XXL Freshman Class, College Park rapper & i am OTHER signee Kap G is delivering a 3-track EP. The first song has a decent piano trap beat, but I feel like he bites Future a little too much vocally. The next track “Marvelous Day” with Lil Uzi Vert & Gunna has a moody beat & all 3 rappers compliment each other pretty well in each verse. The closer “Big Racks” has a decent hook & instrumental, but the lyrics just too cliché for me. While I do enjoy some of Kap G’s songs, this was a mediocre EP. If he’s gonna stick with the trap sound, he really needs to find his own lane. He also needs to work with Pharrell lot more as well

Score: 2/5

WESTSIDEDOOM – Self-Titled review

WESTSIDEDOOM is a newly formed duo consisting of recent Shady Records signee Westside Gunn along with the renown MF DOOM. They announced a collaborative project together just a couple months ago & it’s finally here in the form of a 2-track EP. The first song “Gorilla Monsoon” named after the WWE Hall of Famer has an grimy boom bap beat from Griselda Records in-house producer Daringer & while Westside Gunn’s verse is as mobster as always, DOOM definitely outshines him on here. Especially with lines like “Overstand the past to get a grasp of the present, I make it faster than you spends it. End it”. The other track “2STINGS” sees the 2 getting hardcore & the eerie instrumental from The Alchemist fits the tone like a glove. Like many others, I am disappointed that this is wasn’t a full-length album. However, I still enjoyed this EP. The production is grimy & both MCs compliment each other very well

Score: 4/5