Autumn! – “Rolling Stone” review

Lafayette, Louisiana rapper, singer/songwriter & producer Autumn! starting the 4th quarter of 2025 with his 6th LP. Gaining traction off all 19 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 3 years ago with his sophomore effort Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick delivered a sequel to Solitary last spring, You Never Was Mine in the summer & ##B4B2MR in the winter. After going Back 2 My Roots this spring, he’s taking on the persona of a Rolling Stone.

The self-produced “Hermes Carpet!” opens with a pluggnb intro telling his ex that her new man can’t ever take his spot whereas “Keys to the Benz!” psychedelically talks about trying to see what’s going through his lover’s mind. “Eddie Wuncler!” gives off a bit of a drum & bass vibe venting over a woman trying to get with him prior until the confidentially tropical “Trip to the Islands!” talks about never getting back what was stolen from him.

“Rebound!” reaches the halfway point of the album with an ambient plugg direction discussing champagne being the only kind of pain he knows while “Tired of Running!” talks about wanting to make this chick his. “Caught in Your Storm!” describes the certain type of fire in his partner’s eyes on the pluggnb tip while “Waiting for Love!” promises to rob anyone who fuck with his romantic interest over a vocal sample.

The song “Private Locations” begins to wrap up Rolling Stone’s final moments with Wick talking about going from filling out job applications almost a decade ago to becoming a rockstar meeting with hoes discreetly while “When You Left! / 1 Way! 3” finishes twinuzis’ 2nd full-length of 2025 in the form of a 2-parter thanking the ex that inspired him to make the biggest song of his career, which the 2nd half is the trilogy chapter of.

“No More Talking!” starts the deluxe run with a psychedelic plugg beat making it clear that some of the money he be making isn’t all clean while “Get Out the Way!” shares that very same advice to anybody in his face who’s broke. The rage-inducing “Canon Event!” talks about being in the fast lane & after “Better Off Alone!” admits he was lost for a second, “Finally Rich!” finds himself unable to resist flexing on his competition.

We get some synthesizers during “No Breaks!” talking about being under the impression at a hoe made a wish in the shooting star a.k.a. his Wraith while “Critical!” explaining that this paper is all he’s getting as of late. “Chopsticks!” warns that he carries 2 Glocks on him as if he’s Mad Max & the final bonus track “Devil in Miami!” talks about praying for a woman who met Lucifer himself in the 305.

Standing beside Back 2 My Roots in terms of being the greatest material Autumn! has made since signing to 10K Projects regardless of the latter from this spring feeling repetitive to others, his production on this one primarily focuses on the styles of pop rap as well as trap & alternative R&B rather than maintaining the plugg/pluggnb origins he returned to 6 months ago giving a glimpse of where he’s at in his career almost heading into 2026.

Score: 4/5

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Autumn! – “Back 2 My Roots!” review

This is the 5th studio LP from Lafayette, Louisiana rapper, singer/songwriter & producer Autumn!. Gaining traction off all 19 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Recordsright following the Not Much Left EP, he made his major label debut nearly 3 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick delivered a sequel to Solitary last spring, You Never Was Mine in the summer & ##B4B2MR in the winter. To end the 1st quarter of 2025, it’s time for him to go Back 2 My Roots.

“Replica!” sets the tone of what’s to come excellently with the self-produced plugg instrumental talking about the only thing he copies is Margiela whereas “Brainrot!” named after a term I feel like out-of-touch people use to call dank memes rocks Balmain showing respect to the late Lil Keed. “Passenger Princess!” keeps the plugg vibes going for a love song about his glock leading into “Sunburn!” sampling “Plastic 100°C” by Sampha & shouting out Summrs only having Burberry material on his end.

As for both “Something New!” & “Laws of Power!”, we have Autumn! taking a couple ##B4B2MR highlights & placing them on the final version of the album just before “Upper Echelon!” maintains the plugg sound talking about seeing the limelight. “Louie V Everything!” featuring Summrs on the remix expresses their love for Louis Vuitton referencing the Rockstar Games-owned Grand Theft Auto V protagonist Trevor Philips, but then “1 Way 2!” throws it back to the Antagonist! sequel aesthetically.

“Still the Same 3!” continues a trilogy that began with his breakout single stuck in a place he wants to forget while “Both Ways!” talks about his hoes being bisexual. “Did It Again!” a lot like “Something New!” & “Laws of Power!” reappears after being on ##B4B2MR while “Count It Faster!” talks about stacking his racks up. “Free Promo!” flexes his brother moving in slow-mo because of the lean while “Stuck in a Loop!” admits to the way he feels at times. “When I Pray” finishes Back 2 My Roots waking up with money on his mind.

##B4B2MR promisingly had many including myself thinking that Back 2 My Roots would be a return to form for him considering the mixed reception of You Never Was Mine almost 9 months ago & I personally would tell you that it’s the most I’ve enjoyed his music since Golden Child 3! exactly 3 years to the day it dropped. It’s primarily self-produced other than a couple tracks delving back into the plugg sound that made him blow up & he’s more focused than some of his recent output.

Score: 4/5

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Autumn! – “##B4B2MR” review

Louisiana rapper, singer/songwriter & producer Autumn! preluding Back 2 My Roots with his 19th EP. Gaining traction off all 18 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick just delivered a sequel to Solitary in the spring & You Never Was Mine over the summer, but is surprise-dropping ##B4B2MR ahead of the main course.

“Something New!” starts with a psychedelic, self-produced plugg intro talking about not doing any 9-5s since his money be ridin’ tryna show his girl some new shit while “Laws of Power!” works in some synthesizers to talk about 10 rules that he lives by daily. “Both Ways!” heads for a cloudy trap direction instrumentally likening his hoes to Cullinan doors since they’re bisexual flexing that he’s still talkin’ hot & “Did It Again!” finishes the EP by keeping it atmospheric promising that this is only the beginning for him.

Wick’s last couple offerings Solitary 2 & You Was Never Mine were both welcomed to mixed feedback having less of a plugg emphasis to them focusing more on pop rap, trap & Chicago drill containing highlights that demonstrate his artistic range. However considering Back 2 My Roots’ title & the prominent plugg direction he goes for on this prelude, these are huge indications that Autumn!’s next body of work will mark a return to form to the sound that blew him up.

Score: 3.5/5

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Autumn! – “You Never Was Mine” review

Here we have the 18th EP from Louisiana rapper, singer/songwriter & producer Autumn!. Gaining traction off all 17 of his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Wick just delivered a sequel to Solitary in the spring & is back for You Never Was Mine.

“Now They Shocked!” is a vibrant plugg opener telling y’all to best believe whereas “F My Wrist!” keeps working synthesizers & hi-hats talking about what happens when your pockets start getting heftier. “Take Her Phone!” takes the cloudier route instrumentally brushing off the bullshit & going in at those who thought it was over for him, but then the synth-driven “Force His Hand!” addresses everyone that lost their minds.

The rage-inducing “Scammers Jackboys Robbers!” rounds out the first half of the EP discussing the type of people he hangs around while the beat on “Rose Gold Patek!” kinda gives me Detroit trap vibes showing off his new luxury watch you can’t find anywhere else. “Passionfruit Lemonade!” talks about being rich forever over synths & hi-hats just before the piano/trap hybrid “How You Mad!” shows off 30 bitches in his crib.

“Undercover!” nears the conclusion of You Never Was Mine blending a psychedelic loop with his-hats bragging that he made a total of $200K in only the span of 11 days & finally, “Backcourt!” officially ends the 2nd EP that Wick’s given us this year talking about knowing someone that chose the wrong side asking God for only bad bitches & fast cars explaining that at least he got his bread up regardless if he might not be happy yet at this point in his life.

What was supposed to be R5 and Pretty Girls & Fast Cars wound up becoming the first installment of a trilogy that makes me curious as to where he’ll go from here on the other 2 installments later once that time comes. His production maintains the trap/pop rap sounds of Solitary 2 except Autumn!’s swapping out the Chicago drill undertones of that previous EP in favor of rage & pairing it with additional elements of plugg.

Score: 3.5/5

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Autumn! – “Solitary 2” review

Lafayette, Louisiana rapper, singer/songwriter & producer Autumn! starting his 2024 by releasing his 20th EP. Gaining traction off all his previous EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Recordsright following the Not Much Left EP, he made his major label debut nearly 2 years ago with his sophomore album Antagonist! as well as following it up with the last 2 installments of the Golden Child trilogy & Midnight Club. Ahead of Pretty Girls & Fast Cars however, we’re being treated to a Solitary sequel first.

“Where Yo Cash At!” begins the EP on an airy plugg note calling cap over those lying about how much money they really have whereas Not One!” takes the playful trap route instrumentally clarifying that he only fucks hoes as opposed to being in love with them. “Can’t Keep Up!” futuristically gives insight into Twinuzis’ relations & his issues with women only caring about his wealth rather than him, but then “Up to Speed!” kinda has this rage-inducing vibe to the beat talking about needing P’s instead of hoes.

The cloudy, self-produced 2-parter “Richer Man! / Get In Yo Bag!” expressing self-awareness of them being mad ’cause he hates rappin’ & it still made him $1M alongside getting out of your feelings to by stacking your chips while the dynamically atmospheric “Balmain! / Self Healing!” begins with an ode to the French luxury fashion house of the same name & that playing with money is self care for him. “Solitude!” hooks up some synths & hi-hats to overcome his past struggles just before the moody “Don’t Come Around!” explains that she’s just not the one for him.

“What’s the Point!” spaciously begins the final leg of the EP by trying to figure out what the point is of everyone trying to come & test him leading into “Average Night!” going for a subdued plugg sound describing what a regular night is for him at this point. “Uptown Coolin’” finishes Solitary 2 with this cloudy trap teaser to Pretty Girls & Fast Cars talking about the dreams of a young kid who has to use cracked programs to make a vision coming into reality.

Nevertheless of Solitary coming out only 6 months before I started listening & reviewing Wick’s music if I’m being honest with myself, the sequel over here takes everything that made it’s predecessor exciting & taking it to a new level. You still get the cloudy, poppy trap rap from previously with the pluggnb undertones along with him occasionally dabbling in rage for the first time in a couple years considering the last time we heard him in that particular style was Antagonist!.

Score: 3.5/5

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Autumn! – “Midnight Club” review

This is the 4th full-length album from Louisiana rapper, singer/songwriter & producer Autumn!. Emerging off of 16 EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP, he made his major label debut last spring with his sophomore album Antagonist! as well as following it up with ##B4GC2 & Golden Child 2. However, he’s coming off ##B4GC3 & of course Golden Child 3 by dropping Midnight Club holding fans off until a sequel down the road.

“2 Chrome Necklaces!” is a wavy trap opener discussing his lifestyle & essentially serving as a peace offering to Yeat after they’ve been beefing for the past couple years whereas “Cocaine Diamonds!”takes a more euphoric route instrumentally talking about disappearing & reappearing like David Blaine. “She Say He Say!” however comes through with a trippy loop & hi-hats making it known who the flyest & realest couple in the game is, but then “Black Truck Greeters!” goes on to drop braggadocio over some punky drums & auto-tuned vocals.

To start the 2nd leg of the album, “Some of My!” works in some hi-hats & a shredding guitar riff getting in depth about a few of the bitches he’s had in his life that is until “Just Like Me!” details how the main woman in Wick’s life is similar to him in many ways with some cool rage undertones. “Abloh!” is the long-awaited tribute track to the iconic Off-White founder, Louis Vuitton artistic director & DONDA creative director Virgil Abloh going into more piano-driven turf leading into the atmospheric “Faith!” exploring how Twinuzis’ girl wants him to put his actual faith in her.

“Biggest Flaw!” gives off a syrupy, mellow flare finding out what’s going on in this woman’s head just before the poppy, cloudy “Chanelly & Birkin!”confessed that he’s found the perfect one for him. “4GSeller!” delving more into his lifestyle paying homage to the clothing store in New York until “Survive the Fall!” fuses elements of trap & rock to close out the album by declaring this his last call & having thoughts of suicide.

Golden Child 3 was a great conclusion to the trilogy that introduced me to Autumn! in the first place & the best full-length LP in his catalog yet. However, Midnight Club is right behind it without question. Wick’s ever-so stunning production is gradually evolving more & not only is is songwriting catchy, but so are his catchy vocal performances as he takes us through the way he lives. Twinuzis really went back-to-back in 2023 in only 5 months.

Score: 3.5/5

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Autumn! – “Golden Child 3” review

Autumn! is a 25 year old rapper, singer/songwriter & producer from Lafayette, Louisiana who got his start by dropping 16 EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP. He made his major label debut last spring with his sophomore album Antagonist!, following it up with ##B4GC2 & Golden Child 2. But with the final chapter of the trilogy in the form of ##B4GC3 a couple months ago, Autumn!’s ending it by delivering his highly anticipated 3rd album.

“God’s Child!” is a spacious trap opener with twinuzis hoping that everyone’s proud of him whereas “All My Duffels Goyard!” blends pop rap with pluggnb talking about just how he likes his duffel bags since he’s finding himself getting back into fashion again. “Chelsea, N.Y.!” works in some pianos & hi-hats for a dedication to the titular spot in the City of Dreams, but then “Backseat!” cautions to watch out for all the hoes you come across in this game over some woozy synthesizers.

Meanwhile on “Tootheache & Gaslighting!” we have Autumn! delivering a 2-parter with a plugg-infused first half with a drum & bass fusion coming in during the latter as he warns not to play him like a fool & everything he says being facts leading into “You > Them (Hate It!)” expanding on D&B even further my blending that with pop rap talking about the trials & tribulations of a relationship he once had. “Them > You!” is basically a counterpart to the previous cut from its piano/drum & bass production to its seductive lyrics just before the intoxicating sequel to “My Collection!” off ##B4GC2.

“No Good!” is a spiritual successor to “No Good 4 U” by Summrs by atmospherically breaking down why he’s bad for this woman he’s seeing while “Still the Same!” has a more playful tone throughout reminding that he hasn’t changed since becoming famous. “Still the Same! 2” samples “If It Means Anything!” off his simp music ❤ EP expands on how he’s living now until the very song that was flipped makes it’s way onto the album with it’s icy synths & lyrics about a failed relationship.

The sequel to “If It Means Anything!” on the other hand chops up “Like a Tattoo” by Sade telling this woman he’s glad she came around even though he misses her & there’s no going back while “Like That!” is a more straight forward trap jam dedicated to all the fine women that New Orleans has to offer. “Girl from the Club! 2” samples “Party” by Beyoncé acknowledging this new chick wants to live in the fast lane while “Cowgirl!” shows her how to ride it over a rattling beat.

Moving on from there with “50M Freestyle!” where uzis admits he can taste his first milli with a peppy instrumental backing him while “Can’t Rent Anymore!” has a more futuristic yet vibrant approach talking about not giving a flying fuck about a rental. “Twotimestwo!” brings a more atmospheric vibe to the table as he paints a picture of his girl bringing her friend with them for a threesome while “Colors!” flexing his hunnids being blue & green with some hi-hats & bass behind him.

“Baby Fewch!” opens up the final leg of the album as Autumn! airing out the lames with a dramatic quality to the beat this time around while the song “Recollections of Fame!” is a catchy plugg banger about his BMW E-31. The penultimate track “I am the Goat!” weaves some more synths & hi-hats discussing his greatness with the closer being “The Remorse!” off ##B4GC3, which is an emotional tribute to his deceased brother.

If any of you were 50/50 on Antagonist!, I think Golden Child 3 will definitely make up for it as twinuzis ends the trilogy with his most well-rounded full-length album so far. The production is well grounded in his pluggnb roots whilst experimenting with drum & bass along the way as his growth throughout the years prevalently shows itself in the 67 minute run.

Score: 4/5

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Autumn! – “##B4GC3” review

This is the 19th EP from Louisiana rapper/producer Autumn!. Making a name himself in the plugg scene, he got his start by dropping 16 EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records right following the Not Much Left EP. He made his major label debut last spring with his sophomore album Antagonist!, following it up with ##B4GC2 & Golden Child 2. But with the final chapter of the trilogy on the horizon, of course twinuzis had to prelude it with ##B4GC3.

“Baby Fewch!” is an atmospheric trap opener to the EP with Autumn! talking about getting this shit too easy whereas the song “Colors!” takes a more vibrant route detailing his mob boss & not stressing over fuck boys. The penultimate track “Recollections of Fame!” embraces the pluggnb sound we all came to know & love him for as he clarifies that all his brothers roll with him prior to “The Remorse!” ending things on a somber note recalling a phone call that he received in New York & trying hard to find some sort of closure.

As we await for Golden Child 3 which is said to be a self-produced full-length album unlike the past installments of the series being EPs, this’ll sure be enough to hold us off until then. It’s pretty much a mix of his pluggnb roots & some new sounds that he successfully decided to try out. At this rate, the final entry of this series that introduced me to dude’s music is sure to be something special.

Score: 3.5/5

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Autumn! – “Golden Child 2” review

Autumn! is a 24 year old rapper, singer/songwriter & producer from Lafayette, Louisiana who made he got his start by dropping 16 EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Records following Not Much Left this past fall. He just put out his sophomore album albeit major label debut Antagonist! few months back to positive reception & returned to his plugg roots a month ago with ##B4GC2, but is steadily grinding by putting out his 18th EP.

The intro sets it off with a glistening instrumental talking about being up now whereas “Inside My Head!” takes a more atmospheric route thanks to Goyxrd refusing to let the industry take his soul. “Can We Talk!” goes pluggnb responding to everyone who said he fell off prior to “Golden Child!” confessing about lying that he’s fine when he’s really not over a tranquil instrumental. The song “Jay n Bey!” works in a guitar comparing his love for his partner to that of The Carters while the penultimate track “Should Know Me Better!” spaciously talks about needing to relax after moving too fast & that he’ll always be here in the scene. “Myself!” though is a fun send-off to the EP telling this hoe not to deny that she’s like the rest.

As a sequel to one of the best projects in Autumn!’s ever-growing discography, it certainly lived up to my expectations. Much like the prequel & the predecessor, the actual follow-up itself picks up where things left off with it’s well-crafted pluggnb production that helped blow him up & the subject matter all comes from a unique perspective that he continues to bring to the table. He & Weiland are definitely holding it down for Victor Victor right now.

Score: 3.5/5

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Autumn! – “##B4GC2” review

This is the surprise 17th EP from Louisiana rapper/producer Autumn!. Making a name himself in the plugg scene, he got his start by dropping 16 EPs & a full-length debut on SoundCloud since 2018 prior to signing to Victor Victor Worldwide & Republic Recordsright after his last EP Not Much Left last fall. He just put out his sophomore album albeit major label debut Antagonist! few months back to positive reception & now surprise-dropping ##B4GC2 ahead of Golden Child 2.

“My Collection!” is a spacious opener talking about letting Keisha think that he’s the one that needs her while the self-produced “I’m Doin’ Fine!” takes a pluggier route assuring everyone that it’s all good on his end. The penultimate track “Know You Hear Me!” has a more psychedelic edge to it delivering a message to the higher power & “Wait Yeah!” closes out the EP with a fun trap banger produced by Maajins confessing that he doesn’t know who he’d be without the power of music.

Golden Child is still a favorite of mine throughout Autumn!’s catalog due to how personal he got on there & this prelude has me anticipating the sequel highly. The production is a lot more plugg-influenced than Antagonist! was & the introspection that made the first Golden Child so special happens to carry it’s way over here.

Score: 4/5