This is the 13th mixtape from Memphis rapper, songwriter, producer & record executive Juicy J. Rising to stardom in the 90s as the co-founder of the seminal Three 6 Mafia alongside his Tear Da Club Up Thugs cohorts DJ Paul & the late Lord Infamous, he also had the most successful solo career out of everyone in the Mafia whether it be the Taylor Gang Entertainment/Columbia Records-backed Stay Trippy & Rubba Band Business: The Album or even his last full-length The Hustle Continues under his new MNRK Music Group imprint Trippy Music. He just dropped Stoner’s Night with Wiz Khalifa at the beginning of the year & then Space Age Pimpin’ with Pi’erre Bourne over the summer, but is reuniting with longtime collaborator Lex Luger to surprise drop Crypto Business.
“Night at the Club” is an insane trap opener with Juicy describing the lavish lifestyle that he lives whereas “‘Cause I Live It” with Wiz works in some pianos & hi-hats talking about why they never talk it. Finesse2tymes’ verse on “Be Careful” is a little underwhelming to me despite the themes of watching out who you consider to be friends over more hi-hats & a creepy loop but after the “Big Triece Talk” skit, “Hit the Smoke” works in a soul sample talking about getting higher than a motherfucker.
Moving onto “Coinbase”, we have Juicy over a trap instrumental with some keys & horns calling money his league leading into the Lil Keke-assisted “Kill dat Shit” jumping on top of a repetitive “murder” vocal chop & heavy bass co-produced with BeatKing to get nasty lyrically. “Respectfully” laced some strings & hi-hats from Hitkidd admitting he can’t give bitches anything as well as giving a middle finger to those who be hating, but then “R.I.P.” gives condolences to a number of things ranging from Michael Jackson to the clothes he’s ‘bout to fuck up & the beat here has an uneasy quality to it that I like.
“I Got” however admits he has issues accompanied by some rattling hi-hats while “Send Her Down” returns to a more dramatic approach in sound talking about still being here in spite of those who want him dead for whatever their reasons may be. “Shrooms” with LXST CXNTURY finds the 2 tweaking out on the titular recreational drug with a more darker quality to the production while “Clap” with Trey Dizzle is basically an inferior successor to “Kill da Shit” down the raunchy lyricism.
La Chat though reunites with her former mentor on the self-produced “Mind Yo Business” warning not to stick your nose where it don’t belong over a misty trap instrumental while the bell-laced “Let It Go” betting that a sucka isn’t gonna play with him. The chopped & screwed sample through “Hot Sauce” is a really nice touch talking about being posted on the curb where he used to get rocks off & the final song until the outro “Know What’s In It” truly the ends the tape by charmingly detailing the shit that he got inside of his turn-up cup.
I already knew going into Crypto Business as soon as it was announced merely hours before it came out that it would be the best thing that would give us this year. Lo & behold, I like it more than both Stoner’s Night & Space Age Pimpin’ combined. There are most certainly a couple questionable features & production choices during it’s 47 minute run, but the joints with Juicy & Lex are some the highest points on the tape because of how well they continue to bring the best out of one a dozen years later.
This is the brand new collaborative mixtape between Juicy J & Pi’erre Bourne. One is a founding member of the groundbreaking Memphis outfit Three 6 Mafia & the other being a South Carolina recording artist who quickly became one of the most in-demand producers in hip hop today due his one of a kind sound. Juicy just did a verse for “Bubble Gum” off of Jelly’s latest album The Wolf of Peachtree 2 fully produced by Pi’erre, so they’re coming together for some Space Age Pimpin’.
“You Want It” kicks off the album with a grim trap banger that finds Juicy & Pi’erre bragging that they got all the shit others desire whereas “Smokin’ Out” works in some chopped & screwed influences talking about the lifestyles they both live. “This Fronto” returns to a more darker trap sound describing both parties being under the influence just before “Bring Them Out” reveals itself as a fun anthem to all the hoes out there.
Meanwhile on “Uhh Huh”, we have Juicy & Pi’erre delivering a symphonic trap banger getting materialistic leading into “B.B.L. (Brazilian Butt Lift)” comes through with a trumpet-laced ass-shaker’s ode. “Who Get High” shoots for a hazier aesthetic talking about being blowed, but then “Can’t Get Her” mixes a guitar with some hi-hats calling out dudes getting in their feelings because they stole their bitches.
“The Deep In” explains how bad they’re tweakin’ over a triumphant instrumental & even though I love the soul sample throughout the penultimate track “NFT”, the subject matter about the biggest scam in the world is just tiresome at this point. “Unsolved Mystery” ends the tape with a rugged banger reminding everyone not to bring any bullshit to them & that they don’t fuck around.
Compared to the Stoner’s Night tape that Juicy dropped with Wiz Khalifa at the beginning of the year, I happen to like Space Age Pimpin’ a tad bit more. That’s no disrespect to Wiz either because he & Juicy have always had a dope chemistry, but I really find it fascinating how a style as unique as Pi’erre’s collided with Da Juice Man’s in terms of overall sound.
This is a brand new collaborative album from Juicy J & Wiz Khalifa. One is iconic for co-founding the seminal Memphis outfit Three 6 Mafia with the other coming straight outta Pittsburgh gaining worldwide attention in 2010 off his classic 7th mixtape Kush & Orange Juice. These guys have been working with each other ever since Wiz signed Juicy to Taylor Gang Entertainment the following year & they even went on to form the trio TGOD Mafia with TM88 in 2016, dropping their only album to date Rude Awakening that summer. However, it was announced last fall that they were working on Stoner’s Night & now we’re actually being treated to the final product.
“Testin’” is an explosive opener pondering why anyone wants to fuck with them whereas “Weak” almost sounds like a parody of “Weak Azz Bitch” down to the redundant Big30 feature. “Pop That Trunk” however takes a grimier approach talking about having toolies in their whips leading into the nocturnal “Big Game” co-produced by 808 Mafia co-founder Lex Luger getting materialistic.
Meanwhile on “Backseat”, we have Project Pat joining Juicy & Wiz on top of a cloudy trap beat talking about being the realest dudes their women have ever been with just before the horn & chime-laced “Throw It” reveals itself to be a fun strip club banger. “Try It” takes a mistier trap route talking about fighting fire with fire, but then “They Wanna See You” keeps it rolling by angrily clapping back at those praying on their downfall.
“Ass for Days” almost has this symphonic trap quality to it talking about a woman with Cake who goes both ways while “Club Close” has a more vibrant tone speaking on acting a fool. The song “Blaze Up” of course comes through with a cloudy weed anthem while the penultimate track “Why Do I Stay High?” picks up where the predecessor left off except it’s more melodic. “Invest” then ends the album with a celebratory ballad about them investing the money they already have.
It’s always exciting when these 2 link up with each other & Stoner’s Night was definitely an enjoyable listen for me. It’s pretty much what I expected as far as subject matter goes, but Juicy’s production once again takes listeners back to Three 6’s heyday & his chemistry with Wiz Khalifa remains unmatched even a little over a decade later.
Juicy J is a 45 year old rapper & producer from Memphis, Tennessee most notable for being a founding member of the seminal Three 6 Mafia. He’s also had the most successful solo career out of everyone in the Mafia, releasing 4 full-lengths & a handful of mixtapes. But after being released from Taylor Gang Entertainment/Columbia Records & starting up his own E1 Music imprint Trippy Music earlier this year, Juicy is celebrating by dropping his 5th full-length album.
Things start off with “BEST GROUP”, where Juicy claims Three 6 as the greatest hip hop group of all-time over a sinister trap beat. The next song “GAH DAMN HIGH” with Wiz Khalifa is an off the wall weed-smoking anthem as one would expect while the track “SPEND IT” with Lil Baby & 2 Chainz finds the trio talking about their wealth over a piano inflicted-beat. The song “PO UP” with A$AP Rocky sees the 2 paying tribute to all the celebrities we’ve lost in recent years over a supernatural-sounding instrumental while the track “KILLA” with Conway the Machine finds the 2 talking about being posted with their gangs over a maniacal trap beat.
The song “THAT’S THE WAY IT GOES” talks about how hoes gon’ be hoes over an instrumental with some keyboards & rubbery bass while the track “SHOPPING SPREE” with Young Dolph sees the 2 getting materialistic over a tense beat. The song “1995” with Logic finds the 2 talking about whippin’ through their cities over an uptempo instrumental while the track “WHAT I NEED” is a well-transitioned 2 parter about getting high.
The song “SHAWTY BAD” reunites with Logic to get raunchy over a rambunctious instrumental while the track “LOAD IT UP” with NLE Choppa sees the 2 getting braggadocious over a suspenseful trap beat. The song “SHE GON’ POP IT” with Megan Thee Stallion finds the 2 coming together for a fun, atmospheric strip club banger while the track “MEMPHIS TO LA” with Jay Rock & Project Pat sees the 3 talking about having options over some snares & keys.
The song “DATZ WHAT IT IZ” talks about how he ain’t cool with fuck boys over a grim instrumental with some hi-hats firing off like gunshots towards the end while the penultimate track “IN A MIN” gets celebratory over an exuberant beat. The closer “I CAN’T STOP” then discusses how a big booty bitch makes him feel rich & the bass on here just hits so goddamn hard!
Overall, I thought The Hustle Continues was pretty solid. I think Juicy kinda overdid it on the features but at the same time, he shows listener that he still has it all these years later on the mic & on the boards.