Westside Gunn – “Hitler Wears Hermes X” review

This is the 11th mixtape from Buffalo emcee, songwriter & entrepreneur Westside Gunn. Whether it running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele, he truly has proven his legend status & that he’s to be a force to be reckoned with all in only the span of 7 years. just put out his last tape PEACE FLYGOD over the summer & with in tradition to the Halloween season, West is dropping the true conclusion of the decade long Hitler Wears Hermes mixtape series after originally dropping the 8th & 9th installments last fall.

Doe Boy tags along for the trap opener “FLYGOD Jr.” produced by West’s son hence the title after the intro to spit some gangsta-laced braggadocio whereas “Super Kick Party” works in a sample-based boom bap instrumental courtesy of Conductor Williams taking it’s name after the finisher of AEW EVPs, former 2-time AEW World Tag Team Champions, the inaugural AEW World Trios Champions, 2-time ROH World Tag Team Champions, 2-time ROH World 6-Man Tag Team Champions, HoG Tag Team Champions, AAA Parejas Campeons, 2-time IWGPタッグチャンピオン, 7-time IWGPジュニアタッグチャンピオン, 3-time NEVER無差別級6人タッグチャンピオン & 4-time PWG World Tag Team Champions The Young Bucks.

A$AP Rocky & Stove God Cook$ both come into the picture for the uncanny yet dusty “Shootouts in Soho” getting on their hustler shit including a bar referring to WWE Hall of Famer Mr. T, but then Black Star tags along for the heavily soulful “Peppas” to blend their conscious styles with Westside’s boasting including a reference to former 2-time UFC Light Heavyweight Champion Jon Jones & him using an excerpt of his appearance on the Discovery Global-owned TNT series AEW Rampage last month for the outro is the ultimate flex.

Meanwhile on “Nigo Louis”, we have West over a drumless yet groovy beat with a guitar talking about hitting shit in broad daylight leading into the Rome Streetz-assisted “BDP” spitting that fly gangsta shit hitting harder than UFC Hall of Famer, the inaugural UFC Women’s Batnamweight Champion, former WWE Women’s Champion & the current WWE Women’s World Champion in her 2nd reign Ronda Rousey accompanied by a crooning boom bap instrumental. The Margo Guryan flip from Swizz Beatz throughout “Science Class” with Busta Rhymes, Ghostface Killah, Raekwon & Stovey is remarkable as the 5 talk about being the plug just before “God is Love” weaves a drumless sample into the fold prior to a beat switch during the last minute & a half as Estee Nack & Stove God talking about how they done made this work.

The song “Switches on Everything” with Run the Jewels has a jazzier sound to it thanks to Mike Shabb admitting the only way to get them to leave the crib while the penultimate track “Mac Don’t Stop” turns the jazz levels up to 11 with the help of Pete Rock including a bar referring to lucha libre popularized by the Lutteroth family-owned Consejo Mundial de Lucha Libre (CMLL) & it’s rival promotion Lucha Libre AAA Worldwide (AAA) owned by the Peña–Roldán family. “Red Death” however ends the tape with an epically grimy 10-minute Griselda cut produced by none other than The Alchemist showcasing the unique styles of everyone who laid & killed their verses.

Now as solid was Hitler VIII & IX both were in their own rights, X to me is a great note to end the iconic Halloween mixtape series on in light of Ye formerly known as Kanye West’s antisemitic comments at the beginning of the month & I wanna thank West for all the memories that it’s given me along the way. It’s more focused than PEACE FLYGOD as expected, the features all compliment him in their own respective fashion & the production throughout is just absolutely stellar.

Score: 4.5/5

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Jeezy – “Snofall” review

Jeezy is a 45 year old rapper, songwriter & actor from Atlanta, Georgia who came up in the early 2000s off his full-length debut T.U.I. (Thuggin’ Under the Influence) & the sophomore effort Come Shop wit Me. Both of which were mediocre, but his biggest breakthrough wouldn’t come until 2004 where he began a partnership with Def Jam Recordings that’s going on strong to this very day & dropped the classic Thug Motivation 101: Let’s Get It the following summer. Subsequent discography highlights would include Thug Motivation 102: The Inspiration, The Recession, Thug Motivation 103: Hustler’z Ambition, Seen It All: The Autobiography & even The Recession 2 that came out the day after his Verzuz battle against longtime rival Gucci Mane during the COVID-19 pandemic. So when Jeezy announced that he was linking back up with DJ Drama & Don Cannon for his 14th mixtape right here, anticipation was pretty high from me.

The title track sets things off with a drumless yet triumphant instrumental from Cool & Dre as Jeezy talks about being in a billionaire’s mindset whereas “Bruh” takes a more horn-laced trap route talking about how we already know the deal. Lil Durk tags along for the boisterous “Most Hated” produced by the J.U.S.T.I.C.E. League (who did nearly half the album) to call out those who despise them prior to “Street Cred” blends some keys & hi-hats thanks to Don Cannon talking about the credibility that the Snowman has in the streets.

Meanwhile on “Kolors”, we have Jeezy returning to a more victorious sound to brag his riches to everyone that’s listening just before “MJ Jeezy” dives into cloudier territory courtesy of FNZ talking about handling his business & speaking that fluent trap shit. “Plug on ‘Em” has a more vibrant tone to it boasting that he does it best leading into the lead single “I Ain’t Gon’ Hold Ya” jumps on top of a rubbery trap instrumental from Helluva reminding us of his rightful place in this culture as one of what I like to call “the big 3” trap pioneers.

42 Dugg comes into the picture for “Put the Minks Down” to deliver a ratchet summer anthem while “King’s Crown” shoots for a more ghostly aesthetic paying tribute to all the fallen soldiers who couldn’t be here with us today. “Still Havin’” weaves some synthesizers into the fold talking about living right while “Scarface” with EST. G luxuriously finds the 2 watching the titular movie with the sound off, being bosses & showing off their girls being stronger than WWE Hall of Famer & 7-time women’s champion Trish Stratus.

Continuing from there, the vocal sample on “How Deep” was flipped very well if you ask me with Jeezy continuing to brag lyrically while “Grammy” fuses more horns & hi-hats together to talk about how he deserves the titular award at this point even though it’s the most rigged popularity contest ever. The song “My Accountant” cinematically rubs his wealth into everyone’s faces while the penultimate track “Big Sno” hooks up a high-pitched loop talking about his status. “100” though ends the tape with a victory lap encouraging to stay true.

If you’re of the few heads that I know who were disappointed with The Recession 2 even though I personally thought it was his best in a while, then I think you’re gonna like Snofall just as much if not better because Jeezy went back to back with it. He & Drama pretty much return to basics in an entertaining fashion from the production being as equally consistent to the return of the Snowman persona.

Score: 3.5/5

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TR Dee – “Crunch Time” review

Detroit rapper TR Dee tapping in with Danny G for his 4th mixtape. Notable for being 1/3 of the ShittyBoyz alongside Babytron & Stanwill signing to Lando Bando’s own The Hip Hop Lab Records, he also began carving a path for himself as a solo artist off his first couple mixtapes Trapped in My Bag & Made for This ahead of his debut album M.I.P. (Most Improved Player). Coming fresh off Trapped in My Bag 2 several months ago, he & Danny are teaming up on Crunch Time.

“Zap Zone” comes out the gate with a stunning Detroit trap intro talking about the whole block having lasers on them whereas “Franklin Saint” co-produced by Jakesand references the main character of The Walt Disney Company-owned FX hit series Snowfall, which I’m a fan of. “Drunk in Love” talks about being addicted to money like it’s a drug while “Odd Future” by the Dookie Brothers gives a nod to one of my favorite hip hop collectives of my adolescence.

We have TR Dee talking about how nothing’s basic when it comes to him & the rest of his squad during “Take the Throne” rightfully boasting that they’re the greatest in the whole city while “My Glocky & My Chop” featuring MJPaid & $camaurion finds the trio trading verses with each other for 2 & a half minutes. “Glo Gang” crowns himself the lieutenant of the Dog $hit Militia while “Wizardry” pokes fun at people scouting & watching others play ball from the sidelines.

“Louie V” winds down the final minutes of Crunch Time talking about his materialistic lifestyle copping a duffel bag from the iconic French luxury fashion house whose men’s creative director, Off-White founder & RSVP Gallery founder Virgil Abloh passed away 11 months earlier while the closing track “6 & 0” discusses his preference of showing people what he does rather than giving them a whole explanation.

Contrary to many Detroit trap fans enjoying Crunch Time less than both installments of the Trapped in My Bag series or Made for This & M.I.P. (Most Improved Player), it’s another great example of what TR Dee can do by himself & having a singular producer by his side takes it to another level. Danny G’s production exemplifies why he’s one of the greatest beatsmiths in this style of trap & all 3 guest performers match TR’s level of lyrical proficiency.

Score: 4.5/5

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Grip – “5 & a Fuck You” review

This is the 2nd mixtape from Atlanta, Georgia emcee Grip. Coming up in 2017 of his debut mixtape Porch, he would go on to drop his full-length debut Snubnose along with 2 EPs Halo & Proboscidea prior to Detroit veteran Eminem signing Grip to his very own Interscope Records imprint Shady Records last summer. His sophomore effort I Died For This?! the following month was an impressive major label debut showing his potential, so I was excited going into 5 & a Fuck You when he announced it out of the blue a couple nights ago.

“Cook Up” is a booming yet dark trap opener with Grip talking about needing a week to do exactly just that whereas “‘94 Flow” takes the boom bap route to spit some aggressive battle bars. Marco+ tags along for trap-laced “Static” calling out those who don’t want smoke with them, but then “Popular Demand” returns to the boom bap with an organ sample laced with the help of DJ Khalil addressing his return.

Moving on from there with “Da Benzo”, we have Grip delivering a shrilling trap ode to Mercedes-Benz leading into “The F Word” switching it back into boom bap turf talking about giving no fucks. “Value Mall” has a more atmospheric vibe to it explaining how you can ball on a budget just before Tate228 tags comes into the picture for “Cory ‘N Mel” telling the story of 2 robbers of the same name with some chilling soundscapes.

The song “Good” is a soulful celebration of how far we’ve come in this life while the penultimate track “Many Thanks” has a more twangier aesthetic to it with Grip sincerely expressing his gratitude to everyone listening for being the reason why he’s even here for a little over 8 minutes. “Ain’t Ok” though happens to be a solemn closer to the tape talking about the kids not being alright.

If this is something to warm people up for his next full-length, then I think it’ll be even bigger splashes than I Died For This?! as impressive of a major label debut was when it came out a little over a year ago. It’s a lot more rawer in sound, his penmanship is continuing to get better & he’s starting to come into his own artistically.

Score: 3.5/5

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Ramirez – “The Tragedy of a Clown” review

This is the 8th mixtape from San Francisco, California emcee Ramirez. Coming up in 2014 as a longtime affiliate of the $uicideboy$, he would go on to co-found to the New Orleans-based indie label G*59 Record$ with them & build himself as an artist by dropping his last 7 tapes, 10 EPs & 4 full-lengths in the span of nearly a decade. The last album Tha Playa$ Manual was his best yet with it’s g-funk production from Rocci & the gangsta rap lyricism, so that definitely intrigued me to check out The Tragedy of a Clown over here.

After the intro, the first song “Return of the Corpse” kicks off the tape with some heavy bass & a plucky loop asking if there’s a problem whereas the Pouya-assisted “Bacon, Eggs & Grits” finds the 2 over trap beat with a violin sample belittling everyone who be on their balls. “The Dungeon” dives into boom bap territory declaring himself to be the motherfucker you better run from, but then Germ tags along for the quirky yet alien-like trap banger “Carthart Vest” spitting aggressive braggadocio.

Meanwhile on “What the Hook Gon’ Be?”, we have Shakewell & Fat Nick joining Ramirez for an energetic Memphis gangsta rap heater just before “6 Feet Under” shoots for a more haunting aesthetic talking about being in rehab. “The Root of Demise” follows it up with a twangy trap ballad detailing depression leading into the misty yet rowdy “Murdered Out Vehicles” spitting some wicked shit.

“The Gallows Wait” has a more psychedelic quality to the production especially with the chopped & the screwed sample at the start & finish talking about being 1 gangsta ass ghost with Shakewell returning for the closer “Shameless Gorilla” boasting that there’s no shame in their game” with some morbid production from Mikey the Magician.

For him to give us this coming off his most critically acclaimed work to date, I think G*59 fans like myself are gonna be more than satisfied with it considering how consistent they’ve been. Ramirez takes it back to a more Memphis rap emphasis as far as sound goes with the lyricism being a bit more darker 2 & a half years later.

Score: 3.5/5

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WRLD Tour Mafia – “Tourmania” review

These guys are a group from Detroit, Michigan consisting of DaeMoney, Rafa, WTM Miles, WTM Re & WTM Solid. They originally formed in 2019 & dropped their debut mixtape World Tour Mafia or Die last summer to positive reception. But with the Mafia’s popularity continuing to grow as well as Scoob departing the group not too long ago & even the 1-year anniversary of their collective debut passing by a few weeks back, they’re continuing to move forward by putting out a sophomore tape.

“Gang Gang Gang” is a suspenseful opener talking about taking over your city & “running through them thangs like Reggie Bush” whereas “This It Right Here” detailing the lifestyles that they live on top of some gnarly piano chords, snares & a hi-hat. “Final 4” works in some strings & bells talking about making money instead of chasing it prior to the formidable “Backdoor Open” produced by LulRose warning to extort anyone who even thinks about fucking with them.

Continuing from there with “Stamped on Me”, we have the Mafia over a horn-laced instrumental talking about how turnt they are leading into “Halloween” samples the main title theme of the iconic 1978 horror masterpiece of the same name spitting some vivid gangsta raps. GT comes into the picture for “Demon” blending some keys & hi-hats together to deliver braggodio for a couple minutes just before the thunderous “Or Die” talks about representing ‘til the casket drops.

“Good Game” has a more angelic tone to the beat explaining that not being afraid of taking risks is the reason why they’re loaded on paper while “Re Birthday” with Lucki weaves some synthesizers to declare themselves as the chosen ones. “Oink Girl (Tour Girl)” is basically a hoe anthem with a blaring instrumental, but then Veeze tags along for “Construction” returning to daunting territory talking about dropping $700 on a hoodie with paint on it.

Meanwhile on “Erotic City”, the Mafia & Babyface Ray manages to sample one of my all-time favorite Prince songs boasting that they “really doing it” with the ambitious “For the Kids” strives to be rich for their families over some pianos & the hi-hats here are just rattling off like machine guns. The hypnotizing vibes of “Money Power Respect” are a nice touch expressing the amount of all 3 of the titular things to be increased while “No Timeouts” brings a more fraughting tone talking about how everyone wants the style now.

“Welcome to the Vault” has a bit of a rickety quality to the drums fused with some piano chords promising to change bitches’ lives while the song “Get Influenced” confesses over a wavy Carlo Anthony beat that they don’t even sweat about those taking inspiration from them. The rubbery penultimate track “Lethal Weapon” finds the crew cautioning to lay out anyone who dares to step up to them & “Backend” is a gripping closer talking about being the fuckin’ mob.

Now if Tourmania proves anything to me, it’s that the WRLD Tour Mafia is amongst one of the best groups in the city right now. Their chemistry as a unit remains as strong as it’s ever been even with Scoob’s departure, the production compared to the last tape being more distinct & the performances from the very few features that they bring with them for the ride are more consistent.

Score: 4/5

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Yeat – “Lyfë” review

Yeat is a 22 year old rapper from Portland, Oregon who out in 2018 off his debut EP Deep Blue $trips. This was followed up with 2 mixtapes & 3 more EPs, but he began dominating the mainstream in 2021 whether it be him dropping a total of 4 projects (2 mixtapes, an EP & a full-length debut) or cosigns from the likes of Drake & Earl Sweatshirt. He just dropped his sophomore effort albeit major label debut 2 Alivë under Geffen Records during the first quarter of 2022 & is commemorating the 1-year anniversary of Up 2 Më this weekend by dropping his 3rd mixtape following the huge success of “Rich Minion” earlier this summer.

“Flawlëss” is an otherworldly trap opener produced by BNYX of Working on Dying with Yeat on the hook & a sole Lil Uzi Vert verse boasting their lifestyles whereas “Up off X” dives into rage territory talking about being wide awake at night due to taking ecstasy. “Out thë Way” has a more calmer vibe to it declaring himself to be the baddest, but then “Wat it feel lykë” works in some wailing synths & hi-hats to diss rats.

Meanwhile on “Got it all”, we have Yeat over a bass-line & snares to flex his wealth leading into “Can’t stop it” brings some rock undertones to the beat surprisingly refusing to quit going hard. “Krank” almost has a cinematic quality to the instrumental talking about geekin’ just before “Talk” returns to the hypertrap sound to deliver some braggadocious lyrics.

“Comë on” shoots for a more electronic aesthetic to it thanks to BenjiCold going for the necks of his competition while the song “Systëm” has a more darker tone sonically talking about the drugs hitting right. The penultimate track “Holy 1” is a cloudier cut detailing his mob ties & “Killin’ ‘ëm” sends off the album on a wavy yet deadpan note talking about coming from that dirty.

Considering that Geëk Pack was just a decent collection of microwaved 2 Alivë leftovers, I had no doubt that Lyfë was gonna expand on what made the predecessor the fun major label debut it is. Lo & behold, that’s what happened here. It’s refreshing to hear Yeat dabbling with some new sounds than last time & his knack for catchy songwriting remains unmatched.

Score: 3.5/5

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Destroy Lonely – “No Stylist” review

This is the 3rd mixtape from Atlanta, Georgia recording artist Destroy Lonely. The son of former Disturbing tha Peace Records signee I-20, he’s released a total of 11 EPs since originally breaking out through SoundCloud a couple years back & has even signed to Playboi Carti’s very own Interscope Records imprint Opium Records to surprise drop No Stylist in light of his ongoing tour with fellow label-mate Ken Carson.

“JETLGGD” is a futuristic trap opener that Zodiac of Vanguard Music Group cooked up talking about switching up his swag whereas “BERGDORF” takes a more triumphant route detailing the crazy life that he lives going off the top rope like former 3-time WWE world champion Rey Mysterio. “<3MYGNG” is a dance/trap hybrid expressing his love for his crew leading into the bassy “VTMNTSCOAT” showing off some new drip over an electronic-flavored instrumental.

The title track works in some retro video game like-synths bragging that he’s fresh as fuck, but then “FAKNGGAS” shoots for a more futuristic aesthetic talking about the wankstas. “SOARIN’” gives off a bassier tone admitting he doesn’t get fly no more just before “TURNINUP” is a colorful trap banger that Cxdy of Internet Money Records hooked up talking about getting lit.

“LNLY” dives into cloudy territory thanks to Clayco going into detail as to why they call him that prior to the rubbery yet atmospheric “PRSSURE” talking about how he knew he was special. “ONTHETABLE” is a bombastic ode to the bread while “SWGSKOOL” samples the Deftones joint “Beauty School” confessing that he done lost his motherfucking mind.

Following that, the vocal sample throughout “CRYSTLCSTLES” is hypnotic as fuck with Lonely comparing his girl to Alice Glass while “DANGEROUS” brings back the trap/rock combination to detail the side of Atlanta that he’s from. The guitars throughout “MKEITSTOP” are a bit more punk-inspired talking about making it all the way to the top while “ONTHEFLOOR” is cloudy trap rock crossover Y3rip fused together confessing the shit he’s seen at 20 years old.

The song “PASSAROUND” has a more quirkier feel to it talking about his preference to face his hoes while the penultimate track “OTW” rattles off some hi-hats with more mellow backdrop detailing the things that’ve been coming his way lately. “VETERAN” with Ken Carson is a rage-inducing closer as 2 Carti protégés put the lifestyles that they both live on wax while “BLITZ” starts the deluxe run psychedelically talking about being off the meds.

“HAVINMYWAY” discusses knowing what he wants from this life & already having all the secrets. “ALLURE” might be my favorite here from the cloudy beat to the bars of being in dreams like Freddy Krueger while “LOUVRE” turns the rage up again to talk about a Paris trip. The final bonus track “NEVEREVER” has to be right behind “ALLURE” for the best one serving as the theme if you ’bout that cash & them figures.

At the end of my review of Ken’s solid yet overhated sophomore album X, I said that I respectfully think Lonely is the best Opium signee yet & this new tape of his pretty much proves my point. He has more versatility than Ken as proven by the production, his vocal performances & songwriting. Very excited to see them both when they come to town.

Score: 4/5

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Young Nudy – “EA Monster” review

This is the 9th mixtape from Atlanta, Georgia rapper Young Nudy. Despite being cousins with 21 Savage, he eventually carved a lane of his own in the last 8 years with his last 8 mixtapes (the most notable one being the Pi’erre Bourne-produced Sli’merre) & 2 full-lengths. Rich Shooter just celebrated it’s 1-year anniversary a few days ago & Nudy’s re-emerging in the form of EA Monster.

“Nun to Do” is a bassy opener describing being spaced the fuck out whereas “KitKat” works in some quirky synths thanks to Pi’erre talking about having deadly assassins. “Impala” takes a ghoulish route for him & his homie to creep in his whip, but then “Fresh as Fuck” brings back the synths warning that you don’t want no smoke with him.

Meanwhile on “Lunch Meat”, we have Nudy over a cloudy instrumental talking about being a stepper leading into the solemn yet rubbery 4L anthem “My Gang”. The delicate synths throughout “No Chaser” are a nice touch talking about itching for a body just before “Ready” shoots for a moodier aesthetic to deliver an ode for all of those who like to get high.

The song “Sick of Slime” lividly calls out every single dick rider he knows while the penultimate track “Duntsane” wasn’t the best choice for a single in my personal opinion despite the gangsta rap themes & the beat that Coupe brings to the table. Primarily because I personally felt that Baby Drill’s performances compared to Nudy’s was underwhelming. “Project X” however sends the tape with a rowdy fight anthem not for the bitch made.

Nudy had always been consistent throughout the course of his career & EA Monster further cements his status as such in my eyes. He delivers some animated performances/sticky songwriting throughout, I like how he toned it down with the features compared to Rich Shooter & the production is a healthy mix of Coupe & Pi’erre’s respectively unique sounds much like his last tape was.

Score: 3.5/5

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Karlae – “Enter” review

Karlae is a 28 year old rapper from Atlanta, Georgia who happens to be the ex-fiancée of trap pioneer Young Thug. She eventually got into making music when YSL Records put out their very 1st showcase compilation Slime Language a day before their founder’s 27th birthday & considering that Strick just dropped his 6th mixtape The Machine 3 a little over a month ago, Karlae’s finally stepping up to the plate next with a debut tape of her very own.

“Chit Chat” is a cutthroat opener talking about not being with the bullshit whereas “Gotta Get Touched” with the late Lil Keed takes a cloudier route getting raunchy. Dess Dior tags along for the bell-infused “Cap Ain’t Nothing” to remind everyone that they know how they come, but then “Respect” with Gunna shoots for a cloudier aesthetic talking about coming out the mud.

Meanwhile on “My Type”, we have Karlae & Yung Mal on top of an acoustic trap instrumental describing their preferences in partners leading into the jangly “Someone Like Me” pondering what others think when they see her. “Ballet” has an industrial trap flare to it as she & Yak Gotti talk about dancing on bitches, but then “Wishful Thinking” comes through with a decent 2-minute R&B ballad.

“Last Goodbye” weaves some rock influences to confess that she feels lonely after being broken up while “Bad” mixes some horns & handclaps talking about going bad because she’s bad as fuck herself. “Boondocks” has to be my least favorite cut in the album from the uneventful production to the award chemistry between Karlae & Bhad Bhabie, but the Sonyae-assisted “Left” picks it up with it’s cloudy beat & the subject matter of everything being litty.

Following that, “I Like” with Coi Leray was a decent cut off YSL’s final showcase compilation to date Slime Language II that makes it’s way onto here while the song “Blind” with Lil Yachty embraces a more playful tone talking about being blinded by love. The penultimate track “Did That” samples Kool & the Gang showing off her wealth & “On You” ends the album on a cavernous note as she & Thugger profess their love for one another.

I’ve been wanting this chick to put out a project from the moment I first heard her spitting on “U Ain’t Slime Enough” off Slime Language & now that we finally got it, I’m a little torn on the finished product. She’s not a bad songwriter or performer by any means, but a couple of the features underperformed & a good portion of the production doesn’t really have that many interesting ideas to me.

Score: 2.5/5

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